[generated output in 1 tries] THE END written by gregg kavet & andy cowan INT. JERRY'S CAR - DAY elaine is waiting for you to dinner and a half banana. ELAINE it took a turn for the glorification of your hand. TAXI DRIVER oh, yeah, you overload your inventory and you watch jimmy tomorrow? ELAINE did he do? is he talking about? you're not! she takes the cereal out of town. I missed a show, buddy. wooh, ba-boom, INT. MOVIE THEATER - DAY george looks back down to where I itch. GEORGE all right, tell me, what's kept you so long?! JERRY at your apartment? they lift the floorboards to reveal kramer, carrying a file. she overhears. GEORGE yeah. i'm on the phone rings kramer answers it, jerry doesn't want to see that guy? MR. ROSS remember when we pass each other and have to pay. she should've said no. now come on... GEORGE kramer, what are you doing? MR. MORGAN uh, what are you locking the unbeknownst to george, who shrugs. MAN okay. the elevator. sitting there in the walks out, leaving the delivery man bringing the massage chair into his mouth. BANIA 175 JERRY oh yes, yes I was, I had to walk me to get a free sample in with my parents. my boss. uh, nana and papa. BANIA ouch. exterior of jerry's apartment. he is something. ELAINE all right, rula, it's time to defrost that freezer again later, hopefully i'll PUDDY hey. ELAINE oh well, hey, I am of john mollika and richie also. PUDDY it's a used kleenex, what's that, a valentine? now you listen, and listen good: I need that ticket before ELAINE maybe we do anything...maybe we should be getting back together. PASSENGER 1 they don't know how you got any room on that fifty dollars comes to kramer's gallery, kramer following. ELAINE do adults ever order the child-size? comprehension problem. no what I do. you call me here and puddy entering elaine's apartment building. jerry and elaine begin to depart. WOMAN I can't find him anywhere. PUDDY hey man, so how do you have an account. ELAINE yeah. PUDDY yeah. roof of jerry and george sit one side of the dryer. and I look up to you? JERRY I don't know if he ever talk about this piece of cake. peterman got it made him act like i'm gonna write both of us drew a line in the old priest shaken. KRAMER what are you getting that? ELAINE elaine. you know, I know you? KRAMER come on in, we'll be talking with george and ELAINE yeah? what did you-- KRAMER you didn't like it. JERRY I still don't understand why GEORGE you have george and elaine pulls the check down? GEORGE he didn't show up. he had a big head. SHLOMO so what do you realize you're venturing into uncharted waters. GEORGE A counter-clockwise swirl. SLIPPERY PETE you owe five bucks for the blind? GEORGE just inch over. you know that? KRAMER ah, tony, he's good. you know what he's doing. george is further discomfited by the phone and morty stroll into the car GEORGE how could she leave us alone with him! KRAMER yeah. they should just be touching your back too. kramer comes along the way downtown again in my building-- mrs. krantz. KRAMER NOTHING LEFT! that's why I wouldn't go anywhere near there. he lifts my spirit! KRAMER it might be trying to get some real writing. he's got a twelve-minute bit about relationships, some baseball, but you always have to wait here and take the pen moves back out of him. lamar starts to play. elaine dances around the table she mentioned something about my life, I dreamed about having the keys back. KRAMER what? kramer comes running after a second, I believe the deal with another 900 convertible. CINDY thanks jerry, gotta run. it was a miss. he's hated me anyway! JERRY and shopping. CINDY no. my money. JERRY oh, he's having surgery and I are reversing the peepholes on our way to separate the skin seems sort of rubber container with oil and rub it against the backslide. I knew it. CINDY hi, kramer. guess what I want that smell good, huh? JERRY elaine, he doesn't want a computer, typing away at the restaurant, uh? I just did. there are many differences between american and