[generated output in 2 tries] THE BURNING written by larry david INT. JERRY'S APARTMENT - NIGHT IN WITH HIM so you think you died and went to see me for. GEORGE yes sir! KRAMER alright, alright... GEORGE oh-ho, yeah? JERRY yeah. GEORGE is there ever a good kisser? JERRY why do these thieves want any scenes in here for the wall, or kinda crouch down behind that car. you can come in over my face. ELAINE no, no, no, no. wait-- now, now, now. no, no, no, no, no! JERRY I can't believe she left me. ELAINE yes, she's the performance artist, right? KRAMER I gotta take you up to? elaine comes to his house. did you see that's karma. INT. JERRY'S APARTMENT - NIGHT - ESTABLISHING GEORGE thank you for this. you know SECURITY GUARD come on. GEORGE I suppose I can see you both. there is a very unusual man. quick temperd with a zippo. INT. J. PETERMAN'S OFFICE - DAY george sits on the knob as you are. GEORGE we'd have to get a weekend routine...i'm on the face painting. they stop trying. why? why were you I am so sorry. is there a tree? JERRY what happened is it because i've built a stronghold around greenland? i've driven women to lesbianism before but never to a few. we like kimberley. LISI fine. so it's a beautiful dream. i'd love one. JERRY she looks like? EXT. CITY STREET - NIGHT elaine really!...well actually yeah I think by sleeping with his folks. MAN yes, I do! I just want to do, then leans back picking at his desk eating kam pau ELAINE yeah, twenty-five percent bran flakes. the forty gallon drum out of the sports section. MAN IN SHOWER, hey! ELAINE oh no. no, that's ok, I don't think he's gonna talk to jerry and george are at home. MAN yeah, they don't just overcook a hamburger, jerry. ELAINE what is with this family? MAN who are they coming from? ELAINE wow! that is one sweet ride. MAN i've got is instant coffee? ELAINE yeah, yeah, and I don't see how I feel like talking. MAN wha? what d'you think jerry? jerry? ELAINE look out the past five years. MAN good day ms benes, this is sort of lunatic anyway. I didn't like saving anyway. ELAINE an I fearing AIDS? oh, yeah yeah, ok. MAN 1 can I get it. ELAINE what? MAN watch your step. INT. ELAINE'S APARTMENT - DAY - ESTABLISHING elaine does a double thumbs-down. ELAINE ahum! she moves back out there. ELAINE vincent, listen, I want to sit down. it's about being an usher? PHONE MAN I did? EXT. MONK'S DINER - DAY - ESTABLISHING JERRY i'm feeling very inadequate about the set. INT. MONK'S DINER - NIGHT JERRY so the baby's dead. JERRY for what dinner? GEORGE yeah? JERRY fourteen thousand. GEORGE okay, go ahead. JERRY yeah! so assistance. GEORGE she had a nice sectional. generation. JERRY yes, I mentioned your name. GEORGE no kidding? JERRY hey, shall we go out with her, then you got yourself a soup! GEORGE no, listen; we are going for the bigger stars; the cosby kids, ricky schroder, macaulay culkin. JERRY oh, good. GEORGE you're selling movie tickets back here. so... INT. ELAINE'S APARTMENT - NIGHT KRAMER and nothing happens. he turns it on, the water cooler. ELAINE ten minutes. KRAMER so long. JERRY speaking of having it all comes as news to elaine. KRAMER yes I did. I don't care: GEORGE what's that? KRAMER no. JERRY hi. KRAMER don't take your marks, I say, I think about it. JERRY oh, good. KRAMER no, I just remembered something. I had not been custom-fitted to his playing partner as he and I been taking...? JERRY technically, you're sautéed. so, what d'you want? KRAMER HELLO! JERRY yeah why? ELAINE george I KRAMER take me to perform. you know, you go for it! you were right. ELAINE can you let me talk to her. KRAMER uh, well, uh, what's the matter with you? I know that guy can cover a lot for inviting me to use a little while, ma. what's the deal is fair. GEORGE I can't believe I shall purchase it. KRAMER well, wow. JERRY what's with all the GEORGE guess not. JERRY boogeyman. GEORGE maybe she moved out four years ago that some kind of day that we have a lot of accessories around it. JERRY it's an emergency meeting. they want to hear a loud knocking from the GEORGE signal? what signal? what-what signal? george sits on the pill? JERRY sex... to save his name. GEORGE it's my stomach. JERRY I love these pastries. you know, game you the message that I would imagine mr. o'brien is an impartial mediator. GEORGE why not? JERRY hello, poppie. this is a miracle of nature that exists for a favour! GEORGE how ya doing?!? JERRY kramer, what are you talking about? KRAMER I thought well, IRS kinda sounds like a screwdriver. ya know, the thing is to it. JERRY I never know who's cooking today! KRAMER oh, thank you. EXT. J. PETERMAN BUILDING - DAY INT. PARKING GARAGE - ONE HOUR LATER she hands him a christmas card? everybody else gets to leave? ELAINE me too she moves over to me anymore! we hardly read anything! ELAINE no, no, it hit the spot. BOY thanks a lot. ELAINE that is so perfect in every card for my swim team. I just wait until she spots elaine. BOY the tryout lasts three and a knife fight for a long term relationship. I mean, I like to get an estimate on the mexican, whoa ohh, radio... ELAINE oh, i'm sure they'll turn up BOY thanks a lot faster than this. what do you think you make your own question. ELAINE I don't know. not always. no I haven't. BOY hey pops, isn't there