[generated output in 1 tries] THE END written by alec berg, jeff schaffer & david mandel spike feresten, bruce eric kaplan david mandel INT. MEETING ROOM - NIGHT the same. EXT. CITY STREET - NIGHT jerry and jeannie enjoying each other and angrily stalk away from me. JERRY that's a myth. CINDY what do you mean golf? JERRY well you've really gone mental. CINDY the girlfriend. JERRY yeah, maybe you think that stuff is pretty toxic. i'll go to the judge, honey. i'm going CINDY your nickname's koko? one of those JERRY so ah, what d'you care? CINDY hi, kramer. JERRY clever. A weary looking nick, the cable guy's anger. he laughs to himself. POLICE looking for someone! JERRY and then, just by coincidence, he has to ask you something. INT. ELAINE'S APARTMENT - NIGHT JERRY why'd you have is wrong, then the couch beside jerry. she's KRAMER that was nothing. JERRY casus belli. KRAMER jerry, a throat-clear is a sickening display. GEORGE so, attractive one day but I feel a little off last week when I was talking about. JERRY he asked me out on the convertible sofa. you see what GEORGE yeah, just tell me if he beats me, because i'm a comedian. JERRY jack. GEORGE aw c'mon. INT. ELAINE'S APARTMENT - DAY elaine realises what peterman overheard. ELAINE opium? elaine and eddie sherman walks in picking her way toward the driver's open window. PREGNANT WOMAN don't judge a person to change positions? you know, ray is insatiable. OLDER MAN hey, this guy's qualified to work any minute. ELAINE the K man do it? OLDER MAN oh, you hesitated. PRIEST no, I don't think so. PREGNANT WOMAN oh, hi. elaine, this is what I do, thanks. people should be sleeping on a case. now you listen to a doctor? ELAINE yeah. yeah. I don't want to ask him! now are you naked? BUSINESS MAN wanna make it to me about that bomb. you climbed under that t-shirt. ELAINE ya! EXT. BLEACHERS - DAY INT. PARKING GARAGE - GEORGE, KRAMER, AND ELAINE. elaine sticks out her sunglasses and wipes his brow with his new secretary ade, ELAINE yeah, no one even had the anger and intensity that I was the BIG problem is having a little more enthusiastic about it. no transportation... ELAINE sure - the ted danson? she hands him a look at me. ELAINE what? PHONE RINGS the problem is solved. ELAINE well, could you tape the A still pleased looking george is standing on opposite sides. see, when we went to see a real bull session. ELAINE oh didn't work. y'know, I don't know. she was looking for a boy in costa rica, I heard about this for? look at GEORGE she hasn't left the Y. ELAINE no, I want it back. it, it could've been a number and when I fell in love with you george, no more fish! GEORGE jerry! I gotta deliver that mail! JERRY boy, am I made a reservation for a while. GEORGE i'm the next biosphere project. JERRY elaine ... look! A twenty! GEORGE lunch is fine at the drug store. JERRY yeah, it was, like, 40 years ago! what has he been close? GEORGE it's like if you'd like to eat dude? JERRY really? GEORGE okay. how about if the game and put your wallet in the JERRY who is this thing is just a dead body son. you see what would you please ELAINE all right, that's something we don't use straws as much as I could. ELAINE yeah. butt. butt. great butt. john-john's butt. NOW JERRY TAKES THE BABY INT OTHER ROOM. THE MOHEL BEGINS TWITCHING. ANGLE ON: GEORGE TALKING TO WOMAN. ELAINE he's guarding a suit? KRAMER c'mon george relax . just because you didn't even get my stuff outta there today, that every decision i've ever seen one? ELAINE no? KRAMER not THAT religious. ELAINE i'm sorry, uh, GEORGE maybe I can see if you want a big step, elaine. your life'll totally change. ELAINE ...and then peterman ate it. KRAMER what?! not my fault. it wasn't for me and george? ELAINE that's my bike! KRAMER ow ELAINE well, he said it was a crazy religious cult. the carpet sweeper is the mailman wearing a bathrobe, his hair is also a living tribute. HE MUMBLES SOMETHING AND CONTINUES WALKING. ELAINE what kind of intimidating. CUT TO JERRY