[generated output in 1 tries] THE END written by alec berg & jeff schaffer david mandel INT. PARKING GARAGE the man was nice enough to these matters as well. you could read the list .what about the money? here. EXT. CITY SIDEWALK - CONTINUOUS jerry places two slices of bread on, JERRY that's wonderful news. thank you. kramer whistles, impressed george's job interview GEORGE that took awhile. MR. LIPPMAN top of everything I have junior mints. do you want to talk to calvin. GEORGE it was just down the match, not noticing he's placed it on her phone numba'? monk's. george and elaine are scattered on JERRY ah ... my papers? GEORGE i'm such a big fan of mine thought she was wearing my JERRY well, if the game last night. SALES WOMAN right this way, we have to... JERRY oh.. whoa.. SALES WOMAN right this way, we have to say that i'm going to JERRY and he's calling in a plaid shirt. he throws his hands SALES WOMAN mr. o'brien? JERRY really? it's tuesday here. what INT. PARKING GARAGE elaine is wrapping up a check. ELAINE well, I guess this is a dinner table and picks up a half banana. PHONE RINGS ELAINE alright, then, it's like a canary. PHONE mr. morgan left for dinner. EXT. JERRY'S APARTMENT - DAY JERRY no. INT. JERRY'S APARTMENT - DAY JERRY who's cartwright? INT. PARKING GARAGE - ELAINE, LOOKING FOR THE DOOR. jerry walks towards george, the old ones come out of here. JERRY no. ELAINE babu! if you want. I want to beat lloyd braun! I buy it, because it's very long. JERRY very good with the bernie's tape. ELAINE he saw me naked, I clean....i clean naked, I clean....i clean naked, I clean....i clean naked, I clean....i clean naked, I clean....i clean naked, I clean....i clean naked, I drive the horse? JERRY make way! make way! i've got-i've got a coat. ELAINE lookit, kramer, you did not break the window again. JERRY what? ELAINE I couldn't look down because of KRAMER jerry you're a cashier! ELAINE you know, george, just loosen up. KRAMER what? what? ELAINE AND GEORGE AT THE PICTURE? KRAMER A dry-cleaning bill? ELAINE jerry, that shirt is undone GEORGE the only racquet he plays with. GEORGE hello. ELAINE you really want, maybe I could have gail call us, tell us ... what JERRY with the cane handle and gets up. KRAMER man, I wish I could just go out. BACK TO MONKS ELAINE hey, look at this. HE IGNORES HER AND KEEP LAUGHING. CUT TO KRAMER SINGING IN A CAR. GEORGE IS GRABBING JERRY'S ARM ELAINE who are they? CUT TO KRAMER SINGING IN A SHOWER FOLLOWED BY A FALLING SOUND JERRY hi nana. KRAMER well it's very hard to guess why. kramer puts the cushion over. JERRY what seems to be late for that. KRAMER it's sad, jerry. it's just that i'm awake ELAINE still a touch unhappy at the hair off and sit around here. JERRY they got the last one. ELAINE not getting thirty-five. JERRY yeah, if the coma victim. ELAINE hey, I was watching you. JERRY but someone is thin, single and being married, is the better position? AMY what are you gonna pick? ELAINE let's face it. if he was a good show. AMY we're going on in there? GEORGE mmm-mm. INT. LISI'S APARTMENT - DAY kramer comes along the lines are going into business together, selling raincoats. KRAMER hmm-mmm. JERRY ah! you're lucky. it's our first time in my line? nobody kisses in GEORGE banya? JERRY oh, than just get out of here, newman. GEORGE bubkis! elaine reaches for her in person? can't I be saying? ELAINE and from this limo and my attention! you're the nucleus, the straw that stirs the drink. she succeeds in squeezing out, and i'm afraid, is over EXT. CITY STREET - DAY elaine is walking through the door behind him. MAN good day ms benes, this is pretty funny. ELAINE yeah. started a big fire on 115th. I tell ya now , i've met with elaine, I need you to hawaii with me and i'd be happy to. THEY IGNORE HER AND KEEPS WALKING. ELAINE we gotta finish it. his whole car downstairs. THEY TURN TO GEORGE, WHO'S GAPING AT SOMETHING. JERRY last check-in, they were not as it may, if you lean out this one is the form of government. you see, this is such a great butt. john-john's butt. KRAMER well that's nice. JERRY you can't stop them. GEORGE any money but I know what I care about the free tickets. you are kidding me. JERRY oh, the ambassador. GEORGE what a great breakfast place, right around the pool guy. JERRY what is this guy? I thought it was a kid, we didn't have any bread, but we've only got two dressers and the farmer's daughter licks her last minute thing. GEORGE ewing's hurt? how long have you seen costanza? JERRY hey did you jam it? maybe a squat thrust? NOW THEY SPOT HER. ELAINE yeah. definite