[generated output in 1 tries] THE END written by gregg kavet, andy robin, steve koren is commentating. INT. PARKING GARAGE - ELAINE, LOOKING FOR THE CAR. elaine is walking down the past. i'm ready to ELAINE oh, I love weddings. maybe gammy might be a bit of luck, I think it's a very good at that. bobby dials 911. BOBBY hey, ... EXT. JERRY'S APARTMENT jerry showcasing his nondate personality. JERRY uh, well, uh, we bought the butler character? he looks very familiar. JERRY and did nothing? she tosses the jacket out of it. his whole life to the dream cafe. just found out about it? EXT. JERRY'S APARTMENT - DAY jerry and all. JERRY what did she show her breasts in that? PUERTO RICAN DAY JERRY duncan meyers! INT. JERRY'S CAR - DAY kramer walking little jerry seinfeld RADIO and the festival, the sites, sounds, and jerry and leo begin to perceive this JERRY okay. INT. SECURITY OFFICE - DAY kramer strolls over to ask KRAMER what's wrong? jerry nods at everything lisi mumbles. JERRY you can't have that dog in the bathroom I pass her desk. peterman enters. kramer runs out, elaine enters. george's train. GEORGE I could count on you? my friend dwayne at J & T optical and columbus avenue. he'll give you my regards. I didn't say he has ever given your code already. what is the lowest function of MR. S it's those two guys, very nervously as they come. like a red chinese prison? GEORGE no forget the money. what -- what are you on all about george. monk's. george and kramer enters. JERRY oh, yeah, that. well... GEORGE what kind of a chorus line. so, now all day JERRY yeah. GEORGE oh, what's the alarm clock situation in your head. like he gave them to expect the surprise of a limousine. george looks surprised at elaine - I have fleas? GEORGE hey. the big hubbub, bub? LADY 2 he's funny. LADY 2 I am convinced that if she could. probably somebody is holding his invitation. EXT. CITY STREET - NIGHT kramer smells the smoke, turns, and sees a shadowy figure walking towards him holding something resembling a head start. KRAMER huh? yeah. city and possibly for music begins and ends dies and his parents. MAN although this may be hard for me with the other day. george leaves. the busboy who replaced me. if I should be happy to hear she left. GEORGE what? JERRY so who's playing elaine? GEORGE all right, so he gave me a favor. they're having a good time, revolving around the earth at super speed and reverse time. JERRY what did you know? GEORGE we ordered some appetizers. start eating. JERRY what about me! if you're ever on fifth avenue here in front GEORGE hey. JERRY the charlie macarthy hearings. GEORGE *really*. KRAMER all right, i'm gonna ask her out on the IQ thing...yeah. JERRY well, wha -- the soup place? KRAMER yeah. GEORGE ...who's not doing it! KRAMER uh-oh. oh, gee, frank, i'm sorry. I see freaks in the hamptons out of the blue. we went over that. JERRY it means to him. elaine sits behind her seat. jerry tries to lift the bike and climbs into the office at yankee stadium GEORGE yeah. see ou later.. CINDY hi, kramer. GEORGE because, jerry, it's tony. CINDY what do you oversleep more than a simple country boy. you might wanna think about...maybe, eh...moving your arms and legs please. GEORGE you'll pay? i'm there. CINDY no. my money. cindy comes from your fridge, and wendy enters. JERRY don't you see? you give, and you know actually we talked and.......the whole thing is we have to have to go. EXT. CITY STREET - DAY - ESTABLISHING PHONE MAN look, I just stood there like idiots ELAINE how is he talking about? PHONE MAN sign here. ELAINE actually I was alone. PHONE MAN oh, you have to move to the floor! what are you looking at me, and I tested him, like i...this is what happened. ELAINE yeah. what do you think you may not know, he - he was dark and disturbed. PHONE if you'd like to be around jerry and meryl at marty the dry-cleaner's. ELAINE you know, I gotta get out of this to george, who's just told me-- PHONE MAN I like cherry soda! we'll be blunt. i'm burnt out. the plastic body parts have melted ELAINE well, then you're the only one improving yourself. I worked very hard, borrowed more money. PHONE RINGS the first guy I asked scott to move a bureau. ELAINE all right you want to talk to me, and then think i'm in for him. A murder scene. A man across gives him a visit. she say why? ELAINE anyway ... so the she was putting out a couple of other seats. EXT. CITY SIDEWALK - DAY - ESTABLISHING GEORGE I was lucky that those crocs didn't get around that. INT. JERRY'S APARTMENT - DAY george, jerry and george are trying to create a foundation to preserve susan's memory. GEORGE well if you don't wanna EXT. ELAINE'S APARTMENT - DAY INT. JERRY'S CAR - DAY - ESTABLISHING she steps in ELAINE it's mostly water weight. the monkey! look, i'm getting married!! EALINE um, excuse me, i'm santa claus. another subway. jerry comes over ELAINE hey, did you do this. EXT. CITY SIDEWALK - DAY CINDY I can't believe they're making their decision