[generated output in 1 tries] THE END written by alec berg & jeff schaffer david mandel INT. MONK'S DINER - DAY the doorman stands in front of my life. the hearse is like going out tonight with your uncle moe, he died from a healthy relationship. ELAINE wait? can I talk to you. she gets out. EXT. CITY STREET - DAY again, one more thing - you can hang out with celia. ELAINE hey! she has no regard for wasting other people's MACHINE you have to go. fax squeal. MACHINE message four... fax squeal. MACHINE you have any others? GEORGE that's what my name is joel horneck. he lived up on one condition. she has a certain chemistry MACHINE giddyup. fax squeal. MACHINE message four... fax squeal. she skips to the airport in 25 minutes. ELAINE oh! the houston astros for talks on that thing in holly's life was her dude or just INT. MARIO'S PIZZA - DAY 3 CAB DRIVER i'm very ELAINE you're not bothered by the door closes. she pays her fare and gets out of my house! OLDER MAN hey, do you want bread? ELAINE I thought everything was fine. OLDER MAN oh, I don't care much for coming by fellas. eh, got a great ELAINE don't make me happy? you're so litigious. BUSINESS MAN you gave him at the warehouse on pier 38. ah, I think they charge me a favor upside your head? ELAINE well, I practically raised his kids. EXT. MARIO'S PIZZA - DAY - ESTABLISHING kramer takes a run-up, and leaps KRAMER you got no job. you see father, i'm i'm full of birds. he stands in her office and takes the steering wheel fell off. I can't find his photo's anywhere . MAN you've done this? BOB yes. yes. KRAMER I GOT TO DO TO GET BOB well..... CEDRIC what are you talking about? i'm the new J. peterman catalog. look. KRAMER well did you give that bike off the truck along a corridor, with george costanza. BOB I guess that's all that CEDRIC that's not a third of an express conversion? A quick question-- did she say? BOB well, maybe, he was wrong. KRAMER i'm proud to offer you anything else? BOB I guess I was naked. CEDRIC what are you crazy! you'd suffocate in there. KRAMER woah! wait! BOB really? this monday? CEDRIC because it's the nineties, it's hammer time! come on, don't be silly. KRAMER oh! yeah your old couch to listen. BOB you have calls to europe! CEDRIC that's not BOB oh, please. do you think I may have single-handedly put the top KRAMER whooa, good morning mr. wilhelm. BOB what does he live? CEDRIC that's not new. BOB i'm buying the chair is a puerto rican day. KRAMER hey. new jacket? BOB oh, wow look, that one of the sports page... CEDRIC because it's really rather ironic - one might even BOB just pick a glass! pick a finger in greeting. brett copies the position of all. KRAMER ashtrays? kramer holds up an audience. this show is all GEORGE i'm not going to france. we should all chip in I guess. KRAMER yeah. open it. ELAINE i'm sorry. elaine, this is pretty hard to tell. JERRY she's gotta make a photostat of the cycle? ELAINE bye. KRAMER no. no, he doesn't care about cops. I don't know him. I better get going. ELAINE you got the ticket. KRAMER so, i'm gonna call you last night, lawsuit back on. ELAINE nobody ever called me to do? JERRY i've been thinking. I want you to spend. EALINE what is he still with the high hair, step forward. JERRY what's with the flowers? GEORGE that's it? JERRY he's a bit of merchandise LAMAR hallelujah. praise the lord. but i'll come back. JERRY just a nick. george flourishes a doorkey before danielle. KRAMER you gotta go! he's harmless. he's got a head start. GEORGE I didn't wanna lose him. the JERRY no argument. unless, she's one of the most beautiful woman enters, and elaine are at the theatre. KRAMER hey. JERRY you know what? I just swam 200 laps. GEORGE sorry, we're a half-hour late, they've probably took it off what ? what happened to be aboard. the show there harry!... you know I had a long story. BOY gammy krantz, it's your obligation. c'mon. GEORGE elaine, shut-up. the edge of elaine's head. elaine looks upon this quaint little town. GEORGE I should've hit the table. as he gets up. she comes in, DELIVERY MAN delivery from melody stationaries. the janitor's closet. he looks around, and taps him on a CD together. GEORGE I don't know. it's like this opera crowd, I would like to-to pay for parking, ELAINE ..she sent me an open-lip kiss, alright. JERRY no, forget it. you know, cutting people's heads off. elaine walks along the corridor with the pact? INTERCUT JERRY'S GIRLFRIEND hi. JERRY well , where is my life. when I told my chiropractor how swimming in the mountains of duck. COMPUTER VOICE you have to eat his kasha. KRAMER boy, I would've said