moisture. JERRY your mother found it. it was ghostbusters? where ever it was, you know. ELAINE yeah I got the tickets right? JERRY well it's 555-3455. jerry walks toward the auditorium. jerry and george are surrounded by piles of GEORGE what? JERRY what about a parking lot around the earth has complete control of the earth to save his name. GEORGE I don't. JERRY why? GEORGE him who? hayman him. george is looking for waitresses, and I really liked the athlete's foot bit, right? JERRY she's nice. GEORGE well, if that's such a good kisser? JERRY how was your first book? EXT. JERRY'S APARTMENT - DAY 1 george and susan? does he want with it. GEORGE uh, can I put this? you've been exposed to any one of those guys. SHLOMO I don't care for a month. GEORGE you want to go to SLIPPERY PETE I thought my idea of having to get in there. GEORGE hey. KRAMER you know me. GEORGE yeah, and, ... why won't this go down? KRAMER oh come on!! GEORGE it's my name. george is GEORGE . . . I look good? MAN IN THE THEATER GEORGE I don't think she's just like I got him off upstate and this is gonna be on a card. MAN 1 can I watch what you mean. george comes in wearing a bra on, GEORGE what was in the park. they - you got two minutes they leave. JERRY next wednesday. if it were unsatisfactory in some LISI ha ha. they speak quietly, so's helen and morty is standing on the street. her neck with her napkin, but there's only so much for convincing ping to drop dead. JERRY look, you idiot, first of all, I don't know. LISI then may I say about it. it's jerry seinfeld. JERRY come on jerry, it's so humiliating. LISI then may I help you? JERRY hey, you're not a communist. LISI so much smoother and cleaner. JERRY I get peeved. LISI go for it. JERRY well, at least *one* hair in danbury, connecticut. jerry gives her a visit. JERRY elaine, he's a dentist. you have a car. LISI go for that? EXT. CITY SIDEWALK - NIGHT jerry buzzes jenna in, opens the hood of the market. JERRY oh, i'm putting it in italy. but the ELAINE what? JERRY what do you want to wait til monday, that's impossible, I kramer enters. KRAMER we just bought a new book coming out, and looks at his GEORGE what the hell am I finally meet a woman? shlomo and slippery pete standing outside a building. SLIPPERY PETE you think you will. as a fairly progressive company. we GEORGE wait a second, what's going on there. it's really a bubble. A lot of hair in danbury, connecticut. KRAMER oh, no, no, no,no you have something there. GEORGE waffle maker. KRAMER jerry, i'll take care of him? feelings of resentment and hostility for her boyfriend. GEORGE i'm sorry things didn't JERRY but that's what you need a shortstop. *real bad*. kramer enters. KRAMER there you are. kramer enters. JERRY is he today? george and jerry are back at the menu to pakistani. but nobody came! there were too many people in that chicken bone. sometimes I GEORGE I don't know what it means. sometimes I think if you don't understand. they're supposed to see him as a whistle. SHLOMO eat the fly! eat it! GEORGE I saw the doll you were with her to have no sentimentality. SLIPPERY PETE A what? GEORGE yeah. anyway, uh...we're going into shock!! KRAMER you know that look. kramer showing jerry the blind guy at a rodeo. where's she gonna get george to cease and desist on behalf of the car he is doing some sort of a full palette of KRAMER yeah!! just cause we're on the turkey. bowl of kix. KRAMER oh, she's uh, having some problems to jerry. newman, still salivating, now with a suitcase. A car pulls up and knocks on the couch with a slide of the street I never, ever stare at it. and hurry it up. NEWMAN because I like dogs. i'm not sure if, technically, what you did all this for fifteen minutes with me to be a baby warrants an exclamation point. KRAMER did I tell you - I think it's the only one flaw in it: kramer puts down her bag, and removes her coat. KRAMER A big salad. city sidewalk, george is hitting on jerry seinfeld? music plays in the bathroom. dies and his face pressed against the crash barrier. he has the hand; I have to go and talk to elaine. MAN 4 hey fake peterman, let me get my new plates. my name - she'll give you uh two-hundred dollars for the lipo. george gives a slightly overdone girly giggle-laugh at jerry's flirtation. jerry leaves, and milos looks guilty, and shouts across to the floor MR. CUSHMAN my niece told me it's a tradition. GEORGE medium turkey chili. MR. ROSS excuse me,...what do you see a back problem until that night I sleep with allison's best friend? i've never met each other anymore. GEORGE well, you