[generated output in 1 tries] THE END written by larry david INT. ELAINE'S APARTMENT - DAY IN THE HALLWAY. THE FLICKS EMBRACING GEORGE wha? KRAMER well that's a point... GEORGE yeah, the heat way up there KRAMER pigman, baby. pigman. GEORGE really? KRAMER feel it. GEORGE I would like to be my time. and i...will not stand it another minute. yesterday he turned me on the pill? JERRY yeah! GEORGE oh. JERRY they're closing. we're going out with george, you? GEORGE this bread has nuts in it! KRAMER i'm loving it. uh, you see those wrinkled jeans slung over one shoulder and I just gotta pull on the bus. as the father's trying to screw you. what happened when you wake up, c'mon, we got your beeper number - i'll beep you as part of the body's natural pressure points. kramer dropping off a ziggy? KRAMER hey, you got it, I want her in the hotel room. there is a couple of weeks doing some comedy shows. PUERTO RICAN MAN well, you better decide, sister. you're on our way. KRAMER well, then the door shut before kramer can leave. kramer thumbs his nose and continues making breakfast. JERRY well, on thursday when I got a boyfriend, jerry, you have to retract it because we work in fashion. together, we can just tell her that?! well, of course, the laugh you could throw a party? KRAMER george, why would george want to take his limo. JERRY what's to think that could happen? KRAMER want some change. JERRY you stuck your hand in that paper hat and that day my friends, like an igloo. but it's really important KRAMER george, we were kind of, uh.. george? JERRY why does he do? KRAMER his tooth marks. he bit me. JERRY I, uh...well... KRAMER oh, c'mon. she'll pay you back. BACK TO MONK'S ELAINE it certainly wasn't this. look at you, you're a woman! men don't care for that weekend. alright, alright i'm going. HE DOES SO. JERRY darryl. he's black, isn't he? see, I don't think it's a very exciting new frame. KRAMER ah, huh. it's none of my own life because i'm chinese? you think you're cheating him. JERRY how's it going'? KRAMER no, no, the-- jerry grabs it too. I feel terrible this is a hell of a dandy. check it out. JERRY well, we would take her word over mine? i'm your baby bluey. are you peter LISI good-bye, jerry. JERRY come on todd. admit it, and you smell like you more than she likes you. lisi is on the TV. GEORGE shoplifting. JERRY how do these clothes smell just like you to have to dig up your GEORGE I was in there? george uses his finger to draw a picture of her lines, she climbed up the phone. GEORGE my credit card? MARIO so where do I have known better. should have JERRY you, sidle? you ... take it. MARIO so where are the balloons? big deal, you know, in scandinavian mythology, the pastries were the brains behind the counter. GEORGE yeah! MARIO oh, thanks. thanks a lot. I think I may have overcharged us. what is my jacket. the one who laughed. JERRY let me tell you what, i'll take some. george really likes you. it's yours. KRAMER no,no,no. STOCK FOOTAGE puerto rican flag! EXT. ELAINE'S APARTMENT - DAY kramer holds one hand up above his head. INT. MONK'S DINER - NIGHT - ESTABLISHING the off-ramp. SALES WOMAN just down the street. uh, I disagree. in fact, that's one for a couple of muscle relaxers would help. GEORGE whoa, whoa, a section?! SALES WOMAN you know how severe the burns are? why don't you just let him go. you want a job interview. they want to go home. george and gary enters. he's carrying a box. JERRY it was a podiatrist. INT. ELAINE'S APARTMENT - DAY KRAMER hal, .. uh langerhans. INT. PARKING GARAGE - ELAINE, LOOKING FOR JERRY. ELAINE why don't I get you seinfeld. you useless pustule. um, somebody's got to clear out of the government. he has a feel.... INT. JERRY'S APARTMENT - DAY - ESTABLISHING elaine is in a serial killer! MAN NO.3 how'd you sleep? ELAINE good luck. MAN IN AUDIENCE I have to be married, uh, we were looking in the morning, if you'd like to ask one of those three-sixty dunks. ELAINE okay, i've got to get compliments for MAN every wake-up call I make money. that's what you wrote INT. TAXI CAB - DAY JERRY oh, there's leg work. she stands by the way, when you buy batteries? I don't know if we want you to freak out on friday night? just get in there! EXT. CITY STREET - NIGHT - ESTABLISHING jerry and elaine at apartment LAMAR you know, he's so prolific! KRAMER so, huh? kramer pulls the chain reaction of calls KRAMER you? you're playing right into kramer's ear. he tails off, as he INT. APARTMENT - DAY - ESTABLISHING elaine laughs, loud and long, causing jerry and morty don't overhear. ELAINE what? there's a news woman! ELAINE yeah! MALE WORKER I think one of our building. other-walter enters followed by helen, who folds a coat and helmet and heads for the yankees and reduced them to fly around the apartment, where I got no leg room back here. OTHER-WALTER hey, what's with all that stuff. ALL hey, hey. are you into last tango in paris? OTHER-WALTER oh guys. elaine sits on the horizon? OTHER-WALTER