so, puddy, I decided to get the coffee? where do you want to see if he's been in the back. JERRY that is so nice of you to do is to just let the expletives fly. KRAMER the factory? AND HE STUMBLES AGAIN. JERRY SPOTS A BEAUTIFUL WOMAN. JERRY no. GEORGE hey, hey, hey. kramer, what the big salad. george releases his grip, allowing a triumphant morty to take better care of jimmy. INT. ELAINE'S APARTMENT - DAY 3 elaine and jerry stroll along. jerry is in the country. we're all buying them. I want that table. I want that picture. it's ridiculous! ELAINE yeah? what if it isn't the way down to the window, yet she's extremely dainty. changed. we're back in! 12 hours ago. PUDDY it's a little presumptuous. ELAINE jerry! PASSENGER 2 they do PUDDY all right, i'm gonna meet ELAINE so d'you think is that noise! PUDDY yeah, that's a great beauty, let's not panic. let's just eat our crepes. elaine is going on here? can't you see her? ELAINE oh, sure. danny. she thinks that's me on it. INT. JERRY'S CAR - DAY george stares in disbelief and walks out the candy bowl ,they leave. LADY 1 what is that one of your rights as a beard. LADY yes. LADY 2 mmm, yeah. A member of my campaign staff has received INT. APARTMENT - DAY the way to get caught. LASER GUY gimme a half-hour. GEORGE hey, hey. INT. MARIO'S PIZZA - DAY JERRY all right. spill it, jerome. SECURITY GUARD STARING AT HIM WITH HIS ARMS FOLDED. JERRY you're too sensitive like me, SECURITY GUARD oh, oh, okay. JERRY I can't. SECURITY GUARD what do you like? JERRY you see this briefcase again. there are a couple of weeks, ya know I wear out of the movie. SECURITY GUARD alright, let's go. JERRY nah, that's fine. JERRY is it that isn't happy with george. SECURITY GUARD uh huh. JERRY yeah! INT. JERRY'S CAR - DAY JERRY I was going to be on my good side. JERRY all right nik. that's it. all you see this thing. SECURITY GUARD walk through real quick? JERRY aww, right. three hundred, plus fifty for the dry-cleaning. I thought it was inevitable. i've known newman all my life with her again. I just a slight concussion SECURITY GUARD step over here last JERRY no, george really. can I just want you to be here. these are nice corners, huh? SECURITY GUARD can I borrow some tee...if I JERRY the dog? INT. PARKING GARAGE JERRY morning? SECURITY GUARD yeah yeah, you too. JERRY is it a night. INT. JERRY'S CAR - DAY elaine is sitting? I really believe everything is going to listen to this; this is it. ELAINE well... podiatrist. changed. we're back in! 12 hours ago. PUDDY yeah, I put this? ELAINE no, no I hadn't noticed. PUDDY hi. roof to kill myself, and you're not still a promise? hmm? and you're not interested in an accident, and your toilets. JERRY they're only obstacles in the bedroom of the elevators. there's a gap in rome has that's not a word.....you have no idea I would have the bike?! KRAMER what happened? you gave it away, george? the other tennis club. they are real, they are wasted. EXT. JERRY'S APARTMENT - NIGHT KRUGER it says that according to your mother. INT. TAXI CAB - DAY - ESTABLISHING everyone at the hair. he *staring* at the roller derby, I almost went to california. GEORGE jerry? jerry! i'm gonna do. KRUGER are you doing later? GEORGE well... what if it's a fine person. you're a shell-fish connoisseur. KRUGER maybe there should be happy again ALL FOUR let's get started. INT. MONK'S DINER - NIGHT the horn coming out. SALES WOMAN no. GEORGE lot of friends. I got problems jerry. SALES WOMAN yes! come in, come in. george and kramer sit on it. JERRY kramer! KRAMER bad news, elaine. it would have taken some kind of life is so terrific. JERRY oh, you better just pay your check, leave here, and never mention GEORGE so--ah, kramer. why'd you start to worry about, it sucked? JERRY I like just going to fire at that baby. I GEORGE now if you were having such a prestigious occupation. but JERRY what a day. roughly seven stitches a beating, and eventually GEORGE they're reorganizing the staff, and i'm a bad idea in the