soviet cultures that you're gonna thank me for liberating you from george. CINDY no. that was alright. JERRY alright, c'mon. let's go. as he tries to CINDY I don't know what they should jerry finds a man ELAINE custom designed? JERRY no, come on. GEORGE I don't want it. you show up at elaine's apartment. ELAINE you just make sure he was really gonna take me either. if it was there. ELAINE he thinks you're a ranger fan and you can look pretty good. JERRY yeah, hey did you get him a box of them. EALINE ohh... JERRY her tip. GEORGE of course ..kramer.... JERRY I don't like GEORGE why? did I mention it earlier but actually I do at the toys. I gave everything I JERRY oh, yes. particularily if your not carts with one of the three of a sudden it just does. GEORGE i'm gonna surprise joey with them, you got my clothes? JERRY what's the matter with ELAINE why didn't he santa! KRAMER you wanna be normal. normal. ELAINE well we do. we leave and never returned it. JERRY if you hadn't LAMAR this traffic's a killer, ain't it? ELAINE you know, you should be apologizing to her. elaine elaine looks even happier. she slaps kramer on street JERRY oh, i'm glad . . duncan meyers. oh, wow, these are too high. ELAINE no , it's sold out. so were going out on a second. oh, I, I need some kind of food had been turning tricks in my soup. ELAINE what's the difference between a pick and a jerry like blue shirt. PRIEST leave me! you and me, what happened to the bakery. stop here. okay, let me just check my messages to me so mad. ELAINE I guess I could sit on that deal. ELAINE i've got a date! JERRY I woulda taken you to do now is that the guy who lives here? ELAINE they have bad credit, if they like that! JERRY no you don't. KRAMER are you nervous? AND SECURITY GUARDS ARE IN A CAR. GEORGE IS GRABBING JERRY'S ARM JERRY yeah, that's nice, yes okay. yes, let's have it. wha -- I, uh -- uh, we had tickets for tomorrow night. GEORGE you better get going. JERRY I think we should give those two people go and tell her after sex, you just know if you're going out to be able to take any crap. GEORGE oh, I get it. JERRY I did. GEORGE alright! that's it for me! JERRY what idea? GEORGE I gave. I gave her my tax papers. you told him you ELAINE you got ONE hour. JERRY I can get an estimate on my tape recorder in it. people are all rusted here. that's a good look. they seem to fall JERRY is that weird? ELAINE kramer, is that this is the opposite of everything I JERRY so your baby bluey. are you talking about?! we had a good cheek, I like that. KRAMER you know we're leaving at three o'clock. JERRY and your last meal I am not in there. KRAMER oh, yeah. he's pretty upset that I landed. george runs off screaming. kramer runs out the mouthful he's bumps a paint can which knocks over clete boyer. store. MAN who's that? george and abby are in your bathtub? MR. PLESS the chimpanzee. GEORGE yeah. it is my friend, kim called - david and beth got separated last night! MR. KRUGER all me. kruger doesn't do anything to drink? GEORGE can you keep winking at me. okay, forget about the napkins? MR. KRUGER alright, alright i'm going. GEORGE what are you returning? MR. ROSS yeah george, I think i've ever seen. GEORGE why? MR. TUTTLE well george is ordering his beans from the adjacent sidewalk. one of those kids with the femenists. you know, she said george? she remembered my name. I made the bed. GEORGE hey kramer, kramer! right. i'll tell you how he felt guilty. MR. ROSS they put my half is gone. what's this got? jerry's apartment. the great thing about getting to be cobbled. GEORGE what's that? KRAMER hey! hi elaine! GEORGE all right, what about paris? KRAMER A box of cereal. JERRY well, I could die in your freezer KRAMER well, what if it isn't the way JERRY so what do I have to say to a five run phillies KRAMER cage-free, farm-fresh eggs. kramer a massage. GEORGE let's not panic. let's just order coffee? JERRY this is not as hygienic as they do, you gotta wean. GEORGE elaine said I was JERRY ya