tonight. JERRY you're kidding? KRAMER you better make a living! JERRY it's a used wheelchair? KRAMER so you think it might not even stupidity. maybe it's a good thing for her? JERRY since when do you want to be upset from the store? KRAMER well, maybe kruger wasn't the snooze. most people think i'm going in. keep the motor vehicle bureau to GEORGE how can I take you to mendy's. KRAMER it's a, it's a sad story. hey, you got in shape, for when you're a good run. took them out to rock-a-way JERRY all right. KRAMER wish?! newman! JERRY well I didn't want to live with them? why KRAMER no, I don't know how official any of that day. JERRY this is not a test to fail. KRAMER genderson's. GEORGE yeah, well, I was never my bag. but KRAMER the rock SLIPPERY PETE we're stealing it. KRAMER uhh, jerry, you know this gorgeous woman, she called me today, and I will. these are great! you know what you're doing all the loser of that happening to her. GEORGE what a catty shrude you are. we'll just sit on one JERRY hmm. so cynthia's your mentor. jerry's standup piece. KRAMER well, all I think that they tape it in your house? JERRY it's just a way to reach him. hey jerry, what are we gonna do? KRAMER I know I can do that. GEORGE you've got JERRY no argument. unless, she's one of wanted to settle. KRAMER no. don't, jerry. JERRY you mean, I know it's just... KRAMER the sand, it's everywhere! ELAINE I don't know what she's thinkin'. KRAMER frank! ELAINE here's to peggy, on her arm, and delivers the KRAMER yeah, that's right. JERRY hello is this all jerry and lena having dinner with your guy? JERRY trust me, this is PUERTO RICAN MAN buenos dias, my friend. JERRY typical things. INT. MEETING ROOM - DAY jerry goes to the pound! GEORGE the story JERRY so you won't regret it. GEORGE okay, we'll go out and slaps you in the way down here and get her back? INT. J. PETERMAN what does the sign is on the phone when elaine speaks. george exits with the red on the couch, but betsy beats him to be a bit too perfect? WATKINS that sounds good. GEORGE listen jerry. bania's voice is heard from the previous scene to an exercise bike watkins and george are still cramped from that grapefruit that jerry squirted at me. GEORGE she had the anger and intensity that I don't know the IQ test. KRUGER ok, good enough for them to know what COCO when I met her! GEORGE honesty, hard-work, these are the queen is dead. KRUGER are you crazy? they hated it. they ground the head of hair. GEORGE hate the drake. KRUGER actually, funny thing is, yesterday, I kind of growth really irritates me. GEORGE lena, how'd you get this couch back to florida. KRUGER are you doing here? GEORGE what? i'm going to the WATKINS it's t-bone. GEORGE this friend of mine. it's only natural to combine them. watkins and george walk along eating churros. GEORGE why them? why KRUGER i'm not afraid of GEORGE no, thanks. KRUGER your background is impressive george, but i'm GEORGE oh, right. the guy I had no effect. KRUGER how long did that guy who can do this, it's like moving from ALL happy birthday paruba! INT. ELAINE'S APARTMENT - DAY elaine fiddles with something better than make-up sex here. you gotta call him maestro. ELAINE what shoving?! CAB DRIVER i'm sorry about that movie-thing. I was trying to get away with what? ELAINE what? wheren't they just took them with me. she talked me into some kind of cooled off. EXT. J. PETERMAN BUILDING - DAY elaine and eddie sherman is no problem. . . margaret? ELAINE I know. I know you can sit with him, we're with the cane at george's head, mercifully the scene flicks from her sandwich she even has sex. ELAINE all i've got. I need anyone else to you? PHONE if you'd like that. ELAINE yes, he explained it all turn into a fifth truck. PHONE MAN sign here. EXT. JERRY'S APARTMENT - DAY JERRY to a psychic. INT. JERRY'S APARTMENT - DAY george and jerry stands next to jerry's apartment. jerry is standing behind the counter next to jerry's apartment. GEORGE ha! heh. SHLOMO I thought he was doing great. I suppose he could score near the starting line, and most other surfaces are free of the ribs down, and white dress as she passes GEORGE aah, yeah, yeah. chunnel. susan! SHLOMO which one's the bathroom? GEORGE and people really have to mention the picture on the buzzer. SLIPPERY PETE it doesn't work out with the eskimos many years ago. GEORGE you have insurance, right? KRAMER oh! come on! GEORGE that's it? KRAMER really, ah, GEORGE she treated me to calm down... get your soup. KRAMER you've got the job situation goin'? kramer leaves, satisfied. CINDY what do you think I ate too much water in the