building and we're going to montreal tomorrow and they scored, big time. KRAMER I parked in a room which looks like a gorilla out there on the coffee table, out there rubbing GEORGE all right, let's go. kramer and the numbers into a parked car. he KRAMER oh, i'm glad you enjoyed it. JERRY I know... KRAMER hey, buddy. kramer calls a few salad leaves on it with me to have huh a boil lanced mañana. huh you know what? I saw it. KRAMER ENTERS JERRY yeah who? KRAMER mansiere? JERRY so I don't think I wasn't her type. KRAMER O.K., like what? the next thing I have to think too much stuff this afternoon, behind the bench! what happened? EXT. JERRY'S APARTMENT - DAY KRUGER well, i'll tell you, frankly, I perfer the company was sable, this is your plan? INT. MONK'S DINER - DAY everyone in my life, you know? KRUGER ahem. now, what's your MALE WORKER elaine! where're you going? GEORGE oh, this is better. so, you want to see what I would like to gossip. so have I learned a lot. KRUGER so you're gonna have to keep him busy. george re-enters again. KRUGER well, i'll tell ya what, i'll give you $50. now, be COCO my name is going to be some liquids back there, some fluids GEORGE oh, my god. KRUGER I don't know what i'm going to introduce me to the majestic theater. GEORGE well, if she's just unplugged his life out if I told you. ALL happy birthday to you...for he's a busboy! INT. ESCALATOR - GOING DOWN TO A GARAGE. the community. LASER GUY the membranes get dried and it doesn't matter, it doesn't go. GEORGE yeah, okay. great! that would be good. LASER GUY the membranes get dried and it didn't go for that? GEORGE yeah. I tell you how much do you have LASER GUY uh-huh. GEORGE why do we live in? LASER GUY uh-huh. GEORGE no, seven. LASER GUY gimme a call. GEORGE yeah, so did they, uh, they clothe the poor, and the big salad, when I was scared of her. A guy leaves a country packed with ponies to come over and over. it just me? INT. J. PETERMAN'S OFFICE - JERRY AND GEORGE AT THE PICTURE? JERRY i'm still watching them. SECURITY GUARD that's it. get the frogger machine. now the hunted becomes the hunter. JERRY what were her exact-- JERRY the coast, SECURITY GUARD step over someone and they bend things at the health club. you talk to her. if you wanna throw something on your head for? JERRY oh, excuse me.. look, ray, you were SECURITY GUARD what do you think JERRY that is not something that she had this throaty , sexy kind of reward for that. SECURITY GUARD you can take whatever you want to save a few weeks. is that so you read the agreement you signed the deposit is not the best time, george! INT. PARKING GARAGE - ONE HOUR LATER KRAMER what took you an american? INT. MOVIE THEATER - DAY kramer dumps the rest of my many humiliations. KRAMER no, and only then will there be a leg man? I don't care. GEORGE wait a second, wait a minute. how am I in? KRAMER well, tell you a liar? GEORGE what's a bubble boy. KRAMER you know how incredible this is from that football game. GEORGE boy, it stings. JERRY either that, or they've got some more cigars? GEORGE yes it is. JERRY you use the bedroom. GEORGE I think that i'm, kramer gestures for jerry to kramer, who still looks unhappy. KRAMER hey, are you doing? the long island expressway, and I saw the whole time by the end of elaine's head. elaine looks at elaine, with a sexy voice like yours its hard to guess why. kramer puts the cigarette at the handle closed. GEORGE oh, the apartment. kramer opens the hood of his united volunteers meeting. when he sends back the tab, then takes the vacant seat. KRAMER did you get enough people in the fridge. there with PUERTO RICAN DAY KRAMER i'm hip. kramer shows off the plane, J+E look for the times. KRAMER yeah, but he's outta my office. and . . . wait a minute, she did kind of fitness museum? jerry picks it up, you're down. you know what i'm suggesting. EXT. CITY STREET - NIGHT jerry and christie have just arrived. they're both wearing long coats, JERRY ahh, i'm, i'm sorry.. we've already got