oh guys. ELAINE i'll say. ALL hi michael. how you doing? elaine grabs the suitcase from by the same EXT. CITY STREET - DAY ELAINE yeah.. yeah. INT. SECURITY OFFICE - DAY elaine and puddy on the phone! ALL koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! koko! WALTER oh he's not. everyone stops laughing. FEMALE CUSTOMER hey, what's this? ELAINE lookit, kramer, you are very interested in that. elaine starts to walk out KRAMER giddyup. and notices jerry's JERRY no kidding? KRAMER jerry's teasing. uh-oh! commercial. oh, you think they have a nice flight. ELAINE it's ironic. kramer and newman in an alcove. KRAMER GOES WITH THE AIR-CONDITIONER. he recovers quickly. MAN yeah? BOB well, maybe, he was younger, he had the right one? KRAMER oh, man. you know jack, you've got to do is fill some sort of engaged. BOB that's true. there really is no longer defer to the naked people. CEDRIC what are you doing here? BOB you have to handle these psychotics. KRAMER yeah well, maybe because she puts like 4 pieces in her mind, OK? she is my fault. kramer is decked out shirtless GEORGE hey, you got into his boot and slams the door when elaine speaks. JERRY well general chang was a fun guy. all GEORGE so what is that? JERRY because this is funny? GEORGE really? coco? JERRY hey barry, how you put him on the door, but is stopped by to see this red dot? what are you kidding? you did it. GEORGE pick up mr. pitt's got this great black and george looks table. GEORGE you're not alone. i'm practically broke. way. jerry buzzes jenna in, opens the door. newman reaches the can, one car and bing!! condom. NEWMAN gangway! george and deena. george looks as if someone told YOU the truth? it is a great skier. MR. PITT oh, DAMN this thing! GEORGE seeing maura. apparently, I was monk's. george and jerry, ... he's a wonderful time george. JERRY aren't you going to do? GEORGE I was all that crap. JERRY manly. KRAMER jerry, jerry, it's kreplach. it's an easy thing to say.. elaine walks in - steven koren - a memo - telling me about it. INT. PARKING GARAGE GEORGE this friend of elaine's... ELAINE kramer, how is that bubbling sound? are you gonna do? shall we go? is this a jacket as he JERRY you taking the vow of silence. KRAMER yeah. JERRY oh hi. ELAINE I cannot take this! I can't believe it! jerry's hair. KRAMER no, i'm not happy with her, for spite? JERRY hmm. KRAMER ...so that's the astronaut pen. it writes upside down. they use this bathroom. JERRY newman! she went to school here for the owner of the soviet empire and everything so... KRAMER yeah, there's some tractor story and he leaves. HE IGNORES HER AND KEEPS WALKING. JERRY i've gotta run, elaine. i'll see you tonight, we'll do it like a band-aid. one motion, right off! KRAMER aw right. I will exact vengeance on this man. JERRY radar detector? i've never done a drug dealer. I got isobutane-20. KRAMER hey. what's going on! JERRY one more shot at a funeral. KRAMER back and take it outside and he's cheating on your next drawing class? HE ENTER THE ROOM. TWO ORDERLIES RUN DOWN THE HALL, FRANTICALLY JERRY oh, yeah, yeah. sexu-ally. WE GOTTA GO! IT'S 8 47! SECURITY GUARD can I possibly be walking around with no wrappers of identification of any kind of doll. JERRY what's he doing? what are you JERRY that's a little short? here. if you don't know? SECURITY GUARD uh huh. JERRY hi. look, I don't know. I know someone mentioned to me for the door. JERRY what happened there? GEORGE yes, sure, surely was. yeah, i'll be right back. these we'll do. JERRY oh yeah, she doesn't want to do? assistance. GEORGE you know, she was, five years ago. generation. JERRY uh, excuse me. i'm the assistant wardrobe man on spartacus. some fascinating insights into the bedroom to change positions? you know, I thought that george has had enough. he GEORGE yeah. JERRY yeah. GEORGE 20 thousand dollars a game, huh? JERRY the engine's made by mcdonnell-douglas. KRAMER hey, remember in college when you have something we did. probably about, what? twenty-five times? JERRY she's into it? KRAMER more? more than that awful amber girl that sells you the other JERRY boy she's sexy isn't she? KRAMER you can't take each other in astonishment. JERRY ah, just drive. KRAMER call him maestro? GEORGE it better myself, and you're my favorite movie. INT. MOVIE THEATER - DAY george, jerry and elaine in the count. GEORGE you think? they put them in disbelief at the time, and it's against the SHLOMO I don't think so. I figure it out. GEORGE I must say they are...spectacular. SLIPPERY PETE the batteries are dead wrong. who is it? GEORGE what if I watch it SLIPPERY PETE the batteries are dead wrong. GEORGE so, you're heading north on the agenda, the restoration of the stars from the bedroom. SLIPPERT PETE oh, you must go forward... not back. SHLOMO I don't think that. GEORGE he's an adulterer. and he's SLIPPERY PETE what's that? GEORGE I stopped by just the way it can be that kramer returns from the time i'm here. where's braun? KRAMER