like a meat packing plant! ELAINE oh, would you just gonna heat this muffin up? EXT. CITY STREET - DAY kramer opens another and is revealed as chinese. he takes from his run, and looks back KRAMER see, I uh, brought back your spare set. there everyday. PUERTO RICAN MAN well, it always looks like a note to an opera recently, you know KRAMER hey, hey, are you talking about? kramer hands the piece of apple-skin, that must be a good time. JERRY yeah, I saw him I didn't like me? GEORGE you telling me the sponge is off the wall. several people and they hate you. and I will do me a favour . JERRY how's it going to do that all my life i've been looking all over my door. you, I would give that radio the old brush into a car. GEORGE who says i'm his mother. JERRY yeah. GEORGE that's kramer. JERRY kramer. GEORGE yeah. no, no, I wouldn't. JERRY where are they? CLUB ANNOUNCER ladies and gentlemen, the incomparable misha! applause from the BANIA you promised a kid he was gonna bring the video tape. was our first time we sit right next to each other? JERRY do you want? BANIA puke? that's a breach of the little father has run and get a memo - a sort of robot butcher. exterior of elaine's building. elaine and jerry at his phone and dials a ELAINE statute. again later, hopefully i'll PUDDY yeah. ELAINE yeah, no problem. PASSENGER 3 I ordered a pair of PUDDY this is where it's coming from. then he ELAINE oh, you're tall - she's tall i'm tall. what's the matter with him? PUDDY so the bet was in the knowledge that in the coffee shop ho george is ordering his beans from the thug ELAINE oh, huh huh, that is the best for last... PUDDY it's a surprise. elaine and fred are having them done. ELAINE I need some x-rays. JERRY that's nice for the new wilhelm. KRAMER alright! yeah. you like this? JERRY george and elaine are at the coffee shop RADIO and the sure fire sexual-harassment suit. JERRY i've gained eight. INT. PARKING GARAGE - GEORGE BEING LED IN BY THE LAPELS AND BACKS HIM kramer enters KRAMER arrest? JERRY yea. KRAMER well, that's it. i'll mail you a word to anybody. atlas map of the population is undateable? PUDDY oh, like any man would have been lodged in there all night? ELAINE why don't I look up and split for the concession stand, buys another PUDDY yeah, if you've got some kramer's money with him. ELAINE why don't you try the opposite. I used to have disappeared. PUDDY nah. ELAINE what's up? PASSENGER I can go out and the curls. you like him? ELAINE kramer, the road! comprehension problem. no what I have fleas. maybe you can probably let go of him! puddy entering elaine's apartment in his arms. they kiss and slowly reclining WOMAN you two just take my quilt into the ring again? PUDDY c'mon, get it. why do I have no car? ELAINE jerry, i'm sorry, I...I hate to miss anything. PASSENGER excuse me, I think we really hate ELAINE what are you doing here!? comprehension problem. no what I was friends with! puddy has his head nods down onto the platform. WOMAN you want to help PUDDY I painted my apartment with carol, gail and lisa. ELAINE wait a second... I don't think my wife and i'll be in the calvin klein underwear ads. PUDDY yeah. ELAINE what? PUDDY we're primed. elaine and tim whatley was one of those motion-sensor force field alarms. any sudden movement in the new numbers are 646. ELAINE oh god, oh god. oh my god it is also flat. elaine looks distinctly unenthused at the movies, they show that she could've fixed me up with his swing. PREGNANT WOMAN i'm gonna go anywhere I want to. OLDER MAN oh, you are? even steven ELAINE yeah, but maybe you wish to protect the furniture. EXT. MONK'S RESTAURANT - DAY CINDY I made it up. no. no. no. no. I got it. you can't meet anybody. you're going to be about six-six. INT. ELAINE'S APARTMENT - DAY- ESTABLISHING cindy walks out of jerry's apartment. KRAMER well, I have got to get the bonus miles and you'll be playing ... JERRY ..can I have a wig master? KRAMER no. at your head? JERRY who is also looking perhaps ... KRAMER why don't you two GEORGE cinnamon? why didn't you tell me what they want? JERRY do ya mean? GEORGE well, that would be, if you don't plan to hit on me! INT. LISI'S APARTMENT - NIGHT george and his GEORGE no, I froze. I think it's best that we love! JERRY hey. GEORGE know him? would you, um...can I... JERRY pretend it's interesting. they make. JERRY you know what you're talking about. LISI then may I say something? should I go? JERRY that stinky old movie-house? LISI lovely evening. they come back with her. JERRY george, you are the rest of the conference room. yeah, it looked just like the big favor and the last minute. GEORGE nine. thirt... thirteen's no good. call her back on yours. george is almost out of the building! JERRY I do... she's got me, we can't follow him, you're yella. INT. JERRY'S APARTMENT - NIGHT kramer takes a step and almost trips over the place. RADIO ANNOUNCER devils goal! stephan richer scores from just inside the place. JERRY yeah. LAMAR what was I was on the counter to retrieve the change. newman darts from the previous owner was john voight. ELAINE well if he's going. JERRY you went back with paramedics and jimmy on a ledge somewhere? kramer opens his blinds slightly, as he piles sliced KRAMER hey I don't know... the unusual request. THE MONEY