[generated output in 1 tries] THE END written by alec berg, jeff schaffer exterior of united artists theater with a big complex. A woman that I don't understand about the dogs? a chair, while an upset jerry rants into the air...you put your wallet in his sleep, turning over. it's jerry, GEORGE yeah, sure. you know, I could die. die. is it the urban sombrero. JERRY how about if I get a cup of tea with lemon. GEORGE ...who's not doing that. JERRY yes, I know. GEORGE your hose! where's your jacket? ELAINE is she? KRAMER hey buddy. ELAINE five seconds. jerry, I wanna know if I have to take it. I wanna put a damper on your sat's? KRAMER that's right. now you make the move? ELAINE and you're overdrawn. JERRY yeah, that's too bad. ELAINE no. if I go? GEORGE well, you know, things have a certain time, and you just give me a couple of seats. elaine is on the street. JERRY kramer, you're still trying to get fired. george, you want about alcohol, but not too good. peterman was so funny GEORGE well, if she wanted to have those moving walkways all over you like that on my speed-dial? kramer places the hat by KRAMER yeah, cupid's rifle -- 8:30, sony lincoln square. yeah, no, no, not that there's anything wrong with that... JERRY you don't use em? KRAMER I think he was wearing my old JERRY no, I haven't. GEORGE she knew I smelled something. KRAMER oh, jerry, listen to this, listen to me. is the biggest. i've based my whole timing! GEORGE so, what's going on here? JERRY yeah, but you should call one of those people that just about... does it. GEORGE you think about the skin from the back of JERRY well, he pushed my buttons, I couldn't help it. we just bought jerry's couch and flinches as he pulls on the door. GEORGE 85, jerry! 85 IQ ! ELAINE oh, but it's real. KRAMER do you think she was flouting. ELAINE yeah, I know that she left a note, but I just talked to you a check. KRAMER look, I gotta take you any other move. ELAINE oh, kramer, it's just unbelievable. KRAMER no! EXT. LISI'S APARTMENT - DAY INT. JERRY'S CAR - DAY 1 jerry nods sympathetically. kramer spots something ahead of me. borrowing things from my pocket. JERRY the same, he sent it to your coat? shade? kramer with the milk, delving into milk, consummed with milk. pasteurization, homogenization, she was JERRY george, the susan ross foundation. NEWMAN mmm. you present an interesting dilemma. each of you get this thing that you can sit there and they start to exit. jerry grabs hold of george's face. he JERRY you're a nice sweet spot between the moon but we're still going. elaine, do you believe this woman? NEWMAN you might have something goin'. JERRY see ya. and george, MAN yeah? KRAMER hey, everything my man. george lets this sink in, then slowly turns to look around, eva has JERRY what in time? GEORGE so he gave out a little fun back here? ELAINE anyway, I told you i'm thinking of doing? i'm getting hot just looking for a new GEORGE we're dying here! KRAMER oh, you hear something? GEORGE well, you want from you? SLIPPERY PETE the batteries are dead wrong. GEORGE yeah. i'll take a cab. they're playing at the flea market. SLIPPERY PETE the batteries are fine. we've got...oh, god. only 3 minutes left. KRAMER well, don't tarry. i'm behind schedule as it is for dead people a little puzzling we haven't even arrested him yet. come on, take some. it's good. GEORGE the weather when you kramer grabs a bunch of green leaves KRAMER what is that, like, a dot under it. STOCK FOOTAGE taxis stuck in his bed, when something occurs to him. he's grotesque. INT. ELAINE'S APARTMENT - DAY - ESTABLISHING elaine sees puddy still having a good game. MAN #2 he got in your underwear. that would have had it all has to ELAINE i'm not apologizing. it was for rent, so I want another family? my father's demanding my uncle leo. I heard you went on a stack of mail out EXT. J. PETERMAN BUILDING - DAY 3 INT. J. PETERMAN'S OFFICE - DAY elaine is at lunch it looks decent. ELAINE yeah. PUDDY yeah, I told her father is so much the better. this thing to do. ELAINE swan lake, which is lovely, by the way, you know this sounds touristy, but i'd just love to talk i'm not a problem, because PUDDY I know. ELAINE no, no no. PUDDY alright, be careful with the mechanics. elaine is totally overrated. now, here's the best. look. maybe i'm just uh, redecorating my office with me. ELAINE what? CAB DRIVER okay, terminal three. have a phone. interior of an option. I use it in the store. look, look, there's a pay phone in disbelief. CAPTAIN ladies and gentlemen you're in here, sir. welcome aboard. ELAINE I dunno. jerry's apartment, some time ELAINE wow, invitations again... JERRY who are you? from a distance. LAMAR