[generated output in 1 tries] THE STATUE written by gregg kavet, andy robin, steve koren & dan o'keefe INT. MEETING ROOM - NIGHT elaine gets up from the beach and get her number. ELAINE hi! JERRY well? go ahead. KRAMER and you're an anti-dentite. my life depended on it? JERRY don't you tell her that bottle got broke that I could see the forest for the tape recorder. KRAMER I feel tough... anybody else got killed? JERRY why'd you get my message? GEORGE kramer. JERRY that's the one responsible for purchasing the big board. GEORGE toasting makes me so repulsive? JERRY no I can't give details. GEORGE but what does that have had to pay for that weekend. alright, alright ... okay, bye. JERRY well, let's see: speeding, running a pawn shop. GEORGE hey that's life. good-looking men have the porterhouse medium rare, it's medium. lisi exits the limo which speeds off. LISI what you saw him. I JERRY I don't know about that bird dying. I hid the suit. LISI then may I say you grow up? JERRY ..well, as I know. I know. LISI lovely evening. EXT. MONK'S DINER - DAY - ESTABLISHING jerry has no female friends! you know I thing kramer might have something to eat with your friends big liars. you think i'm doing here in new JERRY fulton's wife told me not to mention your name. PUERTO RICAN DAY JERRY yeah. INT. ESCALATOR - GOING DOWN TO A ROOM vote for the jackhammer, thought i'd throw him off. JERRY yellow? I wanted she leaves. CINDY you know, you owe me a JERRY larry, wait, you don't know? come on, you go for it, you pound it, slap it, you got mushrooms jerry? CINDY the girlfriend. JERRY hey, kramer - have you got her number. CINDY you know, to look upwards. JERRY and you hope for the greatest things i've ever spoken to richie why don't you two said about me going to be said? he didn't show up. I just get the CINDY no. my money. JERRY well, they've gotta be soft. as herb and dan take hold of someone's stomach and you were at dinner, when kramer tries to make a whole lot better. look at your funeral the JERRY well, you ask her to this bob sacamano he stayed with me behind sandy's back. ELAINE really? JERRY 1409, that's a bad name. ELAINE I need proof. they see the crumb right there in that mirror and saw JERRY get out! ELAINE jerry, can't you think you are? castanza? ELAINE joel... we're done. kramer takes a quick kiss on the tape recorder. KRAMER i'm telling you right now. why don't you just take a trip, maybe a cruise. JERRY no, I haven't had time to take me down from this moment you're banned from the fridge. KRAMER here we go-- EXT. CITY STREET - NIGHT JERRY she knows marisa tomei? INT. JERRY'S APARTMENT - NIGHT kramer finally manages to maneuver it into her home. KRAMER euh what...what lot is that? kramer is in a few other places, you're the best. JERRY I got another gig! NEWMAN hello jerry. JERRY no. MAN NO.1 won 37. KRAMER oh yeah. it's piquing hot. it's fresh out of my pea pods. george gives jerry a look. JERRY lippman? no real person can pay me. so the image was reversed, like in ten minutes. jerry's apartment. JERRY no. I was ELAINE in the car. newman takes a mouthful of pie. KRAMER freeze, mother! JERRY well, that is not a meal, you know? I got lunch. KRAMER i'll tell you a minute? he's picking me up with him and we're going to play the jacket over to the movies? GEORGE my censor quit two years ago. KRAMER you break up with something. JERRY kind of a story. jerry realises his job. jerry is sitting at the mouth lately; first with that outside of that blood should find it's better than her. jerry and george collide with him. JERRY oh, I forgot to put up with her? GEORGE so uh where's your hose?! JERRY no, too relationshippy. she opens it and uh, just think it's GEORGE I like their chances. JERRY george, george! GEORGE what? george stands up. GEORGE WENDT yeah, you look ridiculous in that movie off! JERRY y'know a lot of experience with a towel. GEORGE what was that? JERRY yeah! GEORGE I told you so. he said the wheels are in the hospital and you can't do the opposite, and I are going down tomorrow. morty's gonna miss his plane for seattle right now thinking you paid seven hundred dollars this ticket. MARIO no. JERRY what's the big hurry? GEORGE what, you think I care if my mom babs. JERRY that's enough! GEORGE why can't we share? ELAINE thank you. JERRY he called me. kramer enters holding a blender. KRAMER well I don't know what else? there is the last fifteen minutes. PUERTO RICAN MAN buenos dias, my friend. remember who you're dealing with? forget about arnie. the important thing in the aisle and the japanese tourists are all the tote bags? KRAMER no. you have, like, a lot of cheese. the triple-a guy said his visa application. kramer heads toward the TV. I know he's got a 90 in biology. KRAMER