today. INT. LISI'S APARTMENT - DAY 3 cindy walks into bonnie's apartment, *everything* is boxed up and grabs KRAMER two? sure kid, yeah. but then the baby, there's another appetite coming right down to the hoop. JERRY but i'm in agony. KRAMER neither did I. JERRY well, the GEORGE that's pretty good... JERRY now see? just saying that cause I gotta go get some birdseed, and-and I forgot to hose the puke off the street. GEORGE that's him over to the applause of friends in you life that they're using sign language now. george enters as a federal employee, I believe he can. he controls the means of production. what are you doing new material. INT. JERRY'S APARTMENT - DAY elaine gets a twinge from her again. I was trying to have over three hundred dollars, that's a bad cabbage, and i'll need the tube of a car phone rings, farfel begins barking. ELAINE ow! god! is kramer back from vegas.. she has this way of EXT. CITY SIDEWALK - NIGHT again, one of these plastic bags? ELAINE what am I crazy, or is your daughter? my god! she recognizes them. PETERMAN well, are you gonna see him again. elaine stands and peers about at the smiling, uncomprehending, PETERMAN and, in light of day was - ELAINE jerry, my face was covered in chocolate and yet the bicycle can have the down comforter and the present. PETERMAN oh no, thank you. ELAINE oh! oh, I can't. i'm kosher, we don't have homes, they don't belong!!... LUBECK i'd say it mr. steinbrenner wants. he wants me here and read. PETERMAN oh no, but there isn't. ELAINE elaine benes. PETERMAN all right, believe me, ask her. EXT. CITY SIDEWALK - DAY jerry and elaine in a booth at the lichtenberg's, tonight. GEORGE is that smell? JERRY george- GEORGE you're so obsessed with me. JERRY come in, come GEORGE go, go, get out, each of you that they blamed me for the card. is this sid field's residence? JERRY what? GEORGE my favorite. george at a GEORGE i'm grotesque . I can't go out with katya, thanks to you. SHLOMO they put the worst thing that happened to the GEORGE you went down to where she is. it's a great time! said you'd be completely under, you wouldn't want to *live*! SHLOMO I definitely thought we're stealing it. GEORGE what do you have a car. KRAMER nah, i'm gonna go pick up my test. I never carry change. GEORGE yes. KRAMER my old buddy, black saab. looks like a bolt of lightening. the pick. GEORGE kind of. i'm still shopping it around. JERRY you're not still a man. GEORGE you remember elaine. KRAMER run, run! go, go, get out, when? GEORGE yes. KRAMER so my parents in town. GEORGE she had a dream, jerry. JERRY oh that must be hell living in twilight, george. living in a car pulls away, leaving george's gatsby ambitions in tatters. GEORGE I don't JERRY oh yeah yeah, I know. GEORGE I look for a number 7 in the entire yankee organization at my stepmom's house, and jerry. george flips through a field of vision, huh? JERRY yes. from kramer. he was so proud of anything else I can see are garbage trucks, garbage cans and GEORGE everybody's doing something, we'll do business. we're in a natural body of work in three years, that kinda brings us to get out of here. JERRY kramer! KRAMER looks like she's got this incredible toy collection and falls to the point is when something wakes him. he looks like it. GEORGE well it's like 4 pieces in her face. george pushes the button table. GEORGE A knife? way. jerry goes to the floor. newman brakes to a woman, it makes me tick. NEWMAN I don't trust this guy. I take it? george closes the door opens a cupboard. his eyes run over the pothole a burst from the outside. it thumps into george who has free tickets to pagliacci from that from elaine. MR. PITT I see *you* out there, kramer, they'll hurt you, jerry. GEORGE me too. MR. GRAHAM ON TV hey, it was the man I wanted the armoire? GEORGE coco? met, I never saw last tango in paris? the woman on the they both make the necessary skills and experience. GEORGE you know, working around, same stuff, doing... whatever. JERRY oh, you hear yourself? can, can, do you like to strain the sauce. it came undone and touched the floor country right next door. GEORGE well, they recognised jerry from the streetlight onto the footing of a rest as she leans in for a long pole. JERRY oh, did he have to wait until monday? come by my decision, no EXT. CITY SIDEWALK - NIGHT PHONE MAN oh, yeah? ELAINE ya know? I got her PHONE MAN all right, we go back to reading. behind him, he loves me. he says that he would fly around and opens the door on george, whose face can be in the mood! ELAINE listen, jerry can you say we have on the gum. lloyd seemingly happily, jerry clearly not INT. ELAINE'S APARTMENT - DAY elaine and kramer backs away then runs down the drain. ELAINE custom designed? gammy might be getting that space. I mean, how is she? bobby dials 911. BOBBY would he hit puberty til the 9th grade. that's what puts the second he puts it on the biggest night of the other way? EXT. CITY SIDEWALK - DAY jerry clicks. MAN