know, a friend of a sudden you're interested in your closet. right. again. MR. STEINBRENNER beautiful. I am a conductor. what's the difference, you're a mechanic. could you not to be jerry's apartment, jerry is reading jerry's part. the limo pulls over and over again? or does she get it? GEORGE I looked down, JERRY you don't consider it a tuck. jerry's phone as another call comes in. KRAMER no, don't, don't make me buy him a new couch?! JERRY well, they gave us the green lantern. ELAINE your whole building smells like the storm-troopers into poland. kramer reads the result, then looks at jerry here, prancing around in broad daylight with nothing to do the *pinch*. KRAMER right. yeah. the only one who got a good read but I don't talk crazy. JERRY kramer!! KRAMER and you're not. KRAMER oh, you do? GEORGE you didn't? KRAMER that looks dangerous, you should come up with his father, and JERRY I love phase two. morty and elaine, you'll be outta here in the car, and I banged it against the crash barrier. he has a dream about that cold. elaine picks up a little paranoid. KRAMER get extra MSG. EXT. JERRY'S APARTMENT - NIGHT - ESTABLISHING INT. HOSPITAL CORRIDOR DAY 2 elaine folds the paper and the three dominican guys are ready to get you a ticket to horneck. ELAINE I faked it. no hot water. ELAINE you know...*the* move. she needs to talk. ELAINE what, are you looking for? BOY gammy krantz, it's your apartment. ELAINE hey. EXT. JERRY'S APARTMENT - DAY - ESTABLISHING george goes and begins to work at NORAD, who're on twenty-four hour missile GEORGE oh great. SHLOMO I don't even know you feel comfortable.. so GEORGE yes. SHLOMO which one's the bathroom? GEORGE I climbed out the baby. KRAMER what, again with you? GEORGE ho, ho! he's got a little put out. KRAMER the uncle enzo. go in there. i'll apologize. GEORGE wait a second, KRAMER what? JERRY what's your name? KRAMER GEORGE no, they drove to a children's charity! KRAMER have a friend a mine from work said that you let me just check my bags-- I can't go in there somewhere. kramer leaves to the bathroom. JERRY come on, mexico city! KRAMER well, he kinda moved his head, JERRY he might KRAMER that's a good mechanic is worth? you can't have it! ELAINE OUR PICTURE'S IN THERE?? JERRY what? why is there anything I should have made a friend of mine, whom you may think you've got to go on one elbow, playing with matches, seriously kramer. ELAINE oh come on jerry. JERRY hello elaine? patty lorens had orgasms what do you think you're out of your life! you'd think you can do that. kramer notices a bowl of soup. KRAMER I love J. peterman. kramer opens the driver side door. he picks up the phone. ELAINE oh, yeah. what's the one thing I said I was just in time for him to give these to KRAMER I was wrong with you?! JERRY shut up, george. jerry is going to the briefcase tape. LISI uh-huh. uh-huh. mm-hmm. uh-huh... lisi is on the door. elaine arrives and JERRY so you're denying him the cable station. both greet each other with these little bits of broken glass and you were saying? LISI ha ha. isn't that a postman spotted a rickshaw down in a minute, wait a minute! wait a minute, what the pilot is gonna drive him out of the liquor cabinet. the combination musta lisi is sitting at his home. helen holds his other hand at about knee height. JERRY then what will I do? ... where were you doing here? they have you ever just get me over there? you know, I know it was a long trip. LISI then may I ask this guy is, people kill for eyebrows like that. now it's moving. oh, yeah. yeah. you know the guy.... what a scam that was. alright, let me have it. JERRY I thought you were a kid, we didn't bet on if it doesn't matter, so ... uh, squirrel. jerry is standing on a system...who was that? JERRY come on, jerry. he thinks he is. so what you civilians call a doctor that doesn't like games and he JERRY yeah, kramer. K-R-A-M-E-R. uh, I will assume it's a letter from your mother last night? GEORGE well, go ahead! JERRY but he's insane! GEORGE heard that I did JERRY i-i'm sorry uncle leo, i've seen these.....they sorta ..they make your legs..stronger. GEORGE I froze. I think that's a good eye, there. I know what else we have to remember my name. ELAINE oh it's my stomach. I think every puerto rican in the city. JERRY yeah, that's nice, yes okay. yes, let's have business. GEORGE well, it's a cup of coffee, george JERRY very handsome. they sing to one of the office. JERRY um, who do you mean? why wouldn't he? ELAINE she's so sweet, and she's gonna see him? ELAINE hello. MAN 2 who's newman? ELAINE no, he just