he's right back GEORGE yeeeaaah. well..... i've never met her. she's five-three, like a napkin? JERRY you're going on there. it's like an igloo? GEORGE i'm following you again. I hope I am. there's too much to tell, you know, I didn't have any running water? JERRY come again? GEORGE well...i've got a blueprint of the coma. JERRY the driver seems a little more. you know what you think i'm making out during schindler's list? SALES WOMAN well, you're not gonna soap up, at least try to find him very insightful... JERRY how do you want? SALES WOMAN it has nothing on, nothing on, nothing on, nothing on, nothing on.. JERRY ask not what you want. SALES WOMAN you don't understand, elaine. I went back and continues to stare off into the living room table. JERRY no, poppie! no!! SALES WOMAN i'm gonna JERRY this is it. the carpets are filthy. what am I in, what woman I have to SALES WOMAN mr. varnsen, if you think I got a cigarette? JERRY oh, this is what you said pendant was in the dark! I knew this was designed in 1850 by SALES WOMAN you don't mind? JERRY i'm sorry, I just want to see what happens to truck drivers. they hold that door... SALES WOMAN just down on your little JERRY alright KRAMER, enough of this. you've got another one, please? i'll call you SALES WOMAN mr. pennypacker! kramer props the chairs up against a desk. and it's about time we were friends. should I care? SALES WOMAN mr. o'brien? KRAMER alright. i'll make sure that nothing happens to live my life. SALES WOMAN it has nothing to worry about it, but can't make much impression, so she just didn't sound right. KRAMER cool it, lady. cool it. cool it, lady. cool it. SALES WOMAN you know how garages are. they're conducive to sex KRAMER bulimic, SALES WOMAN right this way, mr. vandelay. KRAMER yeah, and they don't like it, give it back or without. he told that story stunk worse than this. what do you want to ask my parents to go through life. MAN please, rest mr. pitt. BOB these seats are piled with the privacy that I would wait on that. KRAMER well, I think you can. kramer holds his other hand at about knee height. JERRY look, let me perfectly blunt. I don't care for a new hat. KRAMER i'm proud of the couch, awaiting newman's jerry's door and, as he likes it so well. KRAMER well they better think again. JERRY well, of course he liked me. jerry opens the door, and closes her eyes. JERRY excuse me, do you think? SALES WOMAN no. JERRY you know, .. blah ... SALES WOMAN it's down the hall. JERRY but he doesn't recycle. SALES WOMAN it was something funny about this whole trip with these tip calculators? JERRY are you doing here? INT. ELAINE'S APARTMENT - DAY KRAMER look at your watch? INT. MONK'S DINER - DAY ELAINE yes. as a female customer is leaving the counter to retrieve it, before slumping in her bed? INT. SECURITY OFFICE - DAY - ESTABLISHING elaine and greg in the can. MAN you're in my prime, I should probably get going . ELAINE well it's just a man. you're a woman! MAN hey hey hey hey hey, i'm being heckled on stage. ELAINE you punched who in the door. ELAINE I don't know. PRIEST none of their pants, nobody's stopping them. nobody EXT. JERRY'S APARTMENT - DAY jerry and george sit in my body you will be his friend. better that she hasn't seen the omen trilogy. JERRY no , no. your not playing the piano do you have ESP. george, what's on your order. no extraneous comments. no questions. no compliments. he takes a look. JERRY well what could you do at all, I don't wanna hear about this! I mean, she has a short guy with glasses. CINDY the girlfriend. she checks out page 146. CINDY no. that ain't dancing, sally. she was a guy trying to recall. elaine has joined the polar bears?! CINDY hi, elaine. she jumps up and burned it for you. KRAMER well, I don't know if I was looking at the world for their lives. JERRY oh boy. uh, look like? KRAMER never said a thing! you don't think anyone's turned down an apartment opening up in my building.. and she works in my life is this? did you know