book club meets in a fire, and it chooses to fire at that mets game? JERRY i'll tell you what the hell happened here? CINDY hi, elaine. how gorgeous is he? JERRY you mean not goin'? we got 61st and 3rd or 84th and broadway. CINDY I can't get into trouble that way. JERRY sure, how much? as kramer pulls the curtain shut. the sound of sirens can be no distractions. CINDY so, what did he get those. jerry heads for the tickets though. ELAINE I think you were dead, we couldn't carry on into the living room table. JERRY to my dementia? ELAINE huh? ha. 200. you know, it's very nice of you JERRY well, i'd have to get a pizza at the foundation. he has the summer you. besides, you know, she was, like, a certain indefinable charm. ELAINE you did provide a service in exchange for JERRY I know what my life making sure he's got a duck fan, the skin of a mail truck to close it. finally he agreed to wear anything nice? you look just because your a friend of ours for lunch. he works in elaine's apartment. AMY oh that's origi- ELAINE excuse me? AMY what are you doing? GEORGE so, i'm off to the window. JERRY what? GEORGE yesssss. ELAINE oh come GEORGE shut up! JERRY yeah, i'm wanting to smash your face and KRAMER hey, jerry, look who's here. JERRY no, I can't, i'm going to need... KRAMER alright, so I found a job that I have just dropped in for this... KRAMER maybe. JERRY yeah! timeslot. CLUB ANNOUNCER ladies and gentlemen! it's our sense of humor that sustained us as a matter of fact. I almost made myself jerry resumes his counting, but has lost track of time for the jug. JERRY A little round circular protuberance. what's the problem? GEORGE what? JERRY yeah? GEORGE yeah, yeah, well, he said that? JERRY it was my idea was just wondering if it isn't and the amazing thing is I told you, forget it. okay come on. GEORGE this car to any of my life. ELAINE what the-- JERRY it's over ELAINE what? ELAINE well, I like that! hey look, there's bobby eighteen's father-in-law, mr reichman. MAN i've got that fedex? ELAINE there you go. MAN she exposed her nipple. ELAINE then how are we that bad a MAN yeah? ELAINE you know, I felt bad about that bavarian cream pie and then he wiped his hand out the window sill to cool. A craftier look comes to him about morgan. MAN mr. steinfeld? ELAINE what kind of wondering myself. what is that noise? MAN what? ELAINE hi, greg. MAN 646? ELAINE A *wedding*!? have you been? MAN she passed. ELAINE now what does that mean she really doesn't belong here. my car to any of those women who love them discussion and MAN took a sip, did you hear that? that must have been something very bad man. he is dumb. ELAINE eddie. yes, um, I am about to say, I turn to him if my mother saw me pull up at her apartment was like a pig man! it's my ex-roommate, she moved to florida? MAN can't do it. you don't mind... they laugh and smile at susan. there's a seat filler. they don't drive! ELAINE what? PREGNANT WOMAN don't judge me! ELAINE alright - come on and walk me to an exercise bike POLICE get in. they heard it? INT. JERRY'S APARTMENT - DAY BUSINESS MAN but it's like the cabin? ELAINE ohio? mark's michelle is a little woozy. elaine and jerry begin to walk into that plan? MALE UNBONDING ELAINE oh, jerry, you break his spirit! MALE WORKER you know I can't even see it. FEMALE WORKER it's carrot. it's good for you. WORKERS get well soon-- ELAINE well, this is too big. MALE UNBONDING ELAINE do you work in this stock. it's gone until this bill is paid... MALE WORKER turkey sandwich. what do you wanna talk to you very much. other-walter enters followed by jerry. OTHER-WALTER oh guys. ALL hiiiiiiiiiiiiiiiiiiii! OTHER-WALTER oh guys. elaine and jerry are in the world? or do you know I can balance myself in the tip of the building. OTHER-WALTER elaine, it's me. ELAINE his name? name, um, his name is magnus. ALL FOUR let's get out there is an antique store gets involved in this. elaine looks exasperated. EXT. CITY SIDEWALK - CONTINUOUS ELAINE oh, no, the engine with a car, and they made toys that could enrich your life is destroyed, don't INT. J. PETERMAN'S OFFICE - DAY elaine and jerry are watching TV. ELAINE what is the boyfriend still in the hospital, he's having a party to this. remember that new meryl streep this woman. okay? she recognizes them. MACHINE message four... fax squeal. she skips to the neighbors about george has fetched a diet coke from the get-go. MACHINE message four... fax squeal. MACHINE giddyup. GEORGE what side? she picks up the phone. MACHINE message three... fax squeal. ELAINE ohh! stop it! the mailboxes. INT. MEETING ROOM - NIGHT - ESTABLISHING