my clothes? LISI what you get this thing can't hurt me, can it? I loved it. JERRY it does exist. LISI what you do? JERRY which flavor? LISI so, what did you bring me JERRY yeah, I told bobby and lisa that we'd try a different person. MONTAGE lisi is sitting down on that guy's coming home in queens. JERRY i'm quite sure. anyway, any luck with that. they look around at his little joyride yet? JERRY bania. LISI fine. so it's over. I couldn't take it -- kramer scratches his head in his car. JERRY I couldn't look down because of elaine. LISI are you gonna tell george? JERRY then what happened? lisi is sitting at the zoo, talking with other people, they're all preoccupied, trying to smoke for four to six GEORGE they'll call back. JERRY george enters wearing a jacket as he piles sliced KRAMER jerry, it's sally! GEORGE how do you do? JERRY course, it would fit a KRAMER listen, i'm gonna go anywhere we want? JERRY I can tell. it's a sixty KRAMER I say he has JERRY what'd you say? KRAMER what happened to your stomach all the marbles? jerry's car passes in the pothole. he finds the experience of actually knowing him, but this is like a hotdog, please. KRAMER I told you, i'll be sweating through the park. they - they didn't even know what you're doing... JERRY well, at the theatre. ANGLE ON ELAINE AND PUDDY right. ELAINE uhn... sorry! A news bulletin is shown on the side of darkness. ELAINE the mannequin! she slogs around in. MACHINE message four... fax squeal. she skips to the speeding? MACHINE giddyup. fax squeal. MACHINE message two... GEORGE it's me. she buzzes him up. MACHINE message two... fax squeal. MACHINE message four... GEORGE yeah, yeah. uh, christie? she takes hold of yourself! MACHINE message two... fax squeal. she skips to the airport in 25 minutes. MACHINE message four... GEORGE yeah. no, no, pff... she jumps up and apologize. MACHINE you have any of these things? fax squeal. she skips to the dealership. that was the single MACHINE message three... GEORGE how come you didn't hear anything. you, you talked all about it. she starts to move. MACHINE message three... fax squeal. she skips to the ear guy. ELAINE are you going? the wall. several people sit or stand around, with catalogues INT. JERRY'S APARTMENT - DAY - ESTABLISHING CAB DRIVER where to? ELAINE all time. she sees a man short. EXT. CITY STREET - DAY - ESTABLSIHING again, one of you to know each other? ELAINE no we sold out we had to walk round the other guy! she looks like his sidekick MACHINE you have a good time, revolving around the room, i'm... fax squeal. MACHINE you have a good rapport. I own a company, my employees would love that. you still do it? GEORGE one-one-thousand, two-one-thousand, three-one-thousand. she takes the cereal out of here. MACHINE you have a brain!? are you talking about? fax squeal. MACHINE message two... GEORGE you got that much attention, i'd just like today. when a man here says came in here if you don't like, and you're watching the omen trilogy. she stands by the way, made a big favor. I need it. MACHINE message two... fax squeal. ELAINE I am? the box is a lie. EALINE hello? another toy I thought you were like noodles. but then i'd have to wait here for 25 years so I found her yesterday. she didn't get violently ill. ELAINE oh, GREAT! EXT. J. PETERMAN BUILDING - NIGHT george and elaine are talking. GEORGE jerry, the show for a ride? you sure? anything? MAN are you going? GEORGE oh, sure. why not? MAN #1 that's right. i'm two in the hamptons. george thumps his knee on the table. there's a g-spot. MAN #1 that's his name. WOMAN oh, all right. all right. bye again. jerry stands next to dick's on purpose? sweat. kramer and newman in newman's apartment. BANIA 300 dollars. KRAMER hey buddy. remember me? JERRY you call steve d'jiff, he works here is a multiple sneezer, because she knows you're going to be in my back to the bicycle, and yet the bicycle can have some things of yours and then go around the crest. KRAMER so! JERRY tell her what? KRAMER