all right, come on, just let it slide. kramer and elaine are pretty good. there's a bathroom and he was in high CINDY for my new neighbor! JERRY you know - it just does. as jerry goes to pay the JERRY you've got your little magazine. you pretend there's like, murderers chasing you, and I are going to do? ELAINE huh? ELAINE anna... MAN all right, so what're you talking about? INT. J. PETERMAN'S OFFICE - DAY - ESTABLISHING JERRY fire drill, can you see that? the guy's got quite a place. SECURITY GUARD do you mean, laughingstock? all that he had to go swimming? INT. TAXI CAB - DAY - ESTABLISHING KRAMER she said she had a real job. ELAINE yeah. I mean, people do to my papers? GEORGE she's bald. JERRY well what about the opera. GEORGE I know that I didn't wanna put a pez dispenser on her head. JERRY they just passed it last year. it's modeled after the GEORGE wha'd you buy here? you took your pants off? JERRY elaine, see this is what the hey. GEORGE well i'm sorry you feel comfortable.. so JERRY you know, I don't know but I can't say. GEORGE yep. i'm leaving too. JERRY I was an alcoholic, so... GEORGE I think we should cultivate it. JERRY before we go out afterwards, okay? and don't want you to discuss figures. GEORGE where the hives are coming from! it's not fair. all right, let me see it. seven. seven periods of JERRY you're filk. GEORGE so, how are ya, JERRY all right, rula, it's time for him as disturbing as that is. but why, did you ever done for GEORGE are you coming back JERRY A pawn shop? GEORGE how would kramer lights up george's rear end. KRAMER listen, when this guy a hostile look, much as they are the JERRY yeah, but maybe the maid leaves jerry's apartment. KRAMER what's in a red dot. JERRY really, you're getting a facial. KRAMER are you doing? AND SECURITY GUARDS ARE IN HOT PURSUIT. THEY KNOCK OVER THE SPEAKER all of them. everyone is laughing besides george. JERRY who said there's a spot right in front of the ribs down, and notices something. GEORGE and she finally caves and the wig master for the walking. kramer hands over the pockets -- suits ruined. KRAMER oh, congratulations. JERRY how did you get anything... KRAMER hi JERRY I don't know what they may be beautiful and rich and physically .. just .. unbelievable, but you know what? I have no idea. KRAMER awright, my work is done here. JERRY wow. what are you, crazy? I can't even afford to buy a cheaper gift. elaine and jerry make their way round a table, with jack hovering over him. KRAMER i'm not going on. I can sit in the back of the cost of the applicants. EXT. KRUGER'S OFFICE BUILDING - DAY INT. BLEACHERS - DAY jerry dropping off a ziggy? GEORGE listen. let me ask you something. JERRY hey, julio. I was afraid that I would like to follow wilhelm into the distance, a child is crying. fatherless...a bastard KRAMER oh. all right. there's nothing in particular. KRAMER so you're leaving? HE NUDGES JERRY. JERRY that's him. KRAMER anyway, jerry and elaine are at the TV studio with a lot like you. AND SECURITY GUARDS ARE IN A CAR. GEORGE IS GRABBING JERRY'S ARM JERRY what's going on? GEORGE smarter than you do. JERRY go in, go in! GEORGE I was gonna meet elaine and cynthia are at the coffee shop that was chilled. JERRY come on. ELAINE so, that's the garbage anyway. LAMAR oh. sorry. EXT. JERRY'S APARTMENT - DAY INT. ELAINE'S OFFICE/JERRY'S APARTMENT the trucks, well, fact is we feel things are starting to give to elaine. ELAINE oh, cheryl, can I just need them for? she never dates, and I are going out with the cake out of my teammates, you know, I guess i'd be able to sleep over. INT. JERRY'S APARTMENT - DAY- ESTABLISHING george pushes the button fly. GEORGE no! SHLOMO I definitely waited. but let me be the career for you. GEORGE what are you doing? KRAMER that's a good thing they do if you came by to pick your teeth green? GEORGE no, I don't, i'm guessing. KRAMER ahh! i'm out! no tape left! GEORGE well, I think you're doing my move. i'm gonna turn my back out on a plane. JERRY what? GEORGE but jerry, quit riffing! GEORGE no keys. and I don't wanna get hurt. because if you go out with a scoop ELAINE uh, it was a spur of the theater manager give you uh owe me ten dollars, that's a five. GEORGE you bought it. JERRY what is that? GEORGE jon voight, the actor? george and timmy fighting. GEORGE you didn't say anything. you can't see, there's no way. JERRY oh, no. it was her name or number. GEORGE you just had two lives. my pre-mousse and now, JERRY so you really think he wants to leave early. there was a *huge* mistake. huge! GEORGE SEVEN AND FIVE EIGHTHS!! ELAINE yeah..yeah... JERRY i'm going. ELAINE they were, but they're not here. lamar starts to walk faster, then breaks into a taxi cab. LAMAR what was his name is a beep on jerry's tape recorder...... he has a different paper. I thought you said it was a mudda'? JERRY what?! GEORGE of course, it would fly away. ELAINE they're next to a lawyer. GEORGE you see, my friend was about to get me couple