jackass? so i'm gonna go back there tonight, you know, ray is insatiable. jerry tears a sheet of paper. JERRY he's a kramer violently twists elaine's head to the cabin. KRAMER all right. see you at least steal a battery? there is an acrobat. I don't want any! PUERTO RICAN MAN buenos dias, my friend. KRAMER that you fool... kramer leaves and jerry are you sleeping with his feet. eventually he is bumping into people. KRAMER are you an assassin? city and possibly for music plays in the meeting. dies and his maroon golf honks the horn. MAN the machine to pick up jerry. george is being grilled by a fragrance. GEORGE I can't call tim whatley and ask them to LADY lady, i'm not going back to coney island? LADY and I sensed something. I don't know. i'll tell you something. of all living things but I do too. you know, mr. ross, if - if you believe a passenger will be a great quitter. it's one of them in to battle, they think.. well do you want, but if you like that so inconceivable? EXT. JERRY'S APARTMENT - DAY - ESTABLISHING kramer takes a cupcake from a trip together? KRAMER I know, I really don't know how official any of us! jerry pats george on couch with a lectern. in front of the question. JERRY really? ELAINE jerry, what a pleasant meal and if you're lucky mrs. benedict it's our store and i'll be here. these are very interested in jerry. she moves back and puts them back to the door. JERRY take the left-overs. I work for you to the window, you can take the keys back from the TV. AMY there is the next day. ELAINE yeah, i'd go for it. did, did you get for breakfast? JERRY no. LAMAR hey, black saab. KRAMER simple. you let go of her head, and kramer is reading from o'brien's speech. KRAMER hey, now, they're tough cookies. the table on jerry's couch. jerry enters, wearing his hounds-tooth jacket. EXT. CITY STREET - DAY KRUGER vemonous? INT. PARKING GARAGE - GEORGE, KRAMER, AND ELAINE. everyone at the pool. we're gonna be the new york all hours of sleep because of that restaurant on 46th street. you're not covered for when you're senile. GEORGE no. we're not very jolly. george enters looking anxious, maybe borderline panicky. he stalks about the dogs? GEORGE aw, come on. MAN hey! there's that clown again, what does a lot of extra baggage up george walks in with no arms? MR. ELINOFF oh! yeah... that's a hell of a bag. GEORGE it's not hard to see the logic behind some of monk's. george and elaine sit together on the couch JERRY you know his name? GEORGE I love to lend her to call me crazy. JERRY hi elaine. george. anything wrong? JERRY seven. tonight. GEORGE so what? you've gone right to make out the mysteries of the catalog? JERRY I don't know. GEORGE good. now fix me up a friend who hasn't betrayed you, the guy wouldn't give them on me. KRAMER alright what's gotten into the room. george shuffles down beneath the bedclothes, to get the stumps. ELAINE I don't know. now, i'm accountable. alright, I want to shower first.. and I are moving back in high school, half my friends are walking down the block three times already. KRAMER how serendipitous. ELAINE are you sure? JERRY look, you're a human being. EALINE ohh... JERRY no lines. GEORGE we really can't handle a woman you don't have it. JERRY what'd you do anything like that. GEORGE he's a mimbo ELAINE oh, hi. joel.. oh, you wouldn't. she only used in the same shoes as yesterday? JERRY what? GEORGE i'd like to think it was possible to add a little more enthusiastic about their showers. think they can destroy other people's property and get my jacket, i'll meet you here for eight dollars? eight dollars? elaine tries the door. ELAINE how did you hear that? he could kill a man! CAB DRIVER i'm sorry the card not being able to get popcorn, okay? making a lot of things you would like this . you know something? I no longer need them! puddy touching the plate. ELAINE vegetable lasagna VEGETABLE LASAGNA my name is george. i'm unemployed and I are not back together! ELAINE um, I just wanted to see me on my way to the coffee shop. JERRY hmm. AMY I find tinsel distracting. ELAINE you're the real phil rizzuto was down there, this is mr. costanza debated on whether or not iron man is streaking across the hall. AMY this has paba in it, jerry doesn't have to eat at the yankees-- no arms! he got arrested for urinating. GEORGE from my gift certificate? INT. J. PETERMAN what about the other side of my life. kramer leaves both sally and jerry can hear her name mentioned. KRAMER yeah, like you because you were very good. he looks like it's giving her pain. MAN okay listen to me! BOB where is it? KRAMER maybe that's more like the face of the approval of the parking lot, big boy, and it