hey. JERRY I think you're out of KRAMER hey. JERRY well, he's not married. he's poor. KRAMER yeah. GEORGE kramer, they like that anymore. KRAMER oh yeah, coming up... GEORGE he jumps! KRAMER you gonna eat your peach. I ate the whole story kinda comes apart at the taping... SLIPPERY PETE we're stealing it. they were in it. i'm sitting in the KRAMER yeah, if you put it? GEORGE yeah, just like him. KRAMER I have a monogram sewn on to them to put in now because I need my spare keys! JERRY I don't care. it was my idea. KRAMER hey, clyde! JERRY I like that! yes! I see peggy KRAMER well it's a pig is trying to unload some of her is to pretend that I have to challenge that. that's not gonna put these glasses on the couch near george. JERRY she couldn't make it. he wonders briefly what to do. I mean that if it's melted? KRAMER got to. THEY STOP... JERRY i'm asking! KRAMER frank! ELAINE remember roy, the artist? KRAMER really? feels like pasta. you know, we might as well with women. EXT. JERRY'S APARTMENT - DAY GEORGE I have got to do with it. INT. JERRY'S CAR - DAY george, very much in love with him. GEORGE it's not even close SHLOMO I definitely waited. but let me say to anna that you're working him for then? I don't know what the hell you're doin'!! GEORGE uh, let me see this. KRAMER um, i'd like to kramer props the chairs up against my spine. it throws my hips off kilter KRAMER oh, you didn't cut the fat fellow. all the people on tiptoes. city hall. music begins and ends dies and his wife of 44 years, for a little harsh. MAN #1 there's the guy the other side of a sick lowlife would do something with the pigeons? george and jerry dining at a rodeo. where's she gonna get that bike off MR. STEINBRENNER all right ramon, i'm going to look right at GEORGE we ordered the wedding marvelous? more cake? oh, I can see. he's so small. MR. LIPPMAN alright... tell them all away! lock them up to you, wilhelm. GEORGE so I didn't get the coats come in. MR. PITT yes, yes, I know, I just consult it and adopt it. now about the mail? GEORGE oh oh oh MR. PLESS she doesn't want to know what i'm paying for unbeknownst to george, who's just told me. MAN #2 he got arrested for mail fraud the front row. sitting there waiting for me now. walks in. BANIA oh. this I need. hello!! hello. i..i..is this the proper venue? JERRY the saab leads the truck clearly reaches the end of the truck and accelerates away. BANIA jerry. GEORGE how much time? JERRY aren't they prepared for that? ELAINE what? why couldn't we sit right next door. KRAMER oh! yeah I know... well, you seem like it one more stretch and then that's why we're here. I mean, I may have sent her in an alcove. JERRY kramer there is reason and purpose to all his idea! RADIO base to 92 come in here for? JERRY so, tell me, there's three crooks in the audience. LAMAR so that we'll be asking for change. they always somehow let you two, but i'm aware that adult diapers are a couple of weeks ago. I was dead. JERRY I don't know. as he turns it on, baby CINDY thanks jerry, gotta run. it was stupid of me. borrowing things from my pocket. jerry and george in the car! ELAINE what?! JERRY so when somebody gets up I had the scampi. ELAINE milhouse. KRAMER who would bring a group of people to travel? it's not you. GEORGE hey, did you make a copy of the block? well, if i'm not getting KRAMER hey buddy. remember me? he's demented, listen to him for giving you a long look. then break to continue their own little talk with the uncomfortable bulk of newman on the statue of liberty job. GEORGE what mail? KRAMER well it just kind of people? would it be much smarter than you? GEORGE i'll tell you, you went to the ELAINE well, you know, i'm a friend are you? GEORGE good. KRAMER I got a letter and then trying to hear from you and ELAINE to please mr. pitt. GEORGE what, you're gonna tell him. george walks over to JERRY do ya wanna go to a teller. GEORGE you're batman. EXT. J PETERMAN BUILDING - NIGHT ELAINE well, kevin, maybe I was so nice to meet him to call elaine? INT. JERRY'S CAR - DAY - ESTABLISHING JERRY so? SECURITY GUARD you can make. JERRY who do you think I got it. SECURITY GUARD spread your arms a little dignity? JERRY she said jerry wanted the pen. SECURITY GUARD empty your pockets please. JERRY I was eleven! i've been at my fish... SECURITY GUARD STARING AT HIM WITH HIS MOUTH FULL, HE STEPS JERRY all right, well, then get out. JERRY what? what is that? I mean this thing for beth lookner. SECURITY GUARD empty your pockets please. JERRY actually, that's the one getting married. SECURITY GUARD do you like a dope was giving it to some other women. we hear kramer's door opening. JERRY hey, have you noticed george is dating the governor SECURITY GUARD walk through again please. JERRY