[generated output in 1 tries] THE END written by alec berg & jeff schaffer spike feresten david mandel INT. ELAINE'S APARTMENT - DAY - ESTABLISHING the two of GEORGE one of my way... JERRY what, are you sure this is like the burning during urination that I get in on it. GEORGE I don't even like the sandwiches? lisi leaves and closes the door and kramer sit on one of genderson's golfing buddies. LISI out! JERRY he left you a question. this, uh, rage-aholics? LISI lovely evening. JERRY absolutely. LISI what you do: you bring your gloves, it's freezing out there. JERRY wow good plan. EXT. MONK'S DINER - DAY - ESTABLISHING PHONE mr. morgan left for a while. and ... I can't park in front of a piece onto her blouse, where it is. I shave my head on one elbow, playing with matches, seriously kramer. ELAINE huh. PHONE MAN sign here. the good building in LA. singers and actors are heard practicing in ELAINE oh, he's this guy i'm seeing. she thinks it's yours. EXT. JERRY'S APARTMENT - DAY again, and kramer exchange a look, and turns around. newman hides the scissors. ELAINE and ... good luck! she has this in my cell threw a piece of them made a fortune off of me! johnny!!! johnny! OLDER MAN hey, do you know its.. great. you know, it's not hot, and enforce these rules. ELAINE just a few weeks. is that this brentano's is the matter? BUSINESS MAN wanna make twenty-eight bucks? ELAINE yours or hers? EXT. JERRY'S APARTMENT george twists round, so he gets that revolted GEORGE so I guess we could go out for days. JERRY ma. GEORGE sperry rand building. 14th floor, morgan apparel. mention my name. I made a mental patient before. JERRY well well, if it's an antique. GEORGE listen. let me go. because I wear it now! george wanders up to jerry. george sits there, looking stunned. table. GEORGE I want to thank kramer. way. jerry and elaine still looks unwell. lloyd stands comforting newman drops a piece of paper from the pages of a cute little hat.. I think i'll take full responsibility for the himalayan walking shoe! I mean, last week and I had... I mean, why does he want the complete opposite of everything? NEWMAN I don't even think about it, a clown, how do you want? you want me to bring him the keys to your husband real soon. george wanders toward the auditorium. the english patient MR. ROSS yes. GEORGE I meet like three women a year. MR. CUSHMAN my niece told me he fired me. GEORGE well I don't have the disease! you have a whole lot better. then if somebody says to richie why don't you think someone's been tipped off? right. MR. LIPPMAN no. no. no. no. I bought for you? what's this job? jerry's apartment, the phone with cynthia. the phone rings, but kramer doesn't want to come to india. I mean, he's twelve years old! GEORGE i'm family. i'm having surgery tomorrow. KRAMER no. you are annoying me sitting out there GEORGE eat me alive, huh? we'll see you at will call. KRAMER aw, you really think people will spit on anybody from here? GEORGE let's work on it with me once for a job KRAMER well, so, you see, it's just so smug. JERRY I don't know, whatever you want. KRAMER you see him, right? JERRY stairmaster? KRAMER well, maybe i'll just take it home. JERRY yeah. that's strange. ANGLE ON A VERY BUG-EYED, ELAINE you're not gonna be funny, so he can regift, why can't we pick up A fax squeal. she skips to the ELAINE see, there are always changing jobs. that's the last four months. she buzzes him up. EXT. JERRY'S APARTMENT - DAY GEORGE because you INT. MONK'S DINER - DAY george stares in disbelief at the table getting a table. GEORGE I can still catch her. JERRY she's nice. GEORGE you are on stage at the dry-cleaners. JERRY c'mon...c'mon... carts with one cheek off the bus, carrying a bouquet of flowers. GEORGE would you please leave. JERRY yeah, college was fun. it was, you know. KRAMER well, that's the genius of it. elaine is forced to say this, but it's time to see it coming. JERRY how can they do? ELAINE what was the maid. KRAMER fifteenth , yes last day for the lipo. ELAINE what is that t-bone?! KRAMER look at all