kills it. kramer joins jerry just as well get well soon, we want you to go upstairs like you're trying too hard to get the GEORGE she's still coming to bed? i'm taping canadian parliament, you know what? I could say the same, you know? JERRY you don't even know fulton was in the ninth grade they had the show will go down there with chocolate all KRAMER bette is recuperating right now thinking you paid seven hundred dollars a month! JERRY well, what am I going to see you. RADIO and the turbo was separated from the schwinn's bell, and kramer JERRY ooh, everything was going to crab a bite to eat? LAMAR what was the most room. ELAINE yeah! JERRY ah, i'll just walk around like that of a loser and that orgasm stuff: orgasm this and orgasm that. it's a hair. EALINE mr. peterman, the fact remains you still couldn't kiss her? JERRY I missed a train, went outside and caught a foul and unpleasant odour. GEORGE no kidding? JERRY oh yeah... GEORGE hey nice ice-bucket. JERRY oh yeah, i've been having some internal dissension about the body, what kind of problems are solved. GEORGE maybe she was ELAINE i'll be there and he answers the phone. KRAMER oh, you again. JERRY but I can't kiss this girl, i'm afraid we're talking KRAMER bed? you should see a real fancy boy. JERRY yeah, you betcha. GEORGE are you going out saturday right? hat should be published. JERRY because when you're george and jerry are there. GEORGE I-I wasn't in there. quick, quick, quick... they all turn into farmers suddenly. JERRY depends on the date is the show. GEORGE in any way? JERRY it's not even analyze it. it's money. let me walk you back huh? GEORGE WENDT yeah, well. how hard could it be? JERRY I hope you packed enough - this is...horrible. KRAMER well, um, newman thinks that that bania guy? JERRY THINKS very kind. I am different, yeah. KRAMER oh, I will. JERRY amazing how many of those close to the elevator. elaine gets a flicker of recognition. she lifts up the chair, i'd go for it. KRAMER all right, all right. wait a minute, what am I, a hooker? anyway, they get sweaty. and i'll make them stick. JERRY hey, why would I want to get together like moe. KRAMER yeah, I know. this sandwich is terrible. JERRY you must promise that you turned against. anyway, I wanted to see her in the face and she is cleaning. KRAMER yow! JERRY try and shut CLUB ANNOUNCER ladies and gentlemen, please welcome jerry seinfeld! applause from the dentist! BANIA jerry. was obviously talking to you, this probably isn't gonna work. something else. i'm very attracted to you the guy who pitched him the satiusfaction. JERRY it's lanette! I need a four hour game. BANIA hey jerry, I didn't take back the thirty-five I gave to kramer? exterior shot of jerry's building. huh? dreams can come up with something. that's my coat. ELAINE karate? again some day. it was a mudda'. PUDDY sorry i'm late. ELAINE george, hi. I called my office. PASSENGER that's my only hope. ELAINE oh, yeah. right. uncle, leo. forgot his glasses. elaine is still flat. OLDER WOMAN wha--ow! ELAINE it's better than that. BUSINESS MAN wanna make sure, ELAINE no they don't. elaine hurriedly gets out a pound of turkey! GEORGE hi, nice to meet somewhere JERRY I didn't know it he'll be buying.. GEORGE that damn mohel - he goes to the bathroom now? JERRY no. it's just awful. THEY FINALLY YANK THE BABY INT OTHER ROOM. THE MOHEL BEGINS TWITCHING. ANGLE ON: ELAINE AND PUDDY yeah, that's a shame. GEORGE what did she say my face. AMY I wouldn't do the talking! GEORGE wait a minute. GEORGE say it's saturday night in spain. they go down to the others give chase. ELAINE I don't know if there's any doubt at all I...I feel we should have to break up which she would have been nice if you had to leave. JERRY obviously never. KRAMER yeah. JERRY I didn't want the truth? it is surprising. does that mean, good dip? jerry sits in a sack, mister! jerry is looking in a probable future. kramer pops his head at the zoo twelve hours ago. JERRY hey. jerry and george can never be allowed out in shock. jerry has his attention drawn away from the jackhammer. jerry has just arrived from the schwinn's bell, and kramer sit in the first chance i've had a drain. jerry is looking impatient and angry. JERRY what you want? CINDY I made my point. JERRY uuh, so we wait. CINDY so? JERRY it's a misprint. A still pleased looking george is still milking it. jerry grabs it and then that I was having this party and - POLICE OFFICER well, I better get going. JERRY oh, it was almost hit by sweat! INT. PARKING GARAGE - KRAMER, WANDERING AIMLESSLY. mr. steinbrenner is ELAINE do you need to borrow yours. anything else, jane? PETERMAN that's it! no good! THE WAIT OUT