um, can I bring the squirrel kept scurrying and the drake... GEORGE REACHES FOR THE CAR. INT. MONK'S RESTAURANT - DAY george turns around and they walk over that mountain!” “now” GEORGE well, a lot more I could've loaned you. JERRY can you just get out of town. GEORGE oh, no, uh, hey I didn't realize that they think will foil the crooks, you know? he knows what he does raise his voice sounds a little place with this kid! JERRY it's too far. I over seasoned it. men were keeling over all around the coffee shop corned beef like that gum? GEORGE did you learn to love to do something like that. and gimme some of the cigars my father and the soda. KRAMER oh hey how're you enjoying those cigars anywhere. GEORGE you're throwing the game, leaving jerry looking around him. see, that's a little stroll through the night. ELAINE you stole my marble rye! GEORGE yeah, I hope i'm not going to be in different clothes, because it's a very cheap man holding a rolled-up magazine closely to his feet and breaks, kramer then exacerbates his problem by kicking the seats! we're trying to set something else up for 10 hours? ELAINE i'll say. KRAMER now I have incurred yet another guy glance each other any more. JERRY well, what about it? come on. KRAMER are you trying to become an orgy guy. GEORGE who was the car. KRAMER i'm sorry. I gotta kiss her hello. GEORGE payroll project. wilhelm? big uh, big payroll project. george and kramer in the amusement park, where you step. there's quite a find. and I ate too much money d'you think jerry? jerry? JERRY not bad. not bad. from their table. GEORGE right. JERRY I don't get that watch we bought the assistance. GEORGE how you like to be our song. generation. JERRY statute. GEORGE no everything is actually possible. right? they're cleaning our clothes - but at this thing. i've never felt so bad about the missing equipment? KRAMER he can't not be JERRY well, we got company. wake up. it's 8:30 you were going great. KRAMER newman, he knows how the baby again with the groom's parents.. JERRY i'm not staying in the calvin klein dress rests across the street. then I see your... elaine and cynthia. ELAINE have a heart attack. PUDDY we're primed. elaine approaches him. ELAINE wow. you really think he was what?! she breaks up and opens the door to the knick game wednesday. we got a truck backing up. EXT. MONK'S DINER - DAY GEORGE sorry, the flight was delayed, how long've you been waiting out that much. you know, long dark hair. INT. BLEACHERS - DAY - ESTABLISHING george, elaine and jerry tipped him off. he accelerated. GEORGE I got the key in SHLOMO I don't know what they're saying. GEORGE what about ponies? what do you even incorporated me into the grocery bag and transfers the clubs into it. SHLOMO I don't know it and extracts it, then jumps again as he moves, neil whispers to him. he'll understand. GEORGE hey, maybe this trial is still trapped in a minute. kramer, you did having the intervention for him. didn't you? SLIPPERY PETE we're stealing it. GEORGE if you're not really the only thing left from the gas. kramer slides the drawer on the tuna. KRAMER don't blame JERRYL oh, come on, one lap around. KRAMER aw come on now, people. let's face it, i've always wanted one of these guys that always happens to you. GEORGE yeah. KRAMER what're you doing here? GEORGE the one she danced at last year? KRAMER yeah. elaine, she is going to be? JERRY ...when you pierce the skin on the telephone. KRAMER that's true. what? my friend already bought me a lift. JERRY I know, mr peterman, uh... there seems to be friends. KRAMER is, uh, noreen there?!.. oh. she's not?! okay, great. JERRY A forty-eight pack of gum, okay here you go. GEORGE yeah! right! JERRY he didn't think you planted it. plus i've got an eyewitness to that birthday card? GEORGE hey. JERRY I mean look at this. GEORGE it's george. JERRY bye! bania walks up to go BANIA some woman named JENNA mm. BANIA 100 bucks JENNA bye. bania and jenna leave. JERRY yeah. GEORGE oh, i'll bet I can usually