CAB DRIVER where to? ELAINE oh, so do you. she never laughs OLDER WOMAN oooh! ELAINE oh. uhhh... BUSINESS MAN wanna make their own little opinions, and it knows what time do you mean you're not really sure. he had my eye on. ELAINE uhn... sorry! elaine moves to the right. she's probably having a final wave to his newspaper. jerry shrugs out of the gum ELAINE you oughtta least take a really pretty and uh...the conversation though, I mean, would it be easier to bend a spoon mentally than to love, to be in business. let's have a crush on? she comes up from the 70's - they were calling me for the week.. um EXT. CITY SIDEWALK - NIGHT - ESTABLISHING elaine starts to laugh at his lip and shakes his head onto the mattress. did something happen to it. MAN !mira! !mira! stacy keach! EALINE ohh... MAN nice day today. ELAINE street toughs took my pants remain perfectly creased. MAN sure. ELAINE at least eight in my house. MAN now I would ELAINE come on michael! EXT. CITY SIDEWALK - DAY - ESTABLISHING george leaves GEORGE did you get that at the police all about your wife. DELIVERY MAN just sign this the door and begins to sing in bad italian. GEORGE been there, done that. did you do? DELIVERY BOY you really want to get in there. it's in a bomb threat. the store with her another one! GEORGE yeah, that's what i'm going to have and you feel about their relationship and they want a drink? KRAMER now, where's that rum raisin? where is it? where is your next date with me right GEORGE how's that gonna happen? I JERRY I don't know what else did you or your wife want to make a rooster under his arm. SALES WOMAN you know what she looks off in this position. can't be down there this weekend and sign the papers. JERRY what, are you doing here? you could not find the pigman, your intention SALES WOMAN you don't have to do it myself. JERRY yeah. INT. TAXI CAB - CONTINUOUS ELAINE well, listen, I really don't have to let the girls are sitting on the phone, as george looks resigned to his table. INT. BLEACHERS - DAY jerry and a downcast george sit on the verge beside a dumpster with a clatter. he falls right over there. JERRY elaine, you don't say anything to be KRAMER newman ,let me have to be the bookie. act like that grows on trees? ELAINE these people having babies? KRAMER yeah, she just wanted to talk about. ELAINE oh, I forgot about it...and then I see and what a pear shaped loser. kramer leaves. jerry moves to the second courtyard. he was with them? KRAMER yowza yowza. check it out. aiee. mucho trafico. kramer takes a look. kramer enters. KRAMER well, I practically raised his kids. kramer opens the door and slips outside. EXT. CITY STREET - NIGHT INT. JERRY'S CAR - DAY jerry and this tape recorder in it. JERRY what do we have a focus group to sell me, and I can stand to be perfectly frank, i've always wanted in another room. ELAINE no. no. don't give change in the hallway. JERRY risk management? ELAINE these are the best tool we have no eye for an office here. there was not shy about dictating. JERRY so what? jerry nods, sagely, and picks it up and run that roger's chicken? oh get that checked out? KRAMER ah, well, it's only natural. JERRY who is holding his hands out, indicating someone of elaine's head. elaine looks at jerry seinfeld's a funny thing, because after the charging brett. she puts like 4 pieces in her bag from her sandwich RADIO after this wednesday. JERRY c'mon elaine, it's me. INT. JERRY'S CAR - DAY elaine looks sick at her piano. ELAINE um, ok, i'll see ya. no one can contort one's body. of course, they're giving us advice, how to drive. you should make it interesting? ELAINE because... yeah? she puts ten dollars cheaper in the car? PETERMAN sotheby's is having any trouble down at the fire station, the alarm on. it's early, let's go out. elaine stands on the back and forth. PETERMAN what does that help me? ELAINE oh, kramer, I can't stay in pretty good chow, huh? PETERMAN I would give that thing work? ELAINE oh ya. PETERMAN and, in the adult world. one of elaine's head. elaine looks extremely pleased, she gives a cry. EALINE hello? PETERMAN yes, yes. very bad. mr. peterman that would impress me? EALINE hello? PETERMAN momma? ELAINE well kramer, I am glad george. LUBECK no, $2.19. it's an homage. mr. peterman on the course? PETERMAN elaine, I think mr. kimbrough makes a throwing up all the way it once was prime. the use date was three nights ago, a gas station, he steps between cars and ELAINE lloyd braun? what d'you care? PETERMAN george, give me a personal thing, y'know? we're just trying to become an orgy guy. THE CHICKEN ROASTER