of users.. we never hear from me, but I threw the guy in the city? what is ELAINE hey, how you could keep us out of my apartment, so I set out to JERRY okay. ELAINE you don't have this neighbor... JERRY I was here! KRAMER you're in the building, we see each other to JERRY why don't you do when you got on under your door, harold. did you call jack klompus, he's got you an enticing photo , you know, when you hear like a like a baby. KRAMER well, why do you mean you don't know how you doing? JERRY right, you heard me. you know, like the grand central, there's no way I wanted you to get out of my pisano's. so here is that funny? well tell me what time you get to finish with his usual decorum. GEORGE why would I know? JERRY there isn't? GEORGE OK look , macadamian nuts. JERRY me? A godfather? GEORGE you didn't? JERRY oh boy. GEORGE okay. how about being up early? they all get up early. JERRY she dumped me. my whole life is so insane! GEORGE I gotta run. JERRY how ya doing? KRAMER no, it is strange. GEORGE good. kramer climbs out of my apartment for when we get up to scratch. KRAMER no. no, we want to know what's in the living room table. GEORGE what does he have to have been the type that doesn't make a call, that was enough. JERRY you know he's an importer. THEY FINALLY YANK THE BABY INT OTHER ROOM. THE MOHEL RAISES THE INSTRUMENT. GEORGE she knew that. AMY hello. GEORGE exactly! because neither one of those cappuccino places. they don't have to kind of humor. INT. JERRY'S APARTMENT - DAY kramer nervously waves at to stop at the other night. RADIO ANNOUNCER devils goal! stephan richer scores from just inside the walls! JERRY right now. INT. JERRY'S CAR - DAY kramer waves away the traces of a really stupid thing! you know what the *hell* is going in. KRAMER well, you know. it's very hard to justify, at this point she's under the table. kramer has had a drain. just a couple of nights ago. bowl of rice crispies to the east side! KRAMER elaine to pieces! now, who wants to be a show. newman, still salivating, now with a coat just like that. you can't eat a sandwich now! and puts down his briefcase and his mother- NEWMAN oh, all right. come on elaine, lets go. we'll meet you too, elaine, I haven't read about that kid, sitting down, opening a book, right KRAMER yeah., but he still in front of the door, a scent catches his eye, and sniffs. newman makes as if he barks. himself up and he asked for nonfat milk! KRAMER jerry, jerry they were newman stands nonchalantly beside a large paper bag, from which has been in himself up. KRAMER no, I told you I was hoping maybe you should take a cab with this...a hum..deensfrei. newman leaps to his apartment. elaine is about love between a man like you, she doesn't. himself up and walks towards the future. clean, dirty, KRAMER yeah. newman puts the second executive shakes her head. jerry wanders into the apartment. JERRY there's girls in ELAINE you know, thai, maybe mexican. lethal injection, feels like an older brother to me...when things don't exactly work out.. KRAMER well, maybe not academically speaking, but ... I am today. and I love sponge cake! elaine turns to jerry anymore, even since he moved into that girl from the photo to his own joke. jerry stares off, as he goes back. what the hell?! JERRY you're a terrible tragedy when parents outlive their children. ELAINE I mean, we've been through this already. you're not gonna provide me with the so called KRAMER hey!! buddy. I think i'm a bad movie by myself. who am I gonna do the switch! nobody can deny... JERRY alright, come on. ANGLE ON: KRAMER AND MICKEY HUAAHHH!! ELAINE yeah? well, then they just write it down. A kid leans out the window, and see how it could be closing in. ELAINE all right frank that's enough. she pushes the barrel of the month. ELAINE what happened, and he has a little scam I have? the table. KRAMER alright, alright. uh, undo them. i'll help you but i'll meet you back later. ELAINE yeah. I see him. JERRY those eyebrows could use a seat filler. they don't want to hold onto the ELAINE I don't think that's mine. JERRY how did they find anything? jerry and kramer. LISI I thought you were changing. lisi leaves and the city conning dry cleaners -- then inside where elaine and jerry walks from the headlock and exits, but he claimed it was nice enough to eat tonight with connie. knock on the TV. LISI good-bye, jerry. she sees something in your age, and all of them? JERRY where's his teeth! LISI what you like? they seem a little bit. I jiggled it. I mean there's sally weaver the artist , sally weaver the woman got you on the cable guy's looking for this! it's a coincidence. JERRY what? in his apartment, the phone rings ELAINE what? JERRY yeah, well that's a good job. GEORGE great. seven-thirty, alright? KRAMER I know the terrain. GEORGE you know, i'm thinking we should talk. KRAMER yeah. GEORGE you coulda twisted it. JERRY you don't seem yourself today. you feel funny about that. GEORGE yeah so?? JERRY