left the apartment that always smells like potatoes? EXT. CITY SIDEWALK - CONTINUOUS GEORGE I can't hit it! I can't stand ja ... can't stand ja ... can't stand ja ... can't stand him. he has to sit down in the toilet, where it is. INT. JERRY'S CAR - DAY - ESTABLISHING GEORGE that's right, no more face painting, I just wanted the pen. SECURITY GUARD walk through again please. GEORGE it wasn't my fault, I .. I make it ten. INT. PARKING GARAGE - ONE HOUR LATER elaine and another employee pick up her manuscript. ELAINE you can't stay a little JERRY golden boy is slowly ELAINE hit. no. I looked. there aren't moths like his salvation has arrived. he hangs up the phone. ELAINE yeah, I got eight tons of traffic! I see you you're going to invest? JERRY take care. stay in a wheelchair, being wheeled by an orderly. she's doing her ELAINE I know I can get e-mail, fax, there's a loud knocking from the booth. JERRY george, where are you doing? what is this allied lock smith?! oh, finally, listen I can't live tlike this. i'm selling. ELAINE how much there is JERRY i'm telling you to sell the book. it's a long story. just uh, redecorating my office in a wheelchair to cruise around in. GEORGE you got the pilot of the car and slams the door by the door behind him. there was not leaving the counter and fetches a small men's carryall. JERRY yeah, well, that - SALES WOMAN mr. o'brien? JERRY that madman is trying to do. SALES WOMAN it's a barbaric ritual. JERRY it's your ass to your head. SALES WOMAN did you hear like a person JERRY not since june 29, 1980. INT. LISI'S APARTMENT - NIGHT JERRY everything all right? SECURITY GUARD what do you go down and re-tool. JERRY what would those be? INT. KRUGER'S OFFICE BUILDING - DAY 1 george exits with the toys of yesteryear. GEORGE no, I love that look. they sing to one of the audience earlier. you threw in there. JERRY yeah, I heard. LISI yeah. JERRY you're right the jokes kept bouncing off her hat. the camera up, jerry is standing behind him, takes the treatment and bolts for the boys and girls. LISI end under water? lisi exits the limo is rocking violently and tim whatley approaches his building, elaine is sitting at the counter -- she is LISI ha ha. she practically ran the company of nitwits. JERRY what did he kiss you good night? LISI so, what did I get frequent flyer now for ten minutes on the first time they heard it? JERRY there's no doubt. jerry delivers a weak underarm jerry and george are at the drug store! he's no pharmacist. jerry is sitting at the exercycle at the turn and lean on my face, look at this. this belongs to you. jerry comes back over here! JERRY what happened? jerry finds a patch of fresh LISI uh-huh. uh-huh. in what way? lisi is in the bubble? JERRY he moves in his parent's cadillac. they don't care. KRAMER what are you sure? ELAINE mm-hmm. KRAMER hey, stay away from each JERRY say, I happened to your friend's place or not? ANGLE ON ELAINE AND GEORGE oh, I could have mentioned it. ELAINE no, jerry, look how tense you are... A kid leans out the entire history of the relationship pitfalls. ELAINE because I ruined some deal GEORGE what? JERRY uncle leo. GEORGE I don't like? JERRY tremendous workout. jerry's apartment. KRAMER well, you got the glasses? JERRY gee, I can't use one of the blue. KRAMER well my girlfriend had just about to commit suicide. cindy walks out into the back room, his hair is also here, then who's watching the pilot and i've got to be a nut. CINDY yeah. don't ever do that to your body clock. see, your body hairs out with you. I just got some plans. I got to thank you very much. she breaks away. CINDY hi, kramer. guess what happened with margaret? she was doing. well, your mother opening envelopes! CINDY I made up those rules. JERRY they make appointments for if they annoy you so many things with the phase two constitution, is CINDY what do you think I ran into her home. JERRY great. you know, deep down, I don't have a friend, cynthia, are seated at a luss.. A CAR POLICE RADIO attention all units, attention all units, all units code 3. all units code 3. all units in the year two-thousand? JERRY well, I tell you, don't ask. INT. HOSPITAL CORRIDOR DAY 2 elaine takes the bag for a second. wait a minute. you mean you felt the same thing. JERRY you iknow I talked about a shooting star? ELAINE do you think i'm not going to be right back. i'm not being superficial JERRY yeah, it has to! ELAINE I know, cynthia too. she's really hungry. KRAMER oh, you want one? they're delicious. my pleasure. ELAINE no! no, no, no. JERRY how could that be? ELAINE yes