[generated output in 1 tries] THE MILLENNIUM written by larry david INT. HOSPITAL CORRIDOR - DAY IN HOSPITAL ROOM #2 - DAY GEORGE busted cold. KRAMER oh, alrighty uh... INT. JERRY'S APARTMENT - DAY GEORGE say you could take it? did you not? SECURITY GUARD STARING AT HIM WITH HIS ARMS FOLDED. GEORGE should I have? INT. MARIO'S PIZZA - DAY elaine and kramer look round the couch, past the children's ELAINE why did you do me a tsate. mmm! oh god, oh god. oh, jerry loves the slob, loves it, eats it as fast as he and kramer are real. elaine looks like i'm going right now. EXT. CITY STREET - DAY - ESTABLISHING INT. J. PETERMAN'S OFFICE - JERRY AND GEORGE eee-aaa-eee-aaa-eee-aaa... she tried to use a paper bag and then they paint in these eyebrows to look inside. while he's rooting ELAINE hey, ben. I need to replace an old friend who has nodded off PHONE MAN that's what happened to the station. ELAINE well, uh, I didn't think you'd show. INT. MONK'S RESTAURANT - DAY 1 elaine and jerry are on our record. i'm just thinking. the four of us who wish us ELAINE you look ridiculous in that car, we are headed to the manager. PREGNANT WOMAN oh, don't worry about it. ELAINE I... thought that new movie about the car? OLDER WOMAN it's down again?! ELAINE really? OLDER WOMAN oooh! PRIEST leave me! you disgust me. PREGNANT WOMAN oh, jerry... people with the car. ELAINE that's stealing? BUSINESS MAN but my friend the requisite sympathy even as ELAINE this is terrible. everywhere you go, here you go, here you talk about EXT. LISI'S APARTMENT - DAY - ESTABLISHING kramer looks back at my eyes. I think every puerto rican in the kitchen, putting cookies on a high talker. KRAMER oh, gees... GEORGE yeah. see ya. JERRY can I say, listen. it was a terrible situation down there and try again. hi sheila. GEORGE yeah, I know. kramer walks in, his face is my aunt sylvia. KRAMER yeah, jerry i'm not moving or replying. kramer leaves, elaine enters. GEORGE yeah, what the heck a kosher meal is good. and I need is a story that goes around mutilating squirrels? JERRY hmm. so cynthia's your mentor. KRAMER I was attracted to him and we're all proud of you. JERRY this guy's bag. KRAMER i'll pretend it's funny. kramer sits on the KRAMER jerry, buddy, I got too much urinary freedom in this funny little bottle, and there were no napkins there. the rest of the chest of drawers, isn't he? EXT. CITY SIDEWALK - DAY - ESTABLISHING KRUGER yeah, you in? INT. JERRY'S CAR - DAY everyone in the same KRUGER actually, funny thing about robbing a fat guy is gonna be a character named elaine benes. we've been waiting out that door, I was here first. MALE WORKER this is great. did you tell my friends, she'll observe me as soon as she goes, she notices dalrymple being shown to his face. GEORGE head start, oh no no no. i'm having lunch with mr P. I better get going. KRUGER hey, koko, who's this? GEORGE really? KRUGER maybe there should be two pretty wonderful people. COCO what did you notice anything unusual about it. GEORGE you think I picked up the phone. KRUGER george, take a picture? GEORGE oh, very gracious. KRUGER I find it very GEORGE when lupe makes up the floyd. it's a slap on the saab, and leans against kramer's door. kramer takes advantage of you a call. now we have to eat a cake enters. KRUGER so you're saying, store -- hotsy-totsy, home-- hotsy-notsy. ALL koko! koko! koko! koko! koko! GEORGE he never became a week. and that's no good. too many chicks know my friend jay reimenschneider eats horse all the marbles. you win, you get a job. THE END