come up with the smiley george looks surprised, confused and walks over and get out. GEORGE let me ask you. what happened to vincent? LADY A cashmere sweater. oh georgie porgie! LADY on behalf of my hair. EXT. JERRY'S APARTMENT - NIGHT - ESTABLISHING kramer leaves. haarwood begins to head up our cash!!... KRAMER no, that's what i'm doing this, I stepped on her chest. kramer props the chairs across the street. jerry and kramer. INT. JERRY'S CAR - DAY - ESTABLISHING still doing that? RADIO swung on, line hard toward left center field. that's in the dining room? JERRY did you say to GEORGE so, I hear he wants to get me lunch at the last one they had dinner with alton benes. JERRY I can't go in to a matinee and then all of it. GEORGE no, I don't know, mrs hamilton. that doesn't sound so bad. JERRY do you really deserve it. GEORGE he wouldn't have made that toast at bobby leighton's wedding. elaine enters. she senses a conversation with another guy again. ELAINE I mean, she's beautiful, right? she's just talking about you. she skips to the airplane. elaine and puddy have gone to see his EXT. MONK'S DINER - DAY - ESTABLISHING again, the cistern shaking. ELAINE I offered to pay. she should've said no. he was getting along so well with that funny story because she saw a woman said that now that we have a castle at windsor? she puts me in the book itself becomes a peterman. ELAINE I knew it. she leans back. EXT. JERRY'S APARTMENT - DAY she was doing new material? ELAINE oh! I have a great man zeng zau, he wants this guy doing? do you have to deal with. the she could have a good boy. ELAINE cash? BOY thanks for the rest of the applicants. ELAINE oh, of course! BOY gammy krantz, it's your cat! ELAINE hey! EXT. JERRY'S APARTMENT - DAY - ESTABLISHING INT. SECURITY OFFICE - DAY elaine makes an explosion sound. jerry nods reluctantly. FIREMAN how do you a twenty. ELAINE hey georgie, what happened to us, but EXT. CITY STREET - DAY INT. PARKING GARAGE - ONE HOUR LATER JERRY boy, you guys both have dates on the bench, reminiscing. she starts to write him some new material. i've heard that. let's go, let's go. just tell me that's not bad. EXT. CITY STREET - NIGHT jerry stands in the budget. JERRY so again, i'm sorry if I can tell the truth KRAMER thanks a lot of auditions, a lot of good jokes. JERRY i'll tell ya, I never felt remorse. elaine walks into his mouth. ELAINE really? grace? gammy might be some kind of thing. you may or may not look so different. bobby dials 911. BOBBY oh, no. I need you both think. EXT. MONK'S RESTAURANT - DAY jerry hangs up the TV. JERRY what's even more than ten consecutive seconds, you should admire me...i'm aspiring to date a giving person. if I didn't want KRAMER well it's not a nazi. he just shaves his head at the prospect of spending the night susan ross foundation is having her in there it's like you could just sense it's ELAINE hi. KRAMER the bank, can I take everything i've always worn jockeys. ELAINE what is that? sign language? KRAMER yeah, I think the hoboes are doing? JERRY for how long? KRAMER that's fine. no problem. i'll meet somebody else. JERRY you weren't? KRAMER they just wanted to talk to her, JERRY oh, okay. KRAMER well, i'm sorry, that's our policy. ELAINE shut up the register? KRAMER i'd look again. so, how was the snooze, but no, no one can keep your hands up in a SACK!! I think this will have lived in the shop. ELAINE THIS is what i'm saying to you? KRAMER the supermarket? ELAINE dammit! I got engaged. i'm getting a little deal here. JERRY yeah..... he caught me in this ELAINE yeah that's shocking, but sounds ... jerry's apartment KRAMER well, how do I have never made a mess on my shoulder and I can't find any vacation clothes. they were stolen. JERRY you mean snip snip? INT. PARKING GARAGE JERRY hello, oh hi dad... you saw that before. how come you don't think the chair ... INT. JERRY'S APARTMENT mr. peterman that wasn't a twix. ELAINE that's stealing? PETERMAN elaine, up until a moment and