well, you know what it was sad for a second? SECURITY GUARD what's the difference what I thought it was, you just tell her it's me, I love you, but I did. I was transferring the contents of his wallet. JERRY wait a second. JERRY I don't need any ideas. SECURITY GUARD come on. JERRY come on. INT. APARTMENT - DAY mr. ross. one never knows how the heck is going on in a few more months it won't happen again. emily's hand and puts it on TV. ELAINE street toughs took my seat, and my tongue. PETERMAN what about those people. they weren't culottes, they were here ahead of the susan ross foundation is having an affair with a glove on his left. he then tilts his head from side to you. I listen for work. and as i'm done. through. it's over. we had sex. ELAINE in them?! PETERMAN that's the question, jimmy. lubeck inspects the cake. outside in the street. PETERMAN that's NOT bad! LUBECK no. they put a coffee table book. it's been soo long. ELAINE so she sees a farmhouse, its lights blazing. his face obscured with bandages and EXT. CITY STREET - DAY kramer is driving george home. MAXWELL do you know why? one word: NOTHING. KRAMER I don't know what kind of safety thing? MAXWELL doesn't sound like much of a gun! he's got money. why doesn't he at least pretend for my new plates. but they mixed them up. kramer begins to leave. KRAMER I don't think so. jerry is checking his phone and thank him in switzerland, and he looks both ways cautiously before walking down the street on a bus. and so they got their money out, their eyes are darting all around. the other driver doesn't have anything for you. is the verdict in yet? JERRY um, well, his false teeth doing in here a half of the sandwich next to me... shade? kramer runs across a busy street in the head, he falls off the JERRY why didn't anything happen to have KRAMER well that's what i'll do. you disgust me! you and me. hey, jerry just looks down. JERRY what blender? I don't even remember the name of the building now. so, i'm on thin ice with this woman. GEORGE ooh, a shower of JERRY well I, i'm thinking of jerry's apartment. KRAMER mmmm, that sounds good, but I distinctly recall him say... JERRY why is that from elaine. they both JERRY A man walks up to me for a moment. he runs into banya on a new car. GEORGE that's right. JERRY bender. GEORGE take it easy fighting with the shmoopy? george wanders to the left JERRY three. GEORGE what did you see that's karma. ELAINE we're engaged? JERRY yes! ELAINE what-- what are you going to introduce me to find a bra? JERRY well, i'll tell you - how did it get in touch with tatiana! and look stunned. GEORGE you know, trotters, like at yonkers. JERRY mulva. GEORGE I calculated my odds of ever getting together with us on the counter and walks away JERRY don't push me. GEORGE and there's a big hit. my guests are very comfortable working outta the way! I saved your life? sit around the time with these elaine is forced to say something. with all that kissing and the heat! I ELAINE but, but, he's a brilliant wig.. she pays and gets out a jacket on a juicer? EXT. CITY SIDEWALK - NIGHT GEORGE A man plummeted tragically to his sandwich, puts the bottle when I was wondering, would it cost to find leo washing his hands. INT. APARTMENT - DAY JERRY all right but I didn't know you know, the light of justice as the bible says; thou who cureth, can maketh ill. KRAMER alright, lean forward, relax. JERRY now, the father of her muscles. she can while only being able to look for my shirt. flies are landing on me. then, he got into podiatry school. *george* got into these terrible movies in the airport. i'm picking up a little summer left. KRAMER you've been seeing a lot of times i'll mix jerry and all. EXT. CITY SIDEWALK - DAY jerry walks to the office the other customers is an office. jerry is not sex. JERRY ah, she's going right up to them. I bet I can barely see without these. ELAINE yeah, and one other thing. i'm not gonna wear it? KRAMER ah, no, no. i'm fine. just as much pressure. alright, thanks anyway, ELAINE so? GEORGE nice day today. jerry and george give him 24 hours to de-smellify. I open up so he accused ELAINE bye. JERRY okay. ELAINE what? you're crazy. ELAINE so? JERRY he yells and you met jerry seinfeld jerry is in the JERRY well, kramer was a guest they save a few strings. KRAMER what is it?! ohhh, well if you're bleak, you're bleak. GEORGE colin o'brien. KRAMER you ever mention that to me, I couldn't help overhearing what you say that? I feel like i'm going to fight that traffic on friday either so i'll let it go. JERRY you mean this woman dies, it is a shot at another table, another customer digs his fork in, and crosses the floor and KRAMER ooh, she's a real restaurant. ELAINE oh, he's ruined it for heat. KRAMER well, I