ok.uh GEORGE yeah, my brother once impregnated a woman I could have given anna the impression-- JERRY are you talking about?! we had a good time. GEORGE cleaning JERRY why did you see the microphone? KRAMER I don't know what the hell? JERRY I thought KRAMER hey. GEORGE did you do? JERRY well biff/ what's next? GEORGE yes. changes. JERRY . . . . . excusé mois? have you back. you're overreacting. GEORGE you know, if you wouldn't mind - try not to get married, they're having an affair because JERRY what are you doing? KRAMER oh, it's okay, that's it! I cannot have this woman is absolutely amazing...yeah, yeah...no no no i'll take a look. kramer enters. JERRY I can't. KRAMER well, I change my name is cosmo and i'll throw in a birth announcement from arnie and ELAINE e-an KRAMER yes. ELAINE ask your mother, now what are you breaking up with all these new commercials for indigestion drugs? KRAMER oh, I have anna here. there's a pole. it requires not decoration. I find him at the chinese food in the kitchen and jerry watch, george jiggles his upper body, to see me again, costanza. how am I in, what mood am I gonna pay you! here have some reaction to the charge of the carriageway. kramer ELAINE what little deal? KRAMER you're on, cowboy! ELAINE what? KRAMER no. you gotta be here somewhere. ELAINE you're the assistant? why weren't you taking any medication for the apartment. jeffrey's taking the GEORGE what happened to your job at viking press. JERRY absolutely. GEORGE I don't know. 25 bucks a month! JERRY you got the hit and get ELAINE there's some truth. JERRY alright. ELAINE you're telling me, because i'm the consolation guy...? JERRY into the night. kramer presses the button KRAMER hey! jerry! long time no speak. he approaches helen for a living, but there's another way it was? MAN george? BOB so! what's it for? KRAMER oh, no. kramer begins to leave, but is stopped as a suspect in a garage. KRAMER don't take your coat off, and mickey's audition is in disorder. first thing somebody wants on a painting. jerry is waiting. he's wearing an eyepatch like the idea in the head! STOCK BOY no puffs. just flakes. EXT. CITY SIDEWALK - DAY kramer steps in to his needs. MAXWELL hey, you got a hold of the board applaud him. A KRAMER I was six I could afford a detour. our MAXWELL why don't you think? KRAMER okay, well you don't have to make people happy. MAXWELL you know I don't know but I don't know, it's not from the kramer comes around the table to sylvia. KRAMER right now but if you think she's just unplugged his life support. he stares, bug-eyed and shrieks GEORGE yeah! look at this can work. JERRY that's why I got the attention span of a car to show SALES WOMAN just down on the peterman account with the toys of yesteryear. JERRY what if it's a good man sir. SALES WOMAN mr. varnsen, if you think I can get him to change the nameplate to ichabod crane? JERRY y'know I hear you're a shmoopy! SALES WOMAN yes! come in, we're taking elaine to know that they think you're gonna make an appointment with a kramer carries the chairs across the street. it didn't fit him SALES WOMAN it was a hell of a dollar? KRAMER what puddle? he wasn't *really* with INT. MARIO'S PIZZA - DAY elaine enters with another writing team. ELAINE excuse me. i'm up for coffee and elaine turns to face like he gave it to. OLDER WOMAN oooh! ELAINE you mean she just got a gun, jerry!! EXT. CITY SIDEWALK - DAY INT. ESCALATOR - GOING DOWN TO A GARAGE. jerry walks though the door. GEORGE susan wants to meet the mother? JERRY oh of course. absolute zero! GEORGE do you feel? KRAMER what is with this guy, he's very excited. GEORGE you know what a pretty sight. INT. JERRY'S CAR - DAY george punches the air conditioning? LADY 1 hey! there's that woman in a bowl of parmesan cheese. he trips over third LADY oh! is that he's mad at you. why don't cha ask susan? LADY poor. LADY A cashmere sweater. oh georgie porgie! LADY A cashmere sweater. A passenger walking down the church music plays. INT. MEETING ROOM - DAY - ESTABLISHING the doctor said she couldn't make the post office. he's working on things, tools, objects, fixing things. this is kramer home? LASER GUY gimme a lift back to the bathroom was here. maybe some liquid soap, and just... -pop- focus! GEORGE yeah. it was on the clapgo D. 29, it's LASER GUY uh-huh. GEORGE the song? INT. JERRY'S APARTMENT - DAY GEORGE what's the matter is well within her field of vision. ELAINE right, so, I guess that leaves me in the dining room? JERRY just forget the whole deal? jerry looks on. LAMAR so that she'll still see her personality as a boy or a girl... KRAMER hey. well, I don't know. kramer comes up behind him at KRAMER why? what do you believe that she was behind you and cleaning them. JERRY you're never gonna stop crime, we should all chip in for a second lets not lose a step. KRAMER yeah, a player... GEORGE do ya? KRAMER wait. wait. wait. GEORGE i'll have the address. KRAMER hey, i'm running in the army, you've changed. I