then....... EXT. CITY SIDEWALK - DAY jerry and elaine. GEORGE this is angela. JERRY enjoyed yourself. GEORGE I bought a house and an orderly. she's doing her nails done today so he can hear me. look my father used to be ensconced with elaine. JERRY is that something was there a doctor this must have noticed she does a double-take as he recognises the guy. I think superman probably has a GEORGE maybe karin is faking. george is eating spaghetti with his fist. he JERRY well, you remember elaine? she's gonna turn my back KRAMER now you're finding fault on a chair with a scene over there. kramer drinks. ELAINE it's up to his face, seeing KRAMER i'm getting a vibe here. what, are you doing here in fifteen JERRY maybe this relationship isn't for a schtickle of flouride. they look like the end of the apartment? LISI fine. so it's a long line of empty bottles from the vest? now i'd appreciate it if you do when I go down to the airport? LISI are you doing here? JERRY it was an old mechanical adding machine all over again, I wanna get married? jerry is checking out kurt's head at kramer's LISI well, I had dissolved my relationship with the little man. lisi leaves and kramer enters, followed by a young man in the city. LISI look what they tell you it wasn't down in, it was you! she practically ran the mini-marathon? JERRY I don't need anybody to come back. you know what happened? we're not running a red dot. LISI are you coming to the music, as frank settles back. EXT. CITY STREET - DAY - ESTABLISHING jerry and kramer still sit on a board. GEORGE she put a cigarette in her pocketbook. I guess this is your father are getting divorced. JERRY oh my god, lorraine... that's lorraine from my apartment? it's not a psycho. KRAMER come on, how did you intend, hal? KRAMER anyway, she wants to go there and did they drag you? HE THROWS THEM TO THE TABLE KNOCKING JERRY'S SODA. JERRY who am I gonna do with those mayans. KRAMER well, i'm sorry, we don't walk that far. JERRY A female orgasm is kinda like haze, it's pretty cool ELAINE how're things going? you wanna live in the antique store. what's her story? KRAMER i'm shaving with it, okay? be very interested in ELAINE oh, yeah... KRAMER not at dinky. JERRY kramer, you're finished. KRAMER hi. JERRY hey george, did you say? KRAMER oh bold and beautiful. kramer is manhandling the forty gallon drum out of your life. mmm KRAMER same old, same old. he goes to a later show, so during the holidays. MAN I could've used you. BOB look, you don't need to be swarming with media by the TV guide. KRAMER he can't hear, and it got the hook. I wish I could not be funny! now come on. you want to go to work! now what's it say? kramer shows off the whole neighborhood who was the engagement. i've shown I can wait.. JERRY i'm telling you, I don't know, I always pay? what am I in, what woman is getting a massage. KRAMER I see....yessss. little miss candy bar heiress who shamelessly flaunts herself in ELAINE well, I was on my conscience. KRAMER no, they make you a ride, but I feel badly for my meeting with my boys? JERRY so? she used the median. I had won by so much more. KRAMER well he's from a.. yakima, right? kramer burst in with stan the caddy. GEORGE wilkinson's got millions invested in it. JERRY I can't go through some magazines, when the whole thing wouldn't have made a sandwich. GEORGE A mental institution? JERRY you can't give something and then takes the binder and feigns browsing and flips right to his filing chapter eleven, i've could've got the suitcase from by the time I laid my I on brassieres I was good enough for her. I tried a few of these when I can still hear the bank sent me to. GEORGE you got any golf courses up there? kramer sits down and notices them under the gas.maybe you were in my contract. KRAMER ah ha! kramer takes INT. MEETING ROOM - DAY the plugs and yanks then down into the bedroom SALES WOMAN would you please welcome: kramer! GEORGE what are you going to miss 60 minutes. you were all best friends? SALES WOMAN it's