here. hello. ELAINE why? what's wrong with my wallet in your building that you let a burglar into the dip. he doesn't call HE SHOWS JERRY THE PAPER JERRY yeah. wha - oh, illegal, huh? WE GOTTA GO! IT'S 8 47! SECURITY GUARD I don't know, I think it's off the sheet and everyone laughs. JERRY it's your apartment. but we'll go INT. BLEACHERS - DAY george and elaine. LADY that's right. LADY A cashmere sweater. oh georgie porgie! LADY oh, georgie, you wanna get some more. there's a knock at the doorway. GEORGE so she's just being friendly. everyone stops laughing. GEORGE tell me. i'll get that. we put you blinker on immediatly, there's an old mechanical adding machine george strolls up the intimacy level. it's like you're better off at work, talking with a washcloth. JERRY so, i'm uh, steven snell. no jerry. they're priceless. they've never seen, through the magazine on the photo. jerry's maid exits from his butcher. JERRY she's got to invite the drake. ELAINE oy vey! ELAINE the bris? MAN you know george isn't clever enough to spare ELAINE yes it does... EXT. CITY STREET - NIGHT kramer comes over and squeezes past elaine. KRAMER yeah I think we can JERRY what are we gonna get through six a day. KRAMER will you challenge it? jerry looks at the dinner table. EXT. MONK'S DINER - DAY jerry and george stand. george is parked next GEORGE ya. that's what i've been waiting from him. JERRY I don't know, play with that. LAMAR hey, black saab. JERRY what are you all stink. you know he's making it up! LAMAR you know, if you're off your face. JERRY can I get to stand in for a few weeks!! george is leading jerry along in front of a struggle. KRAMER maybe I could possibly have accepted is if she thinks george is leaning across the booth to meet jerry and kramer falls off. STOCK BOY no puffs. just flakes. INT. PARKING GARAGE - KRAMER, WANDERING AIMLESSLY. elaine stares queryingly at the zoo, talking with eddie sherman. ELAINE oh, we go up to do this? JERRY is this rava? GEORGE that is not well with his parents. JERRY I thought if you need somebody there. rest of the stretching. GEORGE i'm gonna call george about something else...anything..please. JERRY i'm just waiting for me, alright? GEORGE exactly, but they're talking about. elaine realises what peterman overheard. ELAINE you can't continue seeing me? no idea what my father wearing a snazzy new suit. he ELAINE oh yeah, yeah... she pays the driver leans out the door. OLDER WOMAN oooh! ELAINE hey, you seen schindler's list? OLDER MAN well, you seem like a really funny guy. OLDER WOMAN it's a radar detector. ELAINE kramer, forget it. OLDER WOMAN oooh! OLDER WOMAN wha--ow! ELAINE hi. PRIEST leave me! you disgust me! you thought it was... ELAINE yeah, she'll be there, but leave a message that jerry left on good terms. PRIEST I heard he makes EXT. JERRY'S APARTMENT - NIGHT jerry removes his cap out of control. what is it a peck? was it a second?! thank you, jackie. GEORGE why do we end up? JERRY it sounds made up. GEORGE boy, that completely changes the stations on the couch, past the children's ELAINE all right, miss benes, all finished. here's your big salad. GEORGE guess who he was! ELAINE 4:00 sugar fix. JERRY what is it good? LAMAR hallelujah. praise the lord. JERRY hey look ..you walk in hear one more lane to go. LAMAR hey, jackass! get me a JERRY strange. even not showing up at jerry's apartment. george reaches for her friend, let's call it round tine. you know that I bought him an KRAMER because they're the ones writing it off. STOCK FOOTAGE taxis stuck in traffic at the table are the cameras? INT. TAXI CAB - CONTINUOUS elaine enters jerry's apartment. A repairman is working with you. oh, and one doesn't dissect gossamer. heh..hemm.. ELAINE his apartment so i'm changed. we're back together! 12 hours ago. PUDDY oh, no. ELAINE all right. tell me what it's here knows anything about this? VEGETABLE LASAGNA please don't walk away. kramer's door opens, puddy steps out of love. now give me that about does it. ELAINE um, hum, I don't mind sitting in the hall? cab rides away. THE COUCH