swear to you, doesn't it? JERRY oh no, let's survey first. camp here. KRAMER OK! kramer as he see him point?! KRAMER and go into another lane. lamar, the driver leans out the door! JERRY that was not KRAMER well, so, what theatre you wanna fight? do you do. jerry leans against the crash barrier. he has a feel, sunday has a EXT. CITY STREET - DAY jerry looks over, but his front bumper, it's no 31, and uh...let's just leave him out of the month. JERRY yeah, I just don't know what I did this happen? ELAINE oh, well come on. JERRY george, george, get a glimpse? an impression? GEORGE yeah. hi. it's great to... talk about... I dunno... CINDY what was she wearing? cindy walks out the GEORGE on-the-street cell-phone call is placed at a time. it was good looking, right? JERRY buddy? jerry's apartment, jerry is helping nina put on a dental floss glide, it's fantastic. we were just grabbing on to other dimensions and galaxies, and find KRAMER it was just a horrible seed. he's a diabetic, he might not be affected by a cab, JERRY yeah. KRAMER huh? kramer strolls over to elaine. EXT. CITY STREET - DAY - ESTABLISHING INT. ELAINE'S OFFICE - DAY elaine gargles some water and they couldn't get them. ELAINE what butcher? TAXI DRIVER oh, yeah, good luck. hey i'll meet you and ELAINE oh, that restaurant on 46th street. you're not still a goodbye. she thinks that's me on this, right? PETERMAN momma. just talk to jerry and kramer laughs and shovels another load of pasta into his office... elaine turns as she starts talking about the, the little orange boxes of delivered right to be in your head for? PETERMAN what is here to keep you on. ELAINE george, please. PETERMAN george, give him a discount now. lubeck inspects the cake. outside in a sentence. PETERMAN i'm afraid to go on. LUBECK no. they put me in the south, are PETERMAN i'm afraid we have to turn this off. LUBECK no. they put shaving cream all over the phone? PETERMAN that noise. that's the second one? LUBECK charmed. PETERMAN well, I guess you could. LUBECK no, $2.19. it's an easy thing to you. ELAINE how was your fault! EXT. MONK'S DINER - NIGHT kramer sitting at the table. KRAMER I gotta get back to him. JERRY what is it over? KRAMER uh, uh. ELAINE yeah, worked out since the fifties. KRAMER alright, who's first? JERRY like who? ELAINE oh, okay. JERRY alright. ELAINE you know what this is? because I have to. al netchie will think twice before he can feed himself? JERRY yeah! JERRY how long do you get that bike off the passion. SECURITY GUARD are you going to kill the pig. JERRY yes, he went INT. MONK'S RESTAURANT - DAY george opens the door, to find george kissing, and I absolutely love a nectarine. GEORGE you know the first time I mention he had cancer! LADY 2 mmm, yeah. LADY 1 look! it's fred savage. there's an unmarried pregnant woman down to the airport. GEORGE I take my everyone stops laughing. GEORGE drink your soda! come on! KRUGER so you're not going to poke around... GEORGE if elaine walked by in a booth. among the passengers, shocked looks, gasps, etc. WATKINS it's t-bone. KRUGER koko the monkey. WATKINS that sounds like it's giving her a call. you're name is? KRUGER george, come in. well, this is still bothered by the time in the place is only 85 dollars? WATKINS heh heh. anything you say if I had to tell you what I have two more days. KRUGER all me. WATKINS it's t-bone. GEORGE it's mickey mantle's number. so not only is it so possible your heard is spinning like a dog, like a full hour about how cool watkins and george walk along together. GEORGE why don't you ever seen a tall... lanky... KRUGER so, how am I gonna do it. COCO my name is keith. he comes to my GEORGE deena! deena, wait a... deena, help! KRUGER i'm not gonna give it to me. GEORGE all you think you could give these cigars and we love the name. ALL hey, hey! look who's here! INT. PARKING GARAGE - ONE HOUR LATER elaine oh thanks, thank you so wacky? ELAINE that's because you're perfect. you're a very nice tom, that was james kimbrough. gammy might be just great. really great! don't you bobby dials 911. BOBBY after paul o'neill with a girl. EXT. CITY SIDEWALK - CONTINUOUS jerry clicks the doofer to answer the other handle and pull. GEORGE well, it wouldn't be just having babies to get excited. can't we do this now, or do you know what that does to suede? JERRY jill? well, why not. I mean, actual friends! like equals! they have GEORGE you're not even a maid. she might not even once? JERRY you don't seem to have that kinda dough. GEORGE what's gonna happen? I KRAMER well you don't know how to thank you very irritating, but after seeing ponce de leon. they're GEORGE they want you to get rid of us? we actually have a very JERRY you should have taken the tickets for the rest of your entire contract. please...just go. george is acting up. GEORGE very nice of you have been in the antique store? george and susan are having dinner. KRAMER hey, jerry! come in here the other door, and is ready to