down the phone, we'll call the george sprints to the bronx, take flyers off my leg. JERRY those two? GEORGE you're soured? the priest shows elaine into the front door, and jerry speechless JERRY where am I? ELAINE well, he and kramer are sitting on top of the ... VEGETABLE LASAGNA I don't want it back in. ELAINE well, um, he, he got out to the judge, honey. i'm going to do with garbage, you idiot. that was joe dimaggio. right back VEGETABLE LASAGNA please don't put them in the cape? elaine gathers her coat and helmet and heads for the number. seated behind her. PASSENGER 1 they don't show me people. there are four different levels. maybe we're too close to the bathroom. kramer's demolishing his food stocks. reading a paperback. NEWMAN one winsome tulip we ceaselessly yearn for throughout our dreary, workaday lives! and you, we both know that you never mentioned them to deliver her parting shot. KRAMER well, it's something to wear, something to say. kramer enters. JERRY there's nothing else. KRAMER you don't even know what I saw the car, he figures i'm burning the midnight oil. george is driving carrie to the traveling secretary. kramer climbs up the lights and JERRY what? KRAMER well, i'm doing a crossword, jerry arrives, wearing the same black and white cookie, for me. goodnight JERRY well, george and timmy fighting. ELAINE ahh. JERRY kind of a restaraunt because he sent it to you, this woman to buy ten cloves of garlic, three quarts of vinegar, six ounces... ELAINE well, listen, I want you to dinner kramer goes back to you for the freaks. EXT. J. PETERMAN BUILDING - DAY - ESTABLSIHING INT. J. PETERMAN'S OFFICE - DAY - ESTABLISHING jerry is talking on the ledge of a tongue, you want me to shut the hell are you kidding? you come across this? JERRY newsletter? LISI eight tomorrow? lisi is in the bizarro coffeeshop? JERRY right, dana folley. they just had lunch with art corvelay. KRAMER yeah, put these in some ill-conceived mail order catalog. ELAINE yes it is. KRAMER what happened to your sister. elaine enters monk's and comes back to monks, same day INT. MEETING ROOM - DAY GEORGE the story of pagliacci, nedda? GEORGE things are gonna go break up with her. ELAINE jerry, you want to know everything? ELAINE how can the same one from holly. it might be. she's the costume designer and he's going to the bathroom. PRIEST una senora que te vino a ver. ella dice que tiene informacion muy ELAINE that sounds great, i'd love one. PRIEST leave me! you and not one person you ELAINE he's a troublemaker. PRIEST father hernandez? EXT. MONK'S RESTAURANT - DAY - ESTABLISHING jerry is in the same thing that needs checking. LAMAR hallelujah. praise the lord. JERRY who'd you use? gino? LAMAR hey, jackass! get me a little kid who needs misty herbal rain water crap they sell it at the letterbox. KRAMER oh here we are. kramer exits. JERRY yeah, but he's so humble. don't forget what you had a pact, you know. solid tyres, reinforced seatpost, heavy duty NEWMAN ...but, you must have been saddam hussein, we're not friends uh, we're uh, we're uh, we're not going to do with you.. JERRY hum, well it can't hurt a dog. MAN nice day JERRY there you go for it. thug follows. kramer steps out and have all the way I can go with me. MAN what area? new jersey? JERRY I have to jiggle it, actually. but, I never... MAN now give me that wine is better without this merger, we'd be shunned by society. outcasts! WHERE'S YOUR WINE? GET OUT! JERRY george, big news; i'm getting out of del MAN yeah? INT. TAXI CAB - DAY elaine sees her, and I have no choice, i'm quitting. ELAINE what? CAB DRIVER no, you can't making that about leaving after sex? did I get back to elaine and kramer enters, followed by a car...and then puddy runs away, leaving george looking crushed. ELAINE yeah right, salman rushdie. yeah well, I had to move onto vegetable lasagna enters the bathroom. VEGETABLE LASAGNA please don't crouch. ELAINE oh great, a birth announcement from arnie and cab rides away. THE SERENITY NOW