[generated output in 1 tries] THE END written by alec berg & jeff schaffer exterior of george's stuff into storage. A queue of people are looking for me, koko. a little marisa GEORGE jerry, come on, JERRY what does that really embarrassed me. ELAINE are you ready? JERRY I only hit one really good and she's a little strange lately? ELAINE alright, i'm down. JERRY she's pretty rough! EALINE what is what? JERRY what is holland? GEORGE hup, here we go... KRAMER well, this time, seinfeld. . . duncan meyers. ELAINE hey! JERRY well, i've been watching you....you're just jimmy's type. ELAINE I don't know, but he ain't funny. KRAMER do you know how she died. EXT. MONK'S DINER - DAY 1 INT. JERRY'S CAR - DAY - ESTABLISHING jerry still doesn't respond. in the pool. we're gonna pick you up for? JERRY we split it. shade? kramer leaves. JERRY oh yeah, sure, christmas. snow. santa. all that cash. it was frustrating me. i'm the wiz! i'm the only jobs where you just walk me down for a position he KRAMER jerry, i'm your biggest fan! JERRY kramer you're going out with her. GEORGE then who did? JERRY um, um, look to the foundation, even this townhouse. EXT. J PETERMAN BUILDING - DAY jerry's apartment with carol, gail and lisa. GEORGE I heard you bought me the cheque, but his lower lip landed well below my rim. KRAMER well, that was the one who cooks around here! GEORGE uh jerry, how long would you mind if I knew. KRAMER well, so, what did it. GEORGE what should I apologize to barry. KRAMER for these tickets. JERRY alright, alright. uh, undo them. i'll help you with a nose job? KRAMER big! big! JERRY george, I wouldn't sleep, I tell ya something else. RADIO 794 bleeker the party's hanks. tom hanks. JERRY hi. LAMAR oh. sorry. I don't understand it. cheryl was gonna get great gifts, and then, like everybody jerry and abby are in bed, having just finished some adjustment. jerry JERRY yeah? LISI so, what was that? JERRY I don't think this is jerry and kramer are sharing a booth. LISI then may I say something... without being JERRY you gonna stay? EXT. JERRY'S APARTMENT - DAY elaine at monk's with george bringing up the glass of red wine over her ELAINE all right.. this is elaine. she breaks away. OLDER WOMAN ow! ELAINE did you get caught, i'd get him to call jill. jill. hi, it's elaine. EXT. CITY STREET - DAY - ESTABLISHING lots of them. this is.. this is better. so, you didn't realize, uh, I just pay some total stranger a buck in the garage. MAN IN THE CROWD GROWS UNEASY. ELAINE oh, jerry! MAN IN CAR no! ELAINE yes, but we were going to do is pay the MAN yes, I yearn. ELAINE so, i'm going to stay here in the darkness...like you. MAN 646? ELAINE vanessa. THEY IGNORE HER AND KEEPS WALKING. JERRY yeah, OK. oh, wait a second, wait. why are they here? MOTHER why don't you go the ELAINE saturday night SHE'S HITTING HER BOY ON THE MIRROR MOTHER I told you about a woman in labor to be. GEORGE I got things to talk about. MOTHER why don't I put my pants remain perfectly creased. GEORGE all right, let me give it to you something. when you hit and run! MOTHER donald, you used to run away. GEORGE right now? MOTHER donald, you used to walk around here somewhere. GEORGE I just wanted to do this. KID you're ugly. THE CADDY GEORGE no, stings the throat. anyway, so then I have a buffer zone. KRAMER oh, what's the point? GEORGE hey, hey. JERRY how is that stuff and threw it out. george storms out. JERRY yeah, yeah, can i...can I explain my situation. he agrees to meet him? KRAMER you can smell me without the guilt or dander of the shower, and out of the moves you have a new cat to replace that rye. JERRY what is this? KRAMER got to. JERRY hey carl, I also dropped it on the phone to take me home. inever want to know I don't see any difference. KRAMER hey, hey, georgie boy, guess what - is he nuts? ELAINE hey, guess what? i'm comfortable. KRAMER yeah, I know. ELAINE our big screen TV, and it's about, and this is sort of diversion? what if she stayed at my body. GEORGE thank you. so if I were very close friends. JERRY c'mon, you gotta pull on the exact same outfit. GEORGE this is all i'm asking. this woman anymore but JERRY well, I set out to get coffee. I can sense it. GEORGE so, uh...wanna double? JERRY you know what? ponce de leon. they're LAMAR what was the maid. JERRY yeah, he's supposed to get your laundry? george looks surprised, confused and worried. GEORGE oh great. JERRY I didn't have room to nibble on a couple of cafe lattes. but i'm sure i've mentioned him. KRAMER well, you gotta come in, come in. come in. GEORGE all right, let me ask you, I would have. george gets up and running up to it, we're having it here. JERRY is he doing? INT. MONK'S RESTAURANT - DAY george turns back. GEORGE its been a while? JERRY there's nothing wrong with the seinfelds? THEY FINALLY YANK THE BABY INT OTHER ROOM. THE MOHEL RAISES THE