proceed? STOCK BOY no puffs. just flakes. EXT. CITY STREET - DAY kramer is at the coffee shop waiting for someone... KRAMER oh, yeah. yeah. he moves to wander into the river's bend was the exact same outfit every day. KRAMER yeah. it's a good time. lamar drives up to and arcade? KRAMER I *love* the drake! kramer strolls over to my house to pick up. JERRY oh, it's a good look for the door. george and betsy at her computer. jerry heads out the door? KRAMER look, i'll drive out to the unemployment office and goes into the fold our..our little STOCK BOY no puffs. just flakes. INT. JERRY'S APARTMENT - DAY elaine rolls her head that this is where you goin'? help me to bring up. ELAINE that's cute. gammy might be pretty sensitive. bobby dials 911. BOBBY I know. EXT. ELAINE'S APARTMENT - DAY jerry holds out his wallet. jerry is watching TV. LAMAR you know, it's not even belong to me. and then when did that in the fridge. he opens his shirt. KRAMER well it all sounds a little bit so we go back to their birth control stuff. JERRY pride? INT. SECURITY GUARD'S OFFICE JERRY yes! step into that girl whose life SECURITY GUARD what's the deal with your friends? JERRY good thing her rent was overdue. she'd be able to live like this?! SECURITY GUARD yeah i'm sure he'll be relieved. JERRY that looks very nice. INT. MOVIE THEATER - DAY JERRY well, well, well. uno momento por favor. SECURITY GUARD what I just assumed he was with them? besides the team already does so much going on. INT. HOSPITAL CORRIDOR - DAY KRAMER yeah. ELAINE ah, I didn't even know what one of these talks that this KRAMER no, no, no. don't give away that water pik! JERRY she suggested it! KRAMER i'm not saying anything at all? JERRY and you never said milky white! GEORGE medical journals! george exits with the way his socks matching to his feet up on that. table. GEORGE so, uh, gentlemen, do we have a class. way. jerry is on the table. newman stands nonchalantly beside a car-shaped object hidden under a nazi regime. NEWMAN hello elaine. the door into the front row. kramer's train. A man sits at the pro at the ocean. KRAMER/TURKEY hey buddy. newman sits on the TV, but there's no cops around. they're gonna straighten the jerry folds over the phone? JERRY well, did it? what didn't you go wrong? KRAMER look, I think i'm gonna be all right. come on. ELAINE unbridled enthusiasm...? KRAMER no no no.. JERRY why what did she say? KRAMER well I think i've been living in this room intrigues me. why this is dating , you know, this is it. i'm sitting over there. that's against the law. jerry resumes his counting, but has his own back. the elevator arrives. jerry and elaine. yes, all right--anything! JERRY she's the breaker, he's the first name. jerry and jeannie enjoying each other from that name. LAMAR hey, black saab. looks like the clowns. KRAMER i'm sorry. JERRY the exact same dress as she elaine casts her eyes locked onto the road, and chews his face away. INTERCUT JERRY'S APARTMENT - DAY JERRY I want the man and plastic man. COMPUTER VOICE you have to have a right to you, so bald, and so they just ran in to a nose, and no woman and tell him about morgan. KRAMER well, i'm on the other night. check came at me with JERRY I heard you do likewise. jerry tears up the phone sex thing is LAMAR jackass? so i'm a little stupid story for the soap. KRAMER because I snubbed her. you see? that's why all the stupid dog. I can't. JERRY maybe in hardball it's more money. INT. MONK'S RESTAURANT - DAY - ESTABLISHING JERRY yeah, that's right. INT. TAXI CAB - DAY kramer and frank in front of KRAMER thanks. have a pow-wow? I didn't know who it was too anxious to see ramon? kramer pulls the broken window, klompus never fixed anybody up? why do you know what I mean. it's like moving from KRAMER the party, long island? kramer stands behind george as she ELAINE hayman the gym locker room. KRAMER oh, no. it's original ray's. ELAINE oh, please! that is a resemblance... KRAMER for what? GEORGE so uh where are you gonna do, you left it in if I didn't know you liked to laugh. I thought he looked like milk to me! KRAMER it's all a big doubt, you know whose it is? I um, went claming the other japanese. GEORGE what's wrong? KRAMER ahh! mr. ross. mrs. ross. my name is bill. I might be time to time. GEORGE hey! ELAINE so what are you gonna do? JERRY kramer, are you a little. GEORGE hi, carol. JERRY can I go? cause I george and jerry answers. KRAMER george? GEORGE well, you're not telling you. KRAMER well, b -- it ELAINE joel... KRAMER alright, so what does he just ask me. ELAINE get well, get him to see you. KRAMER I mean, I thought we had really good looking. JERRY your hands and their coffee tables. where did you jam it? maybe you better just pay a hundred dollars a month! KRAMER uh--ah--ah! you broke up? JERRY we are dead. GEORGE oh, it's good. he gets angry. JERRY i'll tell you this, something is bunk and then I asked him if she splits the atom, i'll let you talk. GEORGE what do you mean? JERRY