NO.3 how'd you get me a favor? if you really need to speak to you very nervous about this. I got a date. JERRY wow! that's incredible......but you don't want to be the one who always has to be my first night out of the hospital. carrie is MAN gino, you've outdone yourself this time. JERRY I hear that much about that. MAN !mira! !mira! stacy keach! INT. LISI'S APARTMENT - DAY - ESTABLISHING JERRY if you ever ask an ex-girlfriend to move to westchester. I go in there. I know a great guy, I love this one found in the constitution. KRAMER what, this is stan the caddy. GEORGE no, I want to do a number of residents, including an unhappy elaine sits alone in a car, because he said she's the heiress to the grave. JERRY she's very GEORGE so are you in hell with them. JERRY I never saw you in plastic, and screwed you back later. GEORGE mrs. seinfeld?!? george thumps his fists against the wall by the sight of elaine staring at the bodega. SHLOMO I don't care about the open-lipped kiss? SLIPPERY PETE A what? george storms out again. JERRY well I can even impart to you, this guy is uh, risky business, huh? GEORGE and I are about to hit these balls with that turkey there. JERRY you gotta sell me my mail route just got fluctuated out of this game. LAMAR used to share that information? ELAINE so, what's going on over here? JERRY did you tell everybody at eight o'clock so i'll see you there. LAMAR hey, jackass! get me off JERRY oh, well, send them tomorrow. LAMAR oh. sorry. I thought he was a guy. JERRY sure. LAMAR oh, look at it. when I told her I was thinking maybe we can straighten the JERRY so see um, I could listed to you why I don't wanna do here? george trails along behind them, making suggestions. KRAMER I love you. you think you're right. GEORGE i'd get him to recognize the visitor. JERRY that's not what I ate. KRAMER yes I do. yes, I know, and uh, we'll look into advertising. kramer holds one hand up above everybody else? what about your sea sickness? GEORGE and if she doesn't want it to any other dimensions. KRAMER hey. GEORGE what? george showing jerry the blind would probably be a little hair. I match them up. JERRY yes! this guy about? from across the hall from me and I we were in it. GEORGE just as a car because it doesn't matter. it's moors - there's really not that there's a knock on the JERRY why were there at GEORGE well at least four of those clothes for years. think it's demi. elaine looks as if he's called it? ELAINE well, I didn't say he too would be the problem here? there's a difference. they think you're right. ELAINE huh. you know has it. MALE WORKER turkey sandwich. FEMALE WORKER elaine, cake? WORKERS get well soon, we want to hear it. ELAINE yeah, yeah i've seen your arm move like this. MALE WORKER I know you're busy here. other-walter enters followed by more co-workers. OTHER-WALTER hey, what's up? ALL surprise! OTHER-WALTER hey, what's another few months. elaine is at the time, whenever it came from a certain indefinable charm. OTHER-WALTER oh guys. ELAINE oh, please! that is so ridiculous. but, george is ALL happy birthday paruba! elaine sits back down and notices something. EXT. JERRY'S APARTMENT - DAY - ESTABLISHING ELAINE why don't the three dominican guys are ready to go INT. LISI'S APARTMENT - DAY 1 jerry walks away. JERRY well maybe I can think of anywhere to go. LISI uh-huh. uh-huh. mm-hmm. uh-huh... JERRY seems reasonable. LISI ha ha. now for a life saving doctor and have a turbo. LISI ha ha. isn't that my mother's fur coat? JERRY pretty sure! ninety-nine percent sure?! LISI hi, honey. is that you never said anything to say something. now what did you here this? some crazy notion. jerry, this is fantastic! look at that. LISI look what you've done. JERRY not even old enough to make him your code! shout out LISI lovely evening. JERRY well i'm not going down with the stationery store guy called and said the lawyer is basically the person you seem quiet. LISI yeah. JERRY that's what a drake's coffee cake is? LISI 9:30. JERRY take it easy. see, if I killed fredo! and who doesn't think anyone can get e-mail, fax, there's a body bag! LISI fine. so it's me. it's.. this is so franco. EXT. JERRY'S APARTMENT - DAY- ESTABLISHING jerry clicks. LAMAR this traffic's a killer, ain't it? KRAMER over there. now please just give you a note. um, but he speaks in a burnt out building, down by the elevator, still whistling JERRY no I notice you don't understand, there's a new suit. I got more blood, so I bought today? jerry clicks. LAMAR what was the maid. JERRY how come you're watching the watchers, jerry. uh oh, we LAMAR so that we'll be out for me? JERRY hi. as cindy leaves, jerry gives an irritated glance upwards and goes to a fancy restaurant. CINDY hi, elaine. how gorgeous is he? A jerry looks puzzled. ELAINE aawwh please..... JERRY kramer, cockfighting is illegal. ELAINE george is out with him... VEGETABLE LASAGNA my name any more. ELAINE this is about to leave. cab rides away. THE STAKEOUT