INSTRUMENT. JERRY plantains? MOTHER why don't you think resonated most strongly with this all the things haven't worked since 1934, how do you handle it? ELAINE no thanks. SHE'S HITTING HER BOY ON THE DESK AND BEGINS TO EXIT. SUDDENLY KRAMER COMES DASHING DOWN THE CORRIDOR. MOTHER why don't you go from snubbing to kissing? GEORGE cold? how are you? KID is there any way around central park west, back to boston. THE END GEORGE for what? for this uh, bette midler's understudy? KRAMER I was working at the SLIPPERY PETE so do you. KRAMER oh, boy. SLIPPERY PETE you think this father curtis has office hours? KRAMER I guess I gotta go get something to sit here? SLIPPERY PETE the batteries are fine. we've got...oh, god. only 3 minutes left. SHLOMO I definitely thought we're stealing this thing, it went out.! when the alarm is ringing. INT. ELAINE'S APARTMENT - DAY george, what, you got anything to you. GEORGE you see?.. you see?! SHLOMO which one's the bathroom? GEORGE i'm at this one thing... KRAMER I couldn't talk! GEORGE it's my only indulgence, I guess, would be great. INT. J. PETERMAN BUILDING - NIGHT elaine and the amazing technicolor dreamcoat. he's the fish will be there. FIREMAN all right, get out! ELAINE I was EXT. KRUGER'S OFFICE BUILDING - DAY CINDY so? INT. LISI'S APARTMENT - DAY cindy walks into a desk pushing papers KRAMER hey. JERRY george is driving danny tartabull begins eating a bag for the subway. KRAMER he overcooked it. it's jerry JERRY aw, I doubt it. KRAMER no. JERRY osh. ELAINE what? JERRY you know, we were ten. AMY I wouldn't have gone to see me, sir? ELAINE OUR PICTURE'S IN THERE?? JERRY i'm going for a cup of tea with lemon. KRAMER oh yeah, i'm a bad mood? JERRY so you can mouth off. GEORGE missing his plane? wasn't that taken off the JERRY you should give her a twenty, she only used them on the fifth floor. KRAMER so these people we're gonna be talking to you, now you don't know? JERRY i'm not gonna come? KRAMER yyyeeaaah!! JERRY I don't have an old KRAMER feel this. JERRY oh, no no no, none that I landed. GEORGE let's test him. hey, driver. what do you really need JERRY why don't you take the camera. GEORGE care to see it come as you know sweetie, I just cashed some of that alarm clock? JERRY you're just a little shirt shopping? ELAINE it is on the left arm.. the left of her. uh, my father's car! JERRY no he's going downtown to guard the suit. kramer enters. he looks like you're gonna have it out for me? do I know who you can eat here again.. but, I, I.. he had a cheque is like the jumble you ever see one so nice? KRAMER ah! here we go. JERRY did you get this? KRAMER i'm sorry. what about pasta? JERRY yeah. KRAMER I know, I would love me. they'd have huge pictures of places he could swivel. hey maybe one of my own... jerry and kramer. KRAMER alright, what the big salad to elaine? JERRY well, maybe kruger wasn't the illness. it was a nice gesture. KRAMER the guy's jewish two days, i'm sure I meant father. just a big big communist. JERRY okay. i'm your baby daughter is staring at him.... KRAMER all right, well i'm getting married. JERRY blood over there, that's how he tried to test his hearing. KRAMER why even try anymore? there's no house! it's a pee party right here for senior editor...has lippman, uh, hired anyone? cindy walks into the friars club? CINDY for my heart belongs to the equation, that would be that rude and ignorant. she was very frightening. my life that they're just proud of you, get out of work before? KRAMER oh yeah.. it's all his stuff and ah my mother's fur coat? JERRY what are you sure? KRAMER oh i'll tell you to drop everything. we're going for the JERRY oh. KRAMER now, where's that tool shed of yours? i'm really tired today. JERRY can't see at all of the seat. KRAMER that's true. A couple of hours ago. jerry and elaine at poppie's. JERRY speaking of tomato sauce, you want me to medicine? what are you going out? KRAMER yes, that's what they did the nose. ELAINE bah bah baaah, boo doo bah bah baaah, boo doo bah bah bah, boo doo waaaah, waah, waaaah... JERRY see? ELAINE oh, yeah. I see the naked station. KRAMER my mom babs. ELAINE hi! KRAMER A clark bar. EXT. CITY STREET - DAY JERRY I, uh...well... INT. ELAINE'S APARTMENT - NIGHT george laughs and newman are at the table at the prospect. the phone box. he's listening to see you. WATKINS heh heh. GEORGE yeah. actually it was the first place, I set up barricades, but kruger and talk to kramer. KRUGER not if you go down to talk to who? WATKINS all right, really go to the men's room the other side. GEORGE I had to tell under that desk because you know where it went. if it was already open. WATKINS heh heh. anything you know a great lover of the store, GEORGE look at that mets game? WATKINS heh heh. who are you? the limo? KRUGER vemonous? GEORGE how nice? KRUGER who's gammy? ALL bye, now... GEORGE hey! THE END