[generated output in 1 tries] THE JACKET written by alec berg & jeff schaffer david mandel INT. LISI'S APARTMENT - NIGHT george and ava walk towards him. GEORGE it's the end of the accident, while looking for george? the rib turned and the grocery store. BOY the tryout lasts three and a slice of bread on, GEORGE well, I, for one, really respect that. the other so they forgot to take some of them are pop and deena sit on newman's door. newman BOY gammy! GEORGE no good watching that again? why? just to keep a person to leave it there? the reflection of leaping flames can be heard from the front car? JERRY who said you could not spare it ELAINE very much. JERRY whatever. ELAINE how am I gonna pay for this? fifty, sixty thousand? JERRY i'd like to take you long. kramer holds one hand and sits down. KRAMER something's very strange. very strange. george goes out into his apartment; there are general remarks of relief from the schwinn's bell, and kramer sit on chairs. they are working their way through a million of these look close? kramer throws a big ass. GEORGE uh, good. JERRY you can take whatever you want? KRAMER hey. JERRY you don't mind, do you? KRAMER oh? what's that? THEY REACT... JERRY poppie! KRAMER alright, i'm gonna do now? JERRY we'll call him tomorrow. KRAMER it's terrible! elaine walks back into the passenger seat. JERRY well, it's a mystery. ELAINE at least I go they gave me! JERRY I don't know any cooks. I don't know. he wouldn't say that. LISI yeah. JERRY do I have? LISI 9:30. JERRY what's it about? LISI boy, did he do? JERRY you know that you lost the supersaver. those tickets I gave you? well it turns into J. edgar hoover! LISI well, I can't believe i'm doing some work. EXT. J. PETERMAN no washcloths! jerry arrives at lena's apartment. JERRY oh my god. LISI boy, did your mother told me what?! they heard it? JERRY you want to unwind. LISI eight tomorrow? JERRY yes. lisi is crying and jerry admire the mob's handiwork. GEORGE i'm not a little bit slow out there today, that every time I gotta be stupid to JERRY hey, that's my bike! GEORGE an idea. elaine and jerry ELAINE you're kidding. she thinks you're a shmoopy! ELAINE okay, you don't... she opens it to me baby. ELAINE what does it matter if it's a good idea for a few pages. BOY gammy krantz, it's your go-go corporate takeover lifestyles that are red on the phone rings, but kramer stopped me. ELAINE all right. BOY gammy! ELAINE but you know like a note to an audition... still waiting for hours! EXT. CITY STREET - DAY - ESTABLISHING GEORGE simple joke from a female passerby and INT. JERRY'S APARTMENT - NIGHT george turns to face or can I tell you, I really like those chocolate chip ones. then I got a runner here! get outta this thing because if there's anything I don't see many dogs on that fifty dollars comes to his feet and heads out the window of the ribs down, and the turbo was separated from the hallway. GEORGE give me a room which contains some fitness equipment - MAN but it's not like me. GEORGE what? MAN #1 there's the guy went long. george at monk's. MR. PITT elaine! how did she break up with this crap? GEORGE well you might be a little messier around the TV, which sits ruthie MR. LIPPMAN no. no. no. no. let's get back to the jockeys? unbeknownst to george, who is more of these walkers. MAN IN SHOWER, hey! the limit. unless, of course, not sitting in the garage. walks in. BANIA yeah. well, that sounds about right! JERRY we do this BANIA kramer. GEORGE isn't it? JERRY so, you think they'll really get that job? GEORGE well, I gotta run some errands. you want something to sit down and make cinqo de mayo numero uno... de mayo. kramer leaves and closes her eyes. KRAMER i'm proud of you. JERRY hot out. KRAMER what? THE CURTAIN IS A TRAY OF FOOD. HE PICKS UP THE TRAY. KRAMER IS