don't know. she did say that i'm improving myself. ELAINE what, you know when you need some pudding here! pudding! JERRY what? jerry clicks. LISI uh-huh. uh-huh. mm-hmm. uh-huh... JERRY like what? LISI I thought you went for that mutton. I was the single greatest moment was, don't you? 1946. I went too far. I over seasoned it. men were keeling over all around you? JERRY oh boy... LISI 9:30. EXT. JERRY'S APARTMENT - DAY - ESTABLISHING jerry folds over the hole in one hour. whoo hoo hoo! I think yes, yes. you saw diane deconn! MAN so, senor kramer, what the idea of being compared to a halt at the JERRY neither do I, uh, I dunno, drive around. MAN took a little harsh. JERRY elaine, you MAN holders. JERRY you better believe it! you MAN shut up! I hear they're good. well, label me JERRY yes!!! MAN no. you have to spell it out he goes back. what the odds are on a wooden board for at least the costanzas are moving to florida. JERRY how was the movie? MAN 646? JERRY yeah, so how's lydia? MAN that's your boyfriend. JERRY oh hey and a huge jet of MAN what? JERRY oh beautiful. listen, we've got MAN are you through? JERRY it is pouring out a name yet? MAN #1 _the new york is concerned, you and me. JERRY so? MAN 1 can I live here. we'd have to say? KRAMER my whole place is cleaned out, everything. george storms out of your things that cause the little guy in your socks. bumps another scooter as its owner and some guy just a coincidence is! there are sounds of a store. MAN you're soaking me! george leaves as kramer speaks. MAN NO.2 lost 72. WOMAN what about george? he's supposed to see you pocket the money, he handles the business hotels in tokyo? jerry stands up to the next train. sweat. kramer and jerry at the beginning then you upgrade me. that's why we're here. we're checking it out. BANIA 100 bucks KRAMER for you a ticket to get the ball lands in the city. JERRY dad, before we can get ready. KRAMER look at this, and mrs. payton and the barney's sales ELAINE me too JERRY hello? ELAINE um, well, we just saw your expression. JERRY you don't understand death. and the three tenors. people will kill independent george! A george, divided JERRY who wants cupcake? ELAINE george is ordering his beans from the terrorist. I told you we should've gotten here a year. JERRY no, but I think i've got to meet a woman talking with jerry. ELAINE oh! ELAINE i'm getting older. NOW JERRY TAKES THE BABY AWAY FROM JERRY. ELAINE jerry. KRAMER bugger! ELAINE yes! couldn't you squeeze one of her waltzing around the parking lot. trailing behind the wheel of a person's a smoker, that doesn't like cashmere. it's too soon. I don't think I should have left it out. aiee. mucho trafico. JERRY eduardo, carochio! that's good. he'd clunk our heads together we should have come to harm. kramer, the bike is yours! KRAMER uh-huh. JERRY not for long. i'm breaking up ... with jerry.” with jerry, and thinks they make it another minute. yesterday he cancelled on me. i'm not stealing it. they stop walking. KRAMER well, we'll see you all here. hello. JERRY I don't know, don't ask me! KRAMER no, but i'd just come from buying a computer from you. AND HE STUMBLES AGAIN. JERRY SPOTS A BEAUTIFUL WOMAN. JERRY alright, do your material? GEORGE let me see. JERRY did you bet on the polygraph. the pen and grabs a selection of luggage. GEORGE yes. JERRY what do we get to the table. george waves away the squeezy option and shuts the door of the desk. that's where it is. I want a cafe latte. JERRY yeah, thanks. EXT. ELAINE'S APARTMENT - DAY PHONE TAPE jerry, this is gonna change the whole building. ELAINE so, this morning and said she had this coat. PHONE MAN oh, tell me what happened. they might somehow kiss. the world. ELAINE mm-hmm. A man.. in a booth at the prospect of spending the weekend with ellen? ELAINE ring dings? she has got disaster written all over my nice PETERMAN we missed you at the turn of events. elaine and glenn, but they're so special up here? PETERMAN it's morning. thanks for the motion, you're against morty. ELAINE oh PETERMAN she's stuffed up, achy, and suffering from intense malaise. right? EALINE mr. peterman, in his meat freezer. PETERMAN ah, yes. well this is why we're here to the end of the car for two hours later he was squinting. mr. peterman walks past elaine's open office EALINE um, excuse me, didn't those people can be young and bitter, just maybe not academically speaking, but ... I was just her sense of flavor, obviously. you know, if they don't make little jerry to kramer, who has attended this trial for us. can you talk to you i'll mail you a chair? PETERMAN but, unfortunately I will be gone. ELAINE yeah, yeah ok. it's really hot room? PETERMAN so, we pay off your hat back, I will go for that. would you like THE PITCH