they took it upon himself to some. THEY OPEN THE DOOR! GEORGE i'm afraid of snowball? AMY yeah. when are they GEORGE oh my god, morty lets go, c'mon... AMY no. GEORGE yes. INT. ELAINE'S APARTMENT - DAY - ESTABLISHING JERRY so when we have a very unusual corduroy. INT. MONK'S DINER - NIGHT JERRY bert harbinson? it sounds a little pudding under the circumstances, it would have done it again, C.K.! SECURITY GUARD open the rear view mirror so she could have. JERRY no I uh happened to his party? JERRY they've opened up this morning. GEORGE so, whaddya say? you know the three for a minute? i'm gonna kick your butts tonight. JERRY you're saying you're banning me from career day? GEORGE i'm the good ones. JERRY you put that down? GEORGE by the outcome of this muffin. JERRY hey! how'd it go? GEORGE kramer, kramer, I want the picture. JERRY what did you at least not until after GEORGE bert... har... bin... son. bert har-bin-son. JERRY hey. you put the kibosh on me, it doesn't meet with his racquet and GEORGE hi connie, jerry around? JERRY I don't want to flee the scene changes to surprise. GEORGE I tell paul o'neill would do anything until you actually do it. JERRY oh, well it's not over. GEORGE I still have to get out. hey, let me out of the universe. hey, cindy. cindy. JERRY no, it's just paper on the couch. KRAMER stick a ELAINE isn't she adorable? JERRY but you were sitting two rows behind the cushion of the sculptures in the back of the night and we're all very flattering... ELAINE donna chang? JERRY so what good are you? ELAINE what is this or nothing. c'mon. JERRY nice meeting you. EALINE mr. peterman, um-- JERRY I don't know, what if, you know? food and sex in to sand and sky. GEORGE I loved him. JERRY don't worry lois. i'll think about this. GEORGE jerry lewis? just then, uncle leo was cought shoplifing here the other day. really sorry. LAMAR you know, I shouldn't even tell you lisi, I never heard of that. JERRY hey, let me ask you the key. LAMAR where you just said it! ELAINE hmm! rico! elaine and kramer sit on it. ELAINE well... JERRY we won't go. elaine at her negative reaction. kramer looks INTERCUT JERRY'S GIRLFRIEND hi. JERRY oh. COMPUTER VOICE you mean the problem we're discussing? KRAMER don't worry. i'll get you out of focus? JERRY so what? KRAMER yes. cindy comes from avoiding manual labor your whole world smiles with a CINDY what was that one? she knocks on newman's door. newman CINDY I can't take her out? JERRY but it's like you're always bragging about his contretemps with susan. CINDY no. that was some show. JERRY yeah? would you like it? CINDY thanks jerry, gotta run. it was timbre? yeah, she had her nails done today so he packed it up to the hospital cindy walks into jerry's bedroom. GEORGE shut up! shut up! JERRY well it's frank and estelle's house. george enters the costanza's bedroom. frank enters from the library and read the agreement you signed the release. GEORGE oh, you know. okay, bye. MAN excuse me. is the best festivus ever! george comes in to one shot. MR. LIPPMAN you want these? GEORGE dammit. MR. PITT have you noticed george was meeting us here? GEORGE I think he started drinking again. MR. GRAHAM i'm sure we'll come up with a cupcake GEORGE you're not me. MR. PITT yes, yes, everything wonderful. GEORGE because of that meeting. monk's. george and elaine are in motion. the wheels were JERRY so, that's it. i'm taking that waitress to the jiffy park? GEORGE it just doesn't sit well. KRAMER yeah, we're good friends. you know, carl and I trip, and she finally pissed off the bus at the tennis match. GEORGE and I hit a whopper last week! KRAMER ya? GEORGE yeah. i'll take the one person you seem to just freeze that clothing style and just focussing in on this goof ball with the law is JERRY I got it. GEORGE hey, what are you gonna do this! I met someone on the street with the money for him to go on kramer, get out of the funniest stories i've ever heard. see, no one wants to leave them in the park today? yeeee. jerry, don't do it. JERRY you can't have a splendid establishment here , my friend. i'm sure he'll be having dinner with a v-neck. EXT. CITY SIDEWALK - DAY jerry's train GEORGE see her and his little buxom friend rachel were going to see a public humiliation. KRAMER he is about to enter the GEORGE what is it? where is jerry and elaine come out of the stars from the endless parade of witness who have no arguement with that. ELAINE marla and I fell on her face. she's breathtaking! who would pay that much? elaine grabs at the EXT. MONK'S DINER - DAY ELAINE well not really... INT. MONK'S DINER - DAY elaine enters from bathroom. he's holding a blender. ELAINE ... and biking and .. she was refunding? ELAINE noooo. CAB DRIVER where to? making everybody share. puddy has his back ELAINE kramer, do you need a vegetable stand. VEGETABLE LASAGNA I don't want to be together...i'm sure the floss was the wedding? I got karl farbman here. ELAINE great music. cab rides away. THE END