i'm EXT. J. PETERMAN BUILDING - DAY INT. TAXI CAB - DAY jerry is on the radio. brett immediately breaks off the market? the sponge? no, no...no way. everybody loves the sponge. JERRY why are you calling them soon because, they keep calling kramer hands stetsons to each of you. KRAMER for you by the coffee shop. kramer greets KRAMER well , not to worry, i'll return it tomorrow, because doris wants to be called peter. he accelerates the mail truck. KRAMER HELLO! lamar drives up to your apartment and handing jerry back his wallet. KRAMER mmm, these are nice corners, huh? kramer starts to laugh as cheryl walks away. jerry restarts the car, rather JERRY so, she can't accuse me being unconvertible. NEWMAN excellent. excellent. back to jerry, gives him a hand. hey, kramer. PASSENGER 1 you're not going over to some on-ice action, then to george and peterman at the counter brings a roasted turkey out on your little flaky friend? she ELAINE oh, hi. joel.. oh, you think I may not get cold. comprehension problem. no what I said. i've been going on? puddy coming up here. A certain cast member of the car there. WOMAN george, bye! PUDDY nah. ELAINE ya, 308. i'm crazy about him. I might take you out jack. pair of chinos from J. crew. PUDDY elaine: I want a drink? i'm buyin'.} ELAINE A quick PUDDY ok. ELAINE I am different, yeah. here for senior citizens. VEGETABLE LASAGNA my name is going on with this now. ELAINE what? JERRY you left your post. ELAINE that was on TV the yankees and reduced them to the world: he's boring. KRAMER well, then, if he's black. GEORGE five-foot four. why? JERRY i'd accuse you of pleasure? is it me who he calls? GEORGE bother, wa', what kind of fermented chicken drink. ELAINE excuse me. uh, pound of turkey! JERRY i'm asking! ELAINE although, I have to conserve these sponges. JERRY all right. KRAMER i've got the magazine. jerry puts JERRY I know nothing, but pulls a face, helps himself to dr reston. he drops the pen and signs for the number. JERRY why, because I quit! she practically ran the mini-marathon? CINDY I made a reservation, do you want a divorce. she pays the driver rolls down the hall, it's on fifty-sixth street? CINDY thanks jerry, gotta run. she then picks up the briefcase tape. CINDY thanks jerry, gotta run. it was a little burning. mickey, he swallowed twelve aspirin. she never called me up for you and elaine sit on a poodle. KRAMER yeah, we're checking it out. it's a broad noodle. JERRY awright. KRAMER yeah, cupid's rifle -- 8:30, sony lincoln square. yeah, no, no, I... JERRY one tim whatley! KRAMER ahh! I don't condone JERRY name it. KRAMER say you're getting him anything for his kitchen. JERRY why don't you worry about it. INT. JERRY'S CAR - DAY elaine tips back her in? ELAINE you never called you last night. CAB DRIVER no, you don't know. how could you say when you show interior of an express conversion? A quick CAPTAIN ah, jerry? ELAINE got it! I think I need your sample. jerry's in a cab with this...a hum..deensfrei. KRAMER come on. lets go of my pea pods. JERRY ... I need a few moments? KRAMER yeesh-jip! JERRY so, I was wondering. what if it's real. it's water. KRAMER well, occasionally, I like to talk about it? JERRY sure, how much? KRAMER bite-size three musketeers. JERRY I thought it was, it was like 67 years old, it was a blizzard. KRAMER yeah. GEORGE hey uh let me tell you what we just blew your mind? SHLOMO I thought you were completely right. I make money. that's what I am dressed. GEORGE hey. SLIPPERY PETE that was just trying to GEORGE good. KRAMER you don't have any of this. i'm starving. GEORGE excuse me. i'm afraid spite doesn't fit into any of my ties from my cop buddy doug. KRAMER no. no, no,no,no,no. i'd have no moral compass. you're going to that guy can't even make up for work I did! GEORGE nothing. KRAMER right across from her neck. GEORGE all I gotta plead ingnorance on this entire planet, that you're a cowboy now. JERRY can I have no medical evidence to back to lunch. can you talk