they did it again. and if you would JERRY all right, look, I feel like it if you don't work? ELAINE oh, uh, helena, how are you? i'm not ashamed of your shirt. JERRY I thought you meant hold it. ELAINE mmm. they're putting it in all my life where I work, JERRY are you familiar with this computer system? ELAINE I know, but that's the executive. ELAINE hey, I was watching TV and the boss wouldn't let me be successful. he'd kill me PRIEST no, I don't know, they gotta be stupid to ELAINE five thousand dollars to your promotion. ELAINE I wouldn't shop there. JERRY nah, I don't trust each other any more. he's going to paris charter flight. JERRY who told you you could waltz throught the rest of that shotgun. GEORGE it stinks. can you do in there? KRAMER jerry, once you've had over her GEORGE hi, I haven't seen him. how's the guy? JERRY we're lucky they let you back as soon as raymond touches his leg, george becomes rigid with GEORGE hey, mr. morgan left for dinner. KRAMER briefly. now, I gotta get out of here. JERRY let's just stick around a large portion of the worst KRAMER the last war fought in wig, and also wearing bold glsasses. JERRY all right. KRAMER mmm, delicious. this is not a communist. thick as they are? HE ENTER THE ROOM. TWO ORDERLIES RUN DOWN THE JERRY you know, I think it moved. yeah, give me the whole concept of giving? there's no lenses in my house, I would like to stop with the rye. WE GOTTA GO! IT'S 8 47! SECURITY GUARD okay, let's check out my bladder system. JERRY oh my god, you got a crack in the hallway, mr. peterman sits on a case. you got a line in the living room. SECURITY GUARD do you mean she should be talking with jerry. JERRY oh, OK. well, thanks, buddy. SECURITY GUARD scuse me. what if he ever get anywhere? JERRY so you found the toe, really, couldn't INT. MEETING ROOM - NIGHT mr. peterman shows elaine the chart, she looks completely normal. ELAINE you know how to order. PETERMAN until I get there. you threw it out for a rollamech 1000 mechanical pencil. ELAINE so where did you get outta here!! LUBECK no. they put the bar was right when we were in the military. he'll understand that. now, i'm aware of this, but we have to eat. mr. steinbrenner wants. he wants, everyone, ta, twirl around. PETERMAN that irreverence , that wit i'd recognize it anywhere. some charlatan has stolen a ziggy and ELAINE but I didn't have a seat. LUBECK charmed. mr. peterman, I don't know you, you are incredible PETERMAN it just really came through for me and empty my pockets. i'll lie to me, and, yada yada... ELAINE I got my home base, jean-paul. it's a spider. PETERMAN i'd be better off not knowing. it's not a prude sweetheart. I swing with the sweet brown crumbs on the couch, picks up the paper yet? ELAINE I work for you to know if i'd stayed. so you still going to steal books. I don't see why sleep got all of each side of LUBECK no. they put it in a knish.. mr. peterman that would be, if you have PETERMAN have you got a nice shave -- ELAINE poison you? jerry seinfeld calling for james kimbrough. PETERMAN you do? ELAINE too bad. PETERMAN you do? EXT. LISI'S APARTMENT - DAY jerry is drying the checks. GEORGE all right, i'll ask the questions. what happened? JERRY john houseman? GEORGE what could I have no closet sensitivity. lisi exits the boutique wearing a new personal distance, ATM distance. when someone's using an ATM, you wanna watch? LISI 20 minutes. she thinks i'm a very JERRY oh. LISI lovely evening. JERRY oh beautiful. listen, we've got choir practice. LISI good-bye, jerry. JERRY so peterman bought it? I can't play left. he stinks. I just remembered.. i'm ..uh, getting a job? what for? EXT. LISI'S APARTMENT - DAY - ESTABLISHING PHONE mr. morgan how was your idea! ELAINE well I followed the instructions! PHONE MAN I like to be off. the ticket's no good. EXT. J PETERMAN BUILDING - DAY JERRY I can't take my shoes a topic of conversation? INT. ELAINE'S APARTMENT - NIGHT JERRY you don't let me ask you something. okay? with certain types of people. say what you did. INT. PARKING GARAGE - KRAMER, WANDERING AIMLESSLY. JERRY what is it? SECURITY GUARD what I got to get you girls. but, you don't care for a long night. you go out, we dress them up like a hundred JERRY you picked out a camera. SECURITY GUARD you can do better, you're a woman. now we're gonna need to talk. JERRY what? JERRY bedroom. SECURITY GUARD walk through again please. JERRY well, I had the best. INT. MARIO'S PIZZA - DAY - ESTABLISHING kramer tries to leave. george re-enters and notices something. KRAMER i'm down. the background. THE END