[generated output in 3 tries] THE END written by alec berg, jeff schaffer & dan o'keefe david mandel INT. JERRY'S CAR - DAY - ESTABLISHING the second time, ahab and the mirror, SALES WOMAN the asking price is the people GEORGE never expected that movie to-- SALES WOMAN you know she had this little bathroom. it's got a great voice timbre. is it just got to hold mine! george flourishes a doorkey before danielle. JERRY nonsense. you do like the picture back. GEORGE i'm in bed at home. JERRY ... and the same black and white dress as at their regular booth. LAMAR you know, I should've done this before. JERRY I don't think so. no, he's just a wonderful man. kramer stands beside him. there is something wrong, jerry? KRAMER hey, jerry, how many miles you got a sport jacket. JERRY hey, lou, who's that friend of yours is eleven dollars. KRAMER is it padded? jerry opens the door, which is twisted uncomfortably. elaine enters with their parents, don't approach strange women. JERRY hello? he tails off, as he does it bother you? JERRY psychics, vacations. how about abandoning this apartment, and then trying to join us? LAMAR jackass? so i'm a pod? JERRY you don't really think you're jealous. as she raises herself CINDY no. that skips a generation. the baldness fit into this jerry begins to drink this latest one, kramer opens the counter perusing a magazine. ELAINE hey, that's my smell. jerry you've got here. my car if JERRY well, if she knew, she'd call off the road as he lands ELAINE no. A bra is for biosphere 3. KRAMER because most women when they're going to ruin the whole day of mourning.. for manya had a very nice gesture jerry, but take it all night. I could see this! he thinks he saw the look on my foot. just like this! elaine, what did she show her breasts in that? ELAINE you're all proud of you. KRAMER well stubs has already sold it to the doctor's apartment. ELAINE you know my last job was in financial trouble. KRAMER hey. ELAINE I don't know if he's trying to say to this guy said his name was costanza. he KRAMER this guy because he thinks I was living JERRY I didn't care. oh, god I didn't do it with this woman. this is nick stevens, from plaza cable. i'm sorry we're late. KRAMER no. and you know what they're plans are. GEORGE wink. KRAMER hey, mrs. seinfeld. SLIPPERY PETE that was kidnapped the other car cut us off! they had chinese food? KRAMER uhh, jerry, you know what happens to have a woman. SLIPPERY PETE well, I talked to this guy? KRAMER well you know what the difference? SLIPPERY PETE A what? KRAMER all right, so he moves them from one of those stupid cartoons and that guy show up? SLIPPERY PETE you owe me a favor upside your head? SHLOMO which one's the bathroom? INT. SECURITY GUARD'S OFFICE george, look, i'm going to find george. he's holistic. GEORGE yesssss. SHLOMO so what if you don't understand. we had a great impression! GEORGE thank you. that risk management folder on his blinds. peering through, he can pay me. so what? SLIPPERY PETE what's that? GEORGE excuse me, have you seen schindler's list? SLIPPERY PETE what's that? KRAMER cars can go either way. SLIPPERY PETE the batteries are dead wrong. SHLOMO which one's the bathroom? INT. J. PETERMAN'S OFFICE - DAY george, jerry and george give him an idea. leave the theater nearest you, please enter your five digit GEORGE so, we're going out on a slant. SHLOMO so what is he after you? oh that's rich. now clear the entrance of scott's emerge jack and GEORGE we had a pimple since I got all my years on the cusp of a fluke thing but uh i'll be back on this guy's in my life. I mean it didn't have ponies. i'm sure you can't say anything you want...'cause I love new york mets-- 6 runs in one of those mini ritzes? KRAMER I can't help it! elaine moved the mirror, INT. ELAINE'S APARTMENT - DAY kramer on street KRAMER I told you. kramer steps out of here? INT. SECURITY OFFICE - JERRY AND KRAMER ahh.....!! still reading the most important thing in the city. these, uh, are there terrorists on the same wall and sets off. RADIO and the voices inside the van? JERRY you know the great moment? you're on deck. sheila! GEORGE well I felt a call from the limo. EXT. JERRY'S APARTMENT - DAY ELAINE speaking of jerry, the doors of an argument. INT. APARTMENT - NIGHT - ESTABLISHING jerry looks at the picture and wrote the check, she's taking the JERRY isabel, uh, I didn't see anything. he steps between cars and what about the spot in front of it is with these squeaks and squeals, what LISI 20 minutes. JERRY uncle leo! EXT. JERRY'S APARTMENT - DAY - ESTABLISHING PHONE MAN oh, you mean you show up at her apartment she goes to the o'henry candy bar with the ones like the apartment, round the doorframe and raps on the photo. ELAINE jerry, my house to rent there. PHONE MAN look, I find them repugnant and unappealing. ELAINE ohhh! goldenboy? PHONE MAN this is a fantastic name. it's a little nervous. EXT. CITY STREET - DAY JERRY take it back to jerry's table, looking dazed. elaine stands and INT. ELAINE'S APARTMENT - DAY - ESTABLISHING mr. steinbrenner at yankee stadium to the papers? ELAINE well it was about *one* very specific type of quiet dignity. PETERMAN another productive meeting. by the escalator. THE RAINCOATS PART 2