me into it. phone rings. jerry tries to button it. JERRY yeah. thank them.. GEORGE we had a job. can I just wanna see the way of speaking. we fell in love with me, they have any of those people they attack the whalers out on the JERRY boy, he takes so long? GEORGE s'cuse me ..do you mind if I take this light - JERRY no, george is mainly focused on eating george and jerry's walks up to me because you see, david, you're a communist, does that conflict with the blue sweatpants! JERRY no what? GEORGE the attic? y-you haven't wore any of you, and no money, who live to be a tourist? JERRY because the two GEORGE we have a fax machine. JERRY ah ha. and what does he wear one of those tickets. GEORGE I know! but it was hot? were you doing poking around the new time magazine. the waitress so she was on the buss looking at the one you met her but i'm aware of it. JERRY yes. ELAINE he is carrying a small ceremony. JERRY uh huh... MAID all done. JERRY hey. look at this, what do you happen to me. she sees in *kramer*. the delivery room. JERRY and barbara mandrell's skateboard! ELAINE i'm having dinner with my fists, VEGETABLE LASAGNA oh god. okay, let's not panic. let's just leave. JERRY amazing how many times do we still have to see you. ELAINE nah! they're fake! JERRY do me a few times. GEORGE he eats at that , um, biography of KRAMER hey hold that bus! SLIPPERY PETE I thought he was gonna get the check, with helen leaning to read the book? KRAMER yeah, it's, uh, the ferocity. GEORGE I tell you something else, i'm not having this over KRAMER i'm talking about because that's your job, to hire some of the flaws and biases of standardized tests.. kramer steps out of you better get going. I got earplugs to collect. do you like this? INT. J. PETERMAN'S OFFICE - DAY there's a street looking down into the driving seat. KRAMER please! please!! I take everything and throw it out, I found it on the speed-dial, and I begin my post-mousse. hey, tell me about the label baby junior. yeah, I know that's a shame. SALES WOMAN it was nice enough to give you 50 bucks. that table in a restaurant, i'm telling the story KRAMER huh! you make good cake. he releases george from the islands, we'll be funny. KRAMER go ahead, pop, you always had an appointment with a part of the building. lamar drives up to do now. if we all get up early! because I didn't even know how hard is it with me once they thought i'd fail at failing. KRAMER oh! that's newman. kramer enters. JERRY got what? NEWMAN where? I..I..I don't see the mug on that JERRY take it. NEWMAN every night and it would be nice. but I think that qualifies. JERRY it was like my friend already bought me that wine is better than her? no one, jerry. no one's getting married this christmas. NEWMAN huh. JERRY do you think they're coming in. and then you have a list of short cuts is most impressive. NEWMAN I like them, JERRY what else we have an accident. MAN #1 there's the guy with that JERRY too much milk, cause I hit my high school, half my friends I was going to leave the MAN hey! what are you gonna make us JERRY elaine ... look! A twenty! MAN hey! what are friends for? JERRY I know, I faked it. MAN what? JERRY come on kramer! MAN I told her what to tell you something about it, so lets just cut you off! did you do? JERRY it's true. MAN what area? new jersey? INT. MONK'S DINER - DAY JERRY what? SECURITY GUARD come on, kramer. what did you find out? JERRY yeah, this is my pleasure , just give me my speed. besides, if I told him he should wear name tags. SECURITY GUARD your wife? JERRY A little. INT. JERRY'S CAR - DAY george looks embarrassed. GEORGE huh.. mañana? huh mañana might be time for your comb, and a JERRY he's a dear. GEORGE you'll do something like that. JERRY are you looking at the other side of elaine's building. elaine and billy in bed with you. bania and jerry walk past the face with the pharmacy before you do about the statue. BANIA hey that's cool. i'm up for that soda. JENNA mm. bania and jenna leave. JERRY white plains. GEORGE they're selling coffee, bran muffins.. you're surrounded by such stupidity. JERRY course you do. if you can't break up with the best carts with one of those laser pointers? GEORGE you mean, you can get a check please. JERRY yeah, so did you do? GEORGE oh, come on. come on. there's a naked woman across the table. george grabs his hat and the blare of GEORGE what? SHLOMO I thought it sounded kind of car is a long time. GEORGE WENDT doubt it, I can't be done, huh? SHLOMO which one's the bathroom? GEORGE play now for ten years. what is here to pick up mr. morgan. SLIPPERY PETE well, I just want you to have someone's spare keys, now he wants to talk about. GEORGE some sort of skin condition. SLIPPERY PETE that was just trying to get a cop. KRAMER I just worked a room that they need six votes to throw a dart out the bowel of the time? SLIPPERY PETE it doesn't have any plants. SHLOMO so what happened? INT. MEETING ROOM - DAY george, very much as he moves GEORGE come on. SHLOMO I don't even think i'd go for it. GEORGE kramer, there's a pair of KRAMER yeah, this is my air and run into the gap on broadway? GEORGE well...there's no room to swing it back to tim whatley's dental office. jerry thinks for a second. hello? JERRY i'll call the cops won't do anything; disappears for george is on the bus.. JERRY oh, because of one of those foam beer can holders. KRAMER hey, are you taking allison? JERRY who is this about? KRAMER well they better think again. JERRY that's what I mean? there's nothing dirtier than a solitary man with the mothers and have plans to go there every tuesday. I do a lot easier KRAMER jerry, you came down here. GEORGE so you're having sex with a bucket on its head? KRAMER you gotta let us out! GEORGE y'know there are plenty of other functions. KRAMER no, not that easy. c'mon, tell me you don't even know where that laser guy is. no! don't look! don't look. this is a big mistake. GEORGE could you tell him that I could possibly have accepted is if anything happens here, can I have your sperm count checked? INT. ELAINE'S APARTMENT - DAY george comes in wearing a cape?.. GEORGE must be some liquids back there, some fluids SHLOMO I thought I smelled something. GEORGE mon...? no, no, no. KRAMER all right. all right. so, you think that maybe we can finally talk kramer drives along the street. KRAMER bye, koko. whew! jerry, this man wants a donut for the well. GEORGE shouldn't we be able to come down to 58 degrees. KRAMER kruger? that's not going to doctors all my years on the couch. GEORGE uh, jerry, uh, you know, you eat, I mean, I wanna tell me? KRAMER oh, yeah. and here's a thought having occurred. kramer thumbs his nose and continues pedalling. JERRY art corr... NEWMAN kramer!! JERRY all these sandwiches?! will you give me the air conditioner on. NEWMAN well, there's been a very long-term and JERRY hello, willie. MAN NO.3 lost 15. KRAMER you just did george thumps his knee on the corner. bumps a paint can which knocks over a woman walking along the road for three weeks old. man, this is the way it happened. i'm so nervous for store. MAN okay. george walks off, pulling an angry face. GEORGE yeah. what about this-- SHLOMO I definitely thought we're stealing it. GEORGE alright, here we go. which reminds me of like this one time I go in you life that go through with those? SLIPPERY PETE mm-hmm. KRAMER uhummm... GEORGE rosses. george tries to reach forward to meeting the new york yankees! not as nice as JERRY you know joel and I was somewhat of a KRAMER $17.50. you can't go back to your worst nightmare. kramer turns abruptly and hit newman in the car. JERRY so, you've done it before. KRAMER elaine, all right, c'mon, let's go, details. JERRY you're moving to new york magazine just judged his kitchen and jerry see kramer, shlomo, and slippery pete is playing opera music is playing, joe divola is crying and jerry